A mesmerizing tale of adventure and romance: An anomaly of time transports a twentieth-century man backward through history toward the greatest catastrophe the world has ever known Looking out over the Pacific Ocean from the deck of a luxury cruise liner, American architect Duncan Reid is suddenly caught up in an inexplicable event—and when he awakens he is somewhere . . . different. Duncan has inadvertently fallen victim to a fatally malfunctioning time machine from the future, along with three equally startled companions from vastly different epochs and civilizations, and now he stands with them on the rocky Mediterranean coast of Egypt in the year 4000 BCE. With the aid of miraculous technology supplied by the dying time machine, the displaced four are able to communicate and share their stories, the most startling being the tale told by the one woman among them, the bewitching Erissa. Only decades removed from her actual time, she claims to be a priestess from Atlantis who views Duncan as a god, and she represents perhaps their only hope of returning to their rightful eras. But to do so will entail immersing themselves in the savage turmoil of an ancient world and placing themselves in harm’s way on the eve of the most terrible devastation in human history. A true giant of twentieth-century fantasy and science fiction, multiple Hugo and Nebula Award winner Poul Anderson astounds once more with a powerful adventure through history and legend that set a towering standard for time travel fiction.

The dancer from Atlantis: Duncan Reid; a twentieth-century American architect, regained consciousness only to find himself hopelessly marooned in the far distant past along with a medieval Russian, a fourth-century Hun, and a sacred priestess who worshiped him as a god. Together they formed a strange alliance which non dared break. For if their alliance failed all of them might perish.

Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.

Shortlisted for the European Association of Archaeologies 2023 book prize In Search of the Labyrinth explores the enduring cultural legacy of Minoan Crete by offering an overview of Minoan archaeology and modern responses to it in literature, the visual and performing arts, and other cultural practices. The focus is on the twentieth century, and on responses that involve a clear engagement with the material culture of Minoan Crete, not just with mythological narratives in Classical sources, as illustrated by the works of novelists, poets, avant-garde artists, couturiers, musicians, philosophers, architects, film directors, and even psychoanalysts – from Sigmund Freud and Marcel Proust to D.H. Lawrence, Cecil Day-Lewis, Oswald Spengler, Nikos Kazantzakis, Robert Graves, André Gide, Mary Renault, Christa Wolf, Don DeLillo, Rhea Galanaki, Léon Bakst, Marc Chagall, Mariano Fortuny, Robert Wise, Martin Heidegger, Karl Lagerfeld, and Harrison Birtwistle, among many others. The volume also explores the fascination with things Minoan in antiquity and in the present millennium: from Minoan-inspired motifs decorating pottery of the Greek Early Iron Age, to uses of the Minoans in twenty-first-century music, poetry, fashion, and other media.

Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.

The Shalimar Ali Dance Technique training style combined choreography and dance technique that certified local dancers at Beginning, Intermediate, Advanced, Group and Performer level. This technique is now available to dance students everywhere and includes choreography, dance technique and quizzes for each different level. You can also participate in the Certification program by performing the dance choreographies and uploading them at www.youtube.com.

This book opens up new perspectives on the English fantasy writer J.R.R. Tolkien, arguing that he was an influential thinker of utopianism in 20th-century fiction and that his scrutiny of utopias can be assessed through his dialogue with antiquity. Tolkien's engagement with the ancient world often reflects an interest in retrotopianism: his fictional places – cities, forests, homes – draw on a rich (post-)classical narrative imagination of similar spaces. Importantly for Tolkien, such narratives entail 'eutopian' thought experiments: the decline and fall of distinctly 'classical' communities provide an utopian blueprint for future political restorations; the home as oikos becomes a space where an ideal ethical reciprocity between host and guest can be sought; the 'ancient forest' is an ambiguous, unsettling site where characters can experience necessary forms of awakening. From these perspectives, tokens of Platonic moderation, Augustan restoration, Homeric xenophilia, and the Ovidian material sublime are evident in Tolkien's writing. Likewise, his retrotopianism also always entails a rewriting of ancient narratives in post-classical and modern terms. This study then explores how Tolkien's use of the classical past can help us to align classical and utopian studies, and thus to reflect on the ranges and limits of utopianism in classical literature and thought.