Much like the United States, Canada is a nation that’s home to many different kinds of peoples and cultures. Canada is known as a wintery country, and Quebec has one of the largest winter festivals in the world! But there’s much more to Canada than just winter fun. This volume takes readers on an exciting tour of Canada’s colorful history. The fact-filled text explores customs and crafts that show readers firsthand what it’s like to be Canadian. Vibrant photographs of Canadian people, places, food, and icons are paired with accessible, step-by-step instructions for making a host of Canada’s cultural crafts, including a Mountie hat, a Canadian flag, and even traditional Inuit crafts!

Much like the United States, Canada is a nation that’s home to many different kinds of peoples and cultures. Canada is known as a wintery country, and Quebec has one of the largest winter festivals in the world! But there’s much more to Canada than just winter fun. This volume takes readers on an exciting tour of Canada’s colorful history. The fact-filled text explores customs and crafts that show readers firsthand what it’s like to be Canadian. Vibrant photographs of Canadian people, places, food, and icons are paired with accessible, step-by-step instructions for making a host of Canada’s cultural crafts, including a Mountie hat, a Canadian flag, and even traditional Inuit crafts!

Crafting New Traditions: Canadian Innovators and Influences brings together the work of eleven historians and craftspeople to address the two questions of “who has influenced the recent history of Canadian studio craft?” and “who will be considered as the ‘pioneers’ of Canadian craft in the future?”

Dormer presents a series of lively, clearly argued discussions about the relevance of handicraft in a world whose aesthetics and design are largely determined by technology. The question of computer aided design in craft is also addressed.

This highly readable account presents the first overview of craft activity as an integral part of Canadian culture between 1900 and 1950, and reviews the tone and focus of contemporaneous writing about craft. It explores the diversity of all aspects of craft, including makers, production, organizations, education, and government involvement. The history of museums and their lack of response to this major component of Canadian culture combined with the fate of various craft collections raise important, ongoing questions.