The last volumes in the series of William Blake's Illuminated Books reveal the writer and artist as a prophet driven by a sense of apocalyptic urgency. Blake conceived and executed The Continental Prophecies and The Urizen Books in the early 1790s, capturing the intellectual and spiritual turmoil of the American and French revolutions. Here, for the first time, the general reader will encounter Blake's most intense vision in reproductions that do justice to the originals, accompanied by texts, comprehensive notes and commentaries, and detailed interpretations of the designs. The Continental Prophecies, which comprises "America," "Europe," and "The Song of Los," presents Blake's critical reckoning with the history of his own times. Marked by a particularly close integration of word and image, the books form a mythical plot from historical events and criticize the intricate structure of social oppression that the author attributes to organized state religion. Each of the three books attempts to point a way toward the process of millennial liberation. These volumes complete the six-part series of William Blake's Illuminated Books, including Jerusalem, Songs of Innocence and of Experience (now available in paperback), The Early Illuminated Books, and Milton, A Poem, all published by Princeton University Press.

For anyone curious about prophecy and the signs of the end times, this book links the pieces of the prophecy puzzle in plain, simple language. There are 1,000 prophecies in the Bible so it’s natural to wonder, have any prophecies been fulfilled? Do they really explain the future? Can we really know what will happen at the end of time? In succinct and clear answers to most frequently asked questions, Dr. Jeremiah decodes and clarifies prophecy for the average person. He explains in simple lay terms what could otherwise be mysterious and even frightening, allowing readers to gain a balanced and assuring perspective of the significance of prophetic events to their personal lives as believers in Christ. He also helps readers understand how prophecy is directly related to world events today.

After twenty years of research, Dr. J. Barton Payne has compiled the one complete guide to Biblical prophecy. From the prediction of Adam's death in Genesis 2: 17 to the prophecy of mankind's perpetual worship of God in the new heaven and earth (Psalm 72:5), the ENCYCLOPEDIA OF BIBLICAL PROPHECY discusses every verse of prophetic matter in Scripture. It identifies every probable point of fulfillment whether in the past, present, or still in the future. The first 144 pages of the ENCYCLOPEDIA OF BIBLICAL PROPHECY set forth a systematic approach to the subject of Biblical prophecy and the legitimate place for prediction in it. The ENCYCLOPEDIA is arranged according to the 66 books of the Bible. In each book, all the verses on one prophetic theme are treated in one combined discussion. For example: The 12 verses of Genesis that foretell God's granting of the land of Canaan to the descendants of Abraham are discussed together. It is then shown how the promise was fulfilled in the days of Joshua. One of the ENCYCLOPEDIA'S concluding summaries lists all the 737 major subjects that appear in Biblical prediction, with the books and paragraphs in which each is found. This way, each prophecy can be traced from its first appearance in the Bible to its last. Among the many features is a complete list of all the Scriptural prophecies pertaining to Christ. No other book has ever examined Biblical prophecy so thoroughly or presented it in such a balanced perspective as the ENCYCLOPEDIA OF BIBLICAL PROPHECY. •1,817 entries covering all the Biblical predictions in both the Old and New Testaments •A complete discussion of all 8,352 predictive verses in the Bible •14 tables, including three on the Book of Revelation •Bibliography •4 summaries •4 statistical appendixes •5 complete indexes An indispensable tool for students of the Bible, for students in theological seminaries and Bible colleges, for pastors as a reference guide, and for concerned lay people. The ENCYCLOPEDIA OF BIBLICAL PROPHECY is certain to bring a fresh understanding and rewarding insights of the bible.

This volume of premium cosmic horror contains a high-quality facsimile edition of William Blake's original handwritten masterpiece, an introduction by Aladdin Collar, a plain-text companion of the poems, and a diagrammatic interpretation of Blake's unique pantheon of gods. Told through dense verses of symbol and esoteric cosmology, America a Prophecy details a Revolutionary War on a metaphysical plane. Heralded by thirteen colonial angels, the Christ-figure called Ore champions love and passion over the primordial Albion, and Albion's demonic aspect, the terrible Urizen. America a Prophecy is one of 12 Illuminated Prophecies by Blake, which together represent the first modern mythological system. This approach to literature (the development of a unique, fictional cosmology) was later adapted by notable authors such as Lord Dunsany, JRR Tolkein, and HP Lovecraft, before being integrated into mainstream popular entertainment.

Laborie and Hessayon bring rare prophetic and millenarian texts to an international audience by presenting sources from all over Europe (broadly defined), and across the early modern period in English for the first time.

In 1809 the little-known artist William Blake held an exhibition of 16 paintings in a private house in Soho in the west end of London. Works inspired by Chaucer's "Canterbury Tales" and John Milton's "Paradise Lost" sat alongside biblical scenes and Arthurian legend. The exhibition was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the poet Charles Lamb, who later described the pictures as 'hard, dry, yet with grace', and the catalogue that accompanied the show as 'mystical and full of vision'. It is this catalogue that Tate Publishing are once again making available. In it, the scale and range of Blake's ambition are made plain, along with his theories on painting, his unsparing critiques of other artists and some extraordinary insights into the working of his mind. The only detailed writing on art that remains to us by Blake, it throws light on all his subsequent artistic enterprises, including the illuminated books for which he is perhaps most famous. Part commentary and part manifesto, his catalogue is as radical as it is in places eccentric (he claims at one point to have been transported in a "vision" back to the classical world). Fully illustrated in colour with reproductions of surviving works originally in the exhibition, the book includes an illuminating essay by leading authority on British art Martin Myrone, Lead Curator of Pre-1800 Art at Tate Britain, making it an essential purchase for all of those wanting to know more.