Who WAS that gorgeous model? When a helicopter loses power and plunges into the icy waters of scenic Lake Tahoe, killing its only passenger, millionaire Albert Crocker Vansittart, what looks like a routine claim against a life insurance policy turns into a mystery for investigator Hobart Lindsey and his sometime collaborator Marvia Plum. The reason: half a century ago, the youthful Vansittart had come across a hardboiled mystery novel and become obsessed with the glamorous model who'd posed for the cover painting. Now, Vansittart's multimillion dollar policy is to go to "the girl on the cover of Death in the Ditch." Lindsey's pursuit of the now-aged model (if she's even still alive!) leads him into a maze of violence and deception with its roots in the politics and wars of past decades. Another first-rate combination of crime, collectibles, and American history--and the fifth book in this bestselling series!

With a lunatic on his heels, Hobart Lindsey, insurance claims adjuster, attempts to track down the identity of a cover model on a pulp fiction novel, who--if she ever existed--is the beneficiary of a millionaire's fortune.

Cheyenne, a blind sixteen year-old, is kidnapped and held for ransom; she must outwit her captors to get out alive. Sixteen year-old Cheyenne Wilder is sleeping in the back of a car while her mom fills her prescription at the pharmacy. Before Cheyenne realizes what's happening, their car is being stolen--with her inside! Griffin hadn't meant to kidnap Cheyenne, all he needed to do was steal a car for the others. But once Griffin's dad finds out that Cheyenne's father is the president of a powerful corporation, everything changes—now there's a reason to keep her. What Griffin doesn't know is that Cheyenne is not only sick with pneumonia, she is blind. How will Cheyenne survive this nightmare, and if she does, at what price? Prepare yourself for a fast-paced and hard-edged thriller full of nail-biting suspense. This title has Common Core connections.

Serial killing is an extremely rare phenomenon in reality that is none-theless remarkably widespread in the cultural imagination. Moreover, despite its rarity, it is also taken to be an expression of characteristic aspects of humanity, masculinity, or our times. Richard Dyer investigates this paradox, focusing on the notion at its heart: seriality. He considers the aesthetics of the repetition of nastiness and how this relates to the perceptions and anxieties that images of serial killing highlight in the societies that produce them. Shifting the focus away from the US, which is often seen as the home of the serial killer, Lethal Repetition instead examines serial killing in European culture and cinema – ranging from Scandinavia to the Mediterranean and from Britain to Romania. Spanning all brows of cinema – including avant-garde, art, mainstream and trash – Dyer provides case studies on Jack the Ripper, the equation of Nazism with serial killing, and the Italian giallo film to explore what this marginal and uncommon crime is being made to mean on European screens.

Seven puzzlers range from police procedurals featuring Marvia Plum and the insurance investigations of Hobart Lindsey to a superbly affecting reunion story.

Is it really over? Have Hobart Lindsey and Marvia Plum solved their last case? Lindsey, the mild-mannered bachelor insurance adjuster. Plum, the tough inner-city cop and single mom. You can hardly think of an odder couple, but somehow they were able to bring out the best in each other. Through a series of eight novels that carried them from California to Louisiana, from Denver to Chicago to New York to Rome, they explored the eccentricities of American pop culture, from comic books to race movies, from classic cars to sleazy gangster novels. And now...is this really the end? One Murder at a Time chronicles eight shorter cases of Lindsey and Plum, originally published in magazines and anthologies in the United States and Great Britain. Bonus material in this surprising book are the complete text of "Death in the Ditch," the McGuffin in The Cover Girl Killer, as well as "Yesterday Calling," the complete radio scripts of The Radio Red Killer. And the biggest treat of all--an alternate ending that was omitted from The Emerald Cat Killer, something that will delight every Lindsey and Plum fan. First-rate mystery and suspense writing from a master of the genre!