The Cyborg Caribbean examines twenty-first-century Cuban, Dominican, and Puerto Rican science fiction, showing how it negotiates legacies of techno-colonialism and techno-authoritarianism. It traces histories of four different technologies--electroconvulsive therapy (ECT), nuclear weapons, space exploration, and digital avatars--that have transformed corporality and humanity in the Caribbean.

The Cyborg Caribbean examines a wide range of twenty-first-century Cuban, Dominican, and Puerto Rican science fiction texts, arguing that authors from Pedro Cabiya, Alexandra Pagan-Velez, and Vagabond Beaumont to Yasmin Silvia Portales, Erick Mota, and Yoss, Haris Durrani, and Rita Indiana Hernandez, among others, negotiate rhetorical legacies of historical techno-colonialism and techno-authoritarianism. The authors span the Hispanic Caribbean and their respective diasporas, reflecting how science fiction as a genre has the ability to manipulate political borders. As both a literary and historical study, the book traces four different technologies—electroconvulsive therapy, nuclear weapons, space exploration, and digital avatars—that have transformed understandings of corporality and humanity in the Caribbean. By recognizing the ways that increased technology may amplify the marginalization of bodies based on race, gender, sexuality, and other factors, the science fiction texts studied in this book challenge oppressive narratives that link technological and sociopolitical progress. .

Far from Mecca: Globalizing the Muslim Caribbean is the first academic work on Muslims in the English-speaking Caribbean. Khan focuses on the fiction, poetry and music of Islam in Guyana, Trinidad, and Jamaica, combining archival research, ethnography, and literary analysis to argue for a historical continuity of Afro- and Indo-Muslim presence and cultural production in the Caribbean: from Arabic-language autobiographical and religious texts written by enslaved Sufi West Africans in nineteenth century Jamaica, to early twentieth century fictions of post-indenture South Asian Muslim indigeneity and El Dorado, to the 1990 Jamaat al-Muslimeen attempted government coup in Trinidad and its calypso music, to judicial cases of contemporary interaction between Caribbean Muslims and global terrorism. Khan argues that the Caribbean Muslim subject, the "fullaman," a performative identity that relies on gendering and racializing Islam, troubles discourses of creolization that are fundamental to postcolonial nationalisms in the Caribbean.

The first book on pan-Caribbean life writing, Dreams of Archives Unfolded reveals the innovative formal practices used to write about historical absences within contemporary personal narratives. Although the premier genres of writing postcoloniality in the Caribbean have been understood to be fiction and poetry, established figures such as Erna Brodber, Maryse Condé, Lorna Goodison, Edwidge Danticat, Saidiya Hartmann, Ruth Behar, and Dionne Brand and emerging writers such as Yvonne Shorter Brown, and Gaiutra Bahadur use life writing to question the relationship between the past and the present. Stitt theorizes that the remarkable flowering of life writing by Caribbean women since 2000 is not an imitation of the “memoir boom” in North America and Europe; instead, it marks a different use of the genre born out of encountering gendered absences in archives and ancestral memory that cannot be filled with more research. Dreams of Archives makes a significant contribution to studies of Caribbean literature by demonstrating that women’s autobiographical narratives published in the past twenty years are feminist epistemological projects that rework Caribbean studies’ longstanding commitment to creating counter-archives.

"The Caribbean has a powerful, modern tradition of fantastic literature that's on full display in this anthology of original fiction by writers from Barbados, Trinidad and Tobago, and Bermuda...None of these writers is likely to be familiar to American audiences, but all are worth getting to know. Readers who love the writing of Nalo Hopkinson, Tobias S. Buckell, and Lord herself will savor this volume." --Publishers Weekly, Starred review "New Worlds, Old Ways fulfills its promise of arriving at a recognizable genre of Caribbean speculative fiction. Prior to this collection we have not had any reader-friendly approaches that have directly addressed the genre of Caribbean speculative fiction. Lord, and the various writers in this collection, have given readers access to a hitherto unexplored genre, one that differentiates as well as connects to the treasure trove of Caribbean literature. The collection is a boon for scholars and reading aficionados of the Speculative Fiction genre. And as the editor states, true to its world, New Worlds, Old Ways offers both depth and delight without disappointment. It suggests tthat if one looks closely enough, they will find that Caribbean fiction has always been speculative." --SX Salon Do not be misled by the "speculative" in the title. Although there may be robots and fantastical creatures, these common symbols are tools to frame the familiar from fresh perspectives. Here you will find the recent past and ongoing present of government and society with curfews, crime, and corruption; the universal themes of family, growth and death, love and hate; the struggle to thrive when power is capricious and revenge too bittersweet. Here too is the passage of everything—old ways, places, peoples, and ourselves—leaving nothing behind but memories, histories, and stories. This anthology speaks to the fragility of our Caribbean home, but reminds the reader that although home may be vulnerable, it is also beautifully resilient. The voice of our literature declares that in spite of disasters, this people and this place shall not be wholly destroyed. Read for delight, then read for depth, and you will not be disappointed. Brand-new stories by: Tammi Browne-Bannister, Summer Edward, Portia Subran, Brandon O'Brien, Kevin Jared Hosein, Richard B. Lynch, Elizabeth J. Jones, Damion Wilson, Brian Franklin, Ararimeh Aiyejina, and H.K. Williams. New Worlds, Old Ways is the third publication of Peekash Press, an imprint of Akashic Books and Peepal Tree Press committed to supporting the emergence of new Caribbean writing, and as part of the CaribLit project.

Women across the Caribbean have been writing, reading, and exchanging cookbooks since at least the turn of the nineteenth century. These cookbooks are about much more than cooking. Through cookbooks, Caribbean women, and a few men, have shaped, embedded, and contested colonial and domestic orders, delineated the contours of independent national cultures, and transformed tastes for independence into flavors of domestic autonomy. Culinary Colonialism, Caribbean Cookbooks, and Recipes for National Independence integrates new documents into the Caribbean archive and presents them in a rare pan-Caribbean perspective. The first book-length consideration of Caribbean cookbooks, Culinary Colonialism joins a growing body of work in Caribbean studies and food studies that considers the intersections of food writing, race, class, gender, and nationality. A selection of recipes, culled from the archive that Culinary Colonialism assembles, allows readers to savor the confluence of culinary traditions and local specifications that connect and distinguish national cuisines in the Caribbean.

Taking the reader into the lived experience of Afro-Caribbean people who call the watery lowlands of Belize home, Melissa A. Johnson traces Belizean Creole peoples' relationships with the plants, animals, water, and soils around them, and analyzes how these relationships intersect with transnational racial assemblages.