The Culture of Hunting in Canada covers elements of the history of hunting from the pre-colonial period until the present in all parts of Canada and features essays by practitioners and scholars of hunting and by pro- and anti-hunting lobbyists. The result crosses the boundaries between scholarship and personal reflection, and between academia and advocacy. Topics include hunting identities; conservation and its relationship to hunting; tensions between hunters and non-hunters and between Aboriginal and non-Aboriginal hunting groups; hunting ethics; debates over hunting practices and regulations; animal rights; and gun control. This book makes an unprecedented contribution to the study of hunting in Canada and its role in our culture.

The history of hunting, from Stone Age hunter-gatherers to today’s sport hunters. Hunting has a long history, beginning with our hominid ancestors. The invention of the spear allowed early humans to graduate from scavenging to actual hunting. The famous cave paintings at Lascaux show a meticulous knowledge of animal behavior and anatomy that only a hunter would have. This volume in the MIT Press Essential Knowledge series traces the evolution of hunting, from Stone Age hunting and gathering to today’s regulated sport hunting. Humans have been hunting since we became human—but did hunting make us human? The authors consider and question the “hunting hypothesis of human origins,” noting that according to this theory, “hunting” meant hunting by men. They explore hunting in the Stone Age and how, beginning some ten thousand years ago, the spread of agriculture led to the emergence of empires and attempts by elites to monopolize hunting. They examine the democratization of hunting in the American colonies and how hunters decimated, but then, in the twentieth century, rallied to save game animals from extinction. They describe how some European and postcolonial societies have managed wildlife and hunting, consider the difficulties of living with abundant wildlife—even as many nongame species are disappearing—and trace the implications of the increasing participation of women in hunting for the future of hunting.

#1 National Bestseller Finalist, CBC Canada Reads Finalist, Scotiabank Giller Prize By turns savage, biting, funny, poetic, and heartbreaking, Megan Gail Coles’s debut novel rips into the inner lives of a wicked cast of characters, exposing class, gender, and racial tensions over the course of one Valentine’s Day in the dead of a winter storm. Valentine’s Day, the longest day of the year. A fierce blizzard is threatening to tear a strip off the city, while inside The Hazel restaurant a storm system of sex, betrayal, addiction, and hurt is breaking overhead. Iris, a young hostess, is forced to pull a double despite resolving to avoid the charming chef and his wealthy restaurateur wife. Just tables over, Damian, a hungover and self-loathing server, is trying to navigate a potential punch-up with a pair of lit customers who remain oblivious to the rising temperature in the dining room. Meanwhile Olive, a young woman far from her northern home, watches it all unfurl from the fast and frozen street. Through rolling blackouts, we glimpse the truth behind the shroud of scathing lies and unrelenting abuse, and discover that resilience proves most enduring in the dead of this winter’s tale.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

As the nineteenth century ended, the popularity of sport hunting grew and Ontario wildlife became increasingly valuable. Restrictions were imposed on hunting and trapping, completely ignoring Anishinaabeg hunting rights set out in the Robinson Treaties of 1850. Who Controls the Hunt? examines how Ontario's emerging wildlife conservation laws failed to reconcile First Nations treaty rights and the power of the state. David Calverley traces the political and legal arguments prompted by the interplay of treaty rights, provincial and dominion government interests, and the corporate concerns of the Hudson’s Bay Company. A nuanced examination of Indigenous resource issues, the themes of this book remain germane to questions about who controls the hunt in Canada today.

A Hunter's Confession tells the story of hunting in David Carpenter's life, including the reasons he once loved it and the reasons he no longer pursues it. When he was a boy, Carpenter and his father and brother would head out along the side roads and into the prairie marshlands searching for duck, grouse, and partridge. As a young man, he began skulking around the bushes with his hunting buddies and trudging through groves of larch, alpine fir, and willow in search of elk. Later, hunting became a form of therapy, a way to ward off melancholy and depression. In the end, as a result of a dramatic experience after shooting a grouse, Carpenter gave up hunting for good. Winding through this personal narrative is Carpenter's exploration of the history of hunting, subsistence hunting versus hunting for sport, trophy hunting, and the meaning of the hunt for those who have written about it most eloquently. Are wild creatures somehow our property? How is the sport hunter different from the hunter who must kill game to survive? Is there some sort of bridge that might connect aboriginal hunters to non-aboriginal hunters? Why do many hunters feel most fully alive when they

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