This collection introduces the work of Japan’s foremost Marxist writer, Kobayashi Takiji (1903–1933), to an English-speaking audience, providing access to a vibrant, dramatic, politically engaged side of Japanese literature that is seldom seen outside Japan. The volume presents a new translation of Takiji’s fiercely anticapitalist Kani kōsen—a classic that became a runaway bestseller in Japan in 2008, nearly eight decades after its 1929 publication. It also offers the first-ever translations of Yasuko and Life of a Party Member, two outstanding works that unforgettably explore both the costs and fulfillments of revolutionary activism for men and women. The book features a comprehensive introduction by Komori Yōichi, a prominent Takiji scholar and professor of Japanese literature at Tokyo University.

This collection introduces the work of Japan’s foremost Marxist writer, Kobayashi Takiji (1903–1933), to an English-speaking audience, providing access to a vibrant, dramatic, politically engaged side of Japanese literature that is seldom seen outside Japan. The volume presents a new translation of Takiji’s fiercely anticapitalist Kani kōsen—a classic that became a runaway bestseller in Japan in 2008, nearly eight decades after its 1929 publication. It also offers the first-ever translations of Yasuko and Life of a Party Member, two outstanding works that unforgettably explore both the costs and fulfillments of revolutionary activism for men and women. The book features a comprehensive introduction by Komori Yōichi, a prominent Takiji scholar and professor of Japanese literature at Tokyo University.

“A significant contribution to the body of English language scholarship and translation of Japanese proletarian literature. Highly recommended.” —Choice Fiction created by and for the working class emerged worldwide in the early twentieth century as a response to rapid modernization, dramatic inequality, and imperial expansion. In Japan, literary youth, men and women, sought to turn their imaginations and craft to tackling the ensuing injustices, with results that captured both middle-class and worker-farmer readers. This anthology is a landmark introduction to Japanese proletarian literature from that period. Contextualized by introductory essays, forty expertly translated stories touch on topics like perilous factories, predatory bosses, ethnic discrimination, and the myriad indignities of poverty. Together, they show how even intensely personal issues form a pattern of oppression. Fostering labor consciousness as part of an international leftist arts movement, these writers were also challenging the institution of modern literature itself. This anthology demonstrates the vitality of the “red decade” long buried in modern Japanese literary history. “The thread of thought underlying the stories . . . is, as Edmund Wilson eloquently established in To the Finland Station, one of the fundamental components of our contemporary consciousness.” —Kyoto Journal “An essential guidebook for navigating twentieth-century Japan’s literary and political terrain.” —Edward Fowler, University of California, Irvine, author of San’ya Blues: Laboring Life in Contemporary Tokyo “Excellent translations of excellent writers.” —John Whitter Treat, Yale University, author of The Rise and Fall of Modern Japanese Literature “Lucidly structured. . . . The editors have also made the welcome decision to retain self-censored and suppressed passages.” —Japan Times “Engaging and in-depth.” —Japan Studies

Every Alaskan king crab season, brothers Andy and Johnathan Hillstrand risk their lives and seek their fortunes upon the treacherous waters of the Bering Sea. Sons of a hard-bitten, highly successful fisherman, and born with brine in their blood, the Hillstrand boys couldn’t imagine a life without a swaying deck underfoot and a harvest of mighty king crabs waiting to be pulled from the ocean floor. In pursuit of their daily catch, the brothers brave ice floes and heaving waves sixty feet high, the perils of thousand-pound steel traps thrown about by the punishing wind, and the constant menace of the open, hungry water—epitomized in the chorus of a haunting sailors’ sing-along: “Many brave hearts are asleep in the deep, so beware, beware.” By turns raucous and reflective, exhilarating and anguished, enthralling, suspenseful, and wise, Time Bandit chronicles a larger-than-life love affair as old as civilization itself—a love affair between striving, willful man and inscrutable, enduring nature.

A young Native American woman remembers her volatile childhood as she searches for her lost brother in the Canadian wilds in an extraordinary, critically acclaimed debut novel As she races along Canada’s Douglas Channel in her speedboat—heading toward the place where her younger brother Jimmy, presumed drowned, was last seen—twenty-year-old Lisamarie Hill recalls her younger days. A volatile and precocious Native girl growing up in Kitamaat, the Haisla Indian reservation located five hundred miles north of Vancouver, Lisa came of age standing with her feet firmly planted in two different worlds: the spiritual realm of the Haisla and the sobering “real” world with its dangerous temptations of violence, drugs, and despair. From her beloved grandmother, Ma-ma-oo, she learned of tradition and magic; from her adored, Elvis-loving uncle Mick, a Native rights activist on a perilous course, she learned to see clearly, to speak her mind, and never to bow down. But the tragedies that have scarred her life and ultimately led her to these frigid waters cannot destroy her indomitable spirit, even though the ghosts that speak to her in the night warn her that the worst may be yet to come. Easily one of the most admired debut novels to appear in many a decade, Eden Robinson’s Monkey Beach was immediately greeted with universal acclaim—called “gripping” by the San Diego Union-Tribune, “wonderful” by the Milwaukee Journal Sentinel, and “glorious” by the Globe and Mail, earning nominations for numerous literary awards before receiving the Ethel Wilson Fiction Prize. Evocative, moving, haunting, and devastatingly funny, it is an extraordinary read from a brilliant literary voice that must be heard.

“Dazzling…. Vann knows the darkness but he writes from the compassionate light of art. This is an essential book.” —Robert Olen Butler, Pulitzer Prize-winning author of A Good Scent from a Strange Mountain “Exceptional….An unflinching portrait of bad faith and bad dreams.” —Ron Rash, author of Burning Bright Set against the backdrop of Alaska’s unforgiving wilderness, Caribou Island is David Vann’s dark and captivating tale of a marriage pulled apart by rage and regret. With this eagerly anticipated debut novel, a masterful follow-up to his internationally bestselling short fiction anthology, Legend of a Suicide, Vann takes up the mantle of Louise Erdrich, Marilyn Robinson, and Rick Moody, delivering a powerfully wrought, enthrallingly emotional narrative of struggle and isolation.