You're not alone with how you feel about Covid-19. I believe what many people need during these stressful times is to hear from people who feel just like they do, which is why I decided to compile this book of personal pandemic stories from around the world. With more than two dozen submissions from Canada, the United States, China, Kenya, Taiwan, Australia and Jamaica, this book is a reminder that we each have a story to tell, and when we share our stories, our thoughts and even our fears, it reminds those of us who need to hear it the most that even though we may not be physically together, you are not alone! No one really knows exactly what our new normal will be when this pandemic is finally behind us, but we know we will overcome it together by staying socially separated yet socially connected in heart and in spirit. I hope you enjoy these stories as much as I have. Thank you, Kenn

In 2020, the COVID-19 pandemic brought the world to its knees. When we weren’t sheltering in place, we were advised to wear masks, wash our hands, and practice social distancing. We watched in horror as medical personnel worked around the clock to care for the sick and dying. Businesses were shuttered, travel stopped, workers were furloughed, and markets dropped. And people continued to die. Amid all this uncertainty, writers and artists from around the world continued to create comics, commenting directly on how individuals, societies, governments, and markets reacted to the worldwide crisis. COVID Chronicles: A Comics Anthology collects more than sixty such short comics from a diverse set of creators, including indie powerhouses, mainstream artists, Ignatz and Eisner Award winners, and media cartoonists. In narrative styles ranging from realistic to fantastic, they tell stories about adjusting to working from home, homeschooling their kids, missing birthdays and weddings, and being afraid just to leave the house. They probe the failures of government leaders and the social safety net. They dig into the racial bias and systemic inequities that this pandemic helped bring to light. We see what it’s like to get the virus and live to tell about it, or to stand by helplessly as a loved one passes. At times heartbreaking and at others hopeful and humorous, these comics express the anger, anxiety, fear, and bewilderment we feel in the era of COVID-19. Above all, they highlight the power of art and community to help us make sense of a world in crisis, reminding us that we are truly all in this together. The comics in this collection have been generously donated by their creators. A portion of the proceeds from the sale of this volume are being donated by the publisher to the Book Industry Charitable Foundation (Binc) in support of comics shops, bookstores, and their employees who have been adversely affected by the pandemic.

The Year of 2020. For the first time in history, we live together a Global Pandemic. The outbreak of the Coronavirus locked us all in our houses for months. We chose to write. Nana Iavorschi Cnejevici, Istanbul, Turkey; Olga Balan, Rome, Italy; Andra Ticarau, Bucharest, Romania; Dragos Pop, Cluj-Napoca, Romania; Michelle Macias, Ciudad de Mexico, Mexico; Ramona Dumitrean, Cluj-Napoca, Romania; Alina Orasanu, Boston, USA; Santiago Chirino, Ciudad de Mexico, Mexico; Acna Samskiescu, London, UK; Dan Mecu, Braila, Romania; Mihaela Maier, Scarborough, UK; Steven Samples, UK; Kunal Rajput, New Delhi, India; Bianca Opris, Brussels, Belgium; Mihaela Gaicu, Bucharest, Romania; George Smarandache, Slatina, Romania; Sandie Michaels, Bucharest, Romania; Claudiu Neacsu, Tecuci, Romania; Sabina Hesse, Los Angeles, USA; Michael Angus, New York, USA; Mihaela Stoica, Siena, Italy; Serban Hesse, Nurnberg, Germany; Lucia Lobont, Bucharest, Romania; Max Petropoulos, Athens, Greece; Livia Negulescu, Cluj-Napoca, Romania; Zaid Khan, Agra India; Lucia Davis, Auckland, New Zealand; Cornel Nemes, Reno, Nevada, USA; Tenzin Tsundue, Dharamshala, India; Sandra Sanada, Bucharest, Romania; Takahiro Hatake, Tokyo, Japan; Asmaa Arafa, Cairo, Egypt; Mihai Ivanof, Dubai, United Arab Emirates; Monica Loloiu, Bucharest, Romania; Bruno Carrier, Paris, France. We are all into this! 33 Isolated Humans from around the Globe, 33 Authentic Quarantine Stories. Don't miss the "World's Pandemic Chronicles", The diary of each of us!

The COVID-19 pandemic has robbed college students of countless sacred, rite-of-passage experiences long taken for granted, a blow compounded by this country's political upheaval. "COVID Chronicles" started as a blog assignment in a Media Writing class and became a raw, gripping look at the impact of the pandemic on young adults - written in their own words as they navigated the all-online fall 2020 semester. Students shared heartfelt stories of fear, despair, anger - and - on occasion - hope. One struggled to see a way out of his depression. Another was afraid to leave her home and isolated herself from friends and family. One lived through a grandmother's COVID-19 diagnosis. And one, adopted from Korea as a baby, wrote about feeling staring, blaming eyes on her, as if she were somehow responsible for the virus. But there were uplifting posts too, including one student who was thankful for his isolated and safe mountaintop home and another who savored family time that otherwise wouldn't have happened. If you wonder how this pandemic is impacting our college students, "COVID Chronicles" will leave you wondering no more, and wanting to help them.

An exploration of the misery, insanity and humor on the front lines of the Covid-19 pandemic. In the capable hands of a seasoned physician and writer, we hear the stories of essential workers. Black, brown and white caregivers, nurses, physicians and retail workers share their struggles to fulfill their work obligations, balance the needs of family, and their efforts to survive, laugh and even thrive.

Vic Lee's Corona Diary is an exquisitely illustrated graphic novel-style memoir chronicling the dramatic events around the global spread of the coronavirus.

From the Pulitzer Prize–winning author of The Looming Tower, and the pandemic novel The End of October: an unprecedented, momentous account of Covid-19—its origins, its wide-ranging repercussions, and the ongoing global fight to contain it "A book of panoramic breadth ... managing to surprise us about even those episodes we … thought we knew well … [With] lively exchanges about spike proteins and nonpharmaceutical interventions and disease waves, Wright’s storytelling dexterity makes all this come alive.” —The New York Times Book Review From the fateful first moments of the outbreak in China to the storming of the U.S. Capitol to the extraordinary vaccine rollout, Lawrence Wright’s The Plague Year tells the story of Covid-19 in authoritative, galvanizing detail and with the full drama of events on both a global and intimate scale, illuminating the medical, economic, political, and social ramifications of the pandemic. Wright takes us inside the CDC, where a first round of faulty test kits lost America precious time . . . inside the halls of the White House, where Deputy National Security Adviser Matthew Pottinger’s early alarm about the virus was met with confounding and drastically costly skepticism . . . into a Covid ward in a Charlottesville hospital, with an idealistic young woman doctor from the town of Little Africa, South Carolina . . . into the precincts of prediction specialists at Goldman Sachs . . . into Broadway’s darkened theaters and Austin’s struggling music venues . . . inside the human body, diving deep into the science of how the virus and vaccines function—with an eye-opening detour into the history of vaccination and of the modern anti-vaccination movement. And in this full accounting, Wright makes clear that the medical professionals around the country who’ve risked their lives to fight the virus reveal and embody an America in all its vulnerability, courage, and potential. In turns steely-eyed, sympathetic, infuriated, unexpectedly comical, and always precise, Lawrence Wright is a formidable guide, slicing through the dense fog of misinformation to give us a 360-degree portrait of the catastrophe we thought we knew.