This book is a study of female virginity loss and its representations in popular Anglophone literatures. It explores dominant cultural narratives around what makes a “good” female virginity loss experience by examining two key forms of popular literature: autobiographical virginity loss stories and popular romance fiction. In particular, this book focuses on how female sexual desire and romantic love have become entangled in the contemporary cultural imagination, leading to the emergence of a dominant paradigm which dictates that for women, sexual desire and love are and should be intrinsically linked together: something which has greatly affected cultural scripts for virginity loss. This book examines the ways in which this paradigm has been negotiated, upheld, subverted, and resisted in depictions of virginity loss in popular literatures, unpacking the romanticisation of the idea of “the right one” and “the right time”.

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Kyle Hamilton is the quintessential bad boy, but Val Jensen is not your typical good girl. When Val gets dumped for her decision to stay a virgin until marriage, the nasty breakup goes viral on YouTube, making her the latest internet sensation. After days of ridicule from her peers, Val starts a school-wide campaign to rally support for her cause. She meant to make a statement, but she never dreamed the entire nation would get caught up in the controversy. As if becoming nationally recognized as "Virgin Val" isn't enough, Val's already hectic life starts to spin wildly out of control when bad boy Kyle Hamilton, lead singer for the hit rock band Tralse, decides to take her abstinence as a personal challenge. How can a girl stay true to herself when this year's Sexiest Man Alive is doing everything in his power to win her over?

The first anthology in any language to represent the full trajectory of this remarkable literature.

Is Christian singleness a burden to be endured or a God-ordained vocation? Might singleness here and now give the church a glimpse of God's heavenly promises? Dani Treweek offers biblical, historical, cultural, and theological reflections to retrieve a theology of singleness for the church today. Drawing upon both ancient and contemporary theologians, including Augustine, Ælfric of Eynsham, John Paul II, and Stanley Hauerwas, she contends not only that singleness has served an important role throughout the church's history, but that single Christians present the church with a foretaste of the eschatological reality that awaits all of God's people. Far from being a burden, then, Christian singleness is among the highest vocations of the faith.

Representing diverse cultural viewpoints, Muslim Women in War and Crisis collects an array of original essays that highlight the experiences and perspectives of Muslim women—their dreams and nightmares and their daily struggles—in times of tremendous social upheaval. Analyzing both how Muslim women have been represented and how they represent themselves, the authors draw on primary sources ranging from poetry and diaries to news reports and visual media. Topics include: Peacebrokers in Indonesia Exploitation in the Islamic Republic of Iran Chechen women rebels Fundamentalism in Afghanistan, from refugee camps to Kabul Memoirs of Bengali Muslim women The 7/7 London bombings, British Muslim women, and the media Also exploring such images in the United States, Spain, the former Yugoslavia, Tunisia, Algeria, Lebanon, and Iraq, this collection offers a chorus of multidimensional voices that counter Islamophobia and destructive clichés. Encompassing the symbolic national and religious identities of Muslim women, this study goes beyond those facets to examine the realities of day-to-day existence in societies that seek scapegoats and do little to defend the victims of hate crimes. Enhancing their scholarly perspectives, many of the contributors (including the editor) have lived through the strife they analyze. This project taps into their firsthand experiences of war and deadly political oppression.

The history of projected images at the turn of the seventeenth century reveals a changing perception of chance and order, contingency and form. In Projecting Spirits, Pasi Väliaho maps how the leading optical media of the period—the camera obscura and the magic lantern—developed in response to, and framed, the era's key intellectual dilemma of whether the world fell under God's providential care, or was subject to chance and open to speculating. As Väliaho shows, camera obscuras and magic lanterns were variously employed to give the world an intelligible and manageable design. Jesuit scholars embraced devices of projection as part of their pursuit of divine government, whilst the Royal Society fellows enlisted them in their quest for empirical knowledge as well as colonial expansion. Projections of light and shadow grew into critical metaphors in early responses to the turbulences of finance. In such instances, Väliaho argues, "projection" became an indispensable cognitive form to both assert providence, and to make sense of an economic reality that was gradually escaping from divine guidance. Drawing on a range of materials—philosophical, scientific and religious literature, visual arts, correspondence, poems, pamphlets, and illustrations—this provocative and inventive work expands our concept of the early media of projection, revealing how they spoke to early modern thinkers, and shaped a new, speculative concept of the world.