The Reverend Howard Finster was twenty feet tall, suspended in darkness. Or so he appeared in the documentary film that introduced a teenaged Greg Bottoms to the renowned outsider artist whose death would help inspire him, fourteen years later, to travel the country. Beginning in Georgia with a trip to Finster's famous Paradise Gardens, his jour...

We’re all just infinitesimal specks on a rock hurling through a giant black hole. We all know it. Whether we’re consumed by an enormous tidal wave, bombarded with falling meteors, or ravaged by a new incurable disease, the end is near. So the penultimate question is: Would you rather a) drink alone in your room and brood or b) color? Well, good news. Now, with this adult coloring book, you can do both! Artist Ted Rechlin offers thirty-eight apocalyptic scenarios for you to color, question your mortality, and come to terms with your insignificance! Awesome! Scenes vary from a gorgeous shot of the NASA space station being sucked into a black hole to an elegant portrayal of the next Ice Age. Also included are beautiful depictions of zombie uprisings, picturesque plagues ravaging the human race, aesthetically pleasing aliens plotting to destroy planet Earth, and much more! To add some irony, each illustration is accompanied by an optimistic quote: envision “‘Be thou the rainbow in the storms of life. The evening beam that smiles the clouds away, and tints tomorrow with prophetic ray.’ —Lord Byron” as tornadoes tear through cities around it. Or what if it’s all a dream and we’re just brains in vats? What if nothing’s tangible and the world around us is all just perception? What if all that you love doesn’t exist and is only simulated? It doesn’t mean you can’t color! So embrace your inner nihilist, and the reality that you might not be sticking around too much longer. Pick up your colored pencils and The Apocalypse Coloring Book. You’re going to need a way to cope when things start to go downhill.

This concise but illuminating introduction to the sources, symbolism, and meanings of the biblical Book of Revelation brings together visionary images by some of the greatest artists of Western culture, including Fra Angelico, William Blake, Hieroymous Bosch, Michelangelo, Raphael, Peter Paul Rubens, Luca Signorelli, and J.M.W. Turner. 250 illustrations, 247 in color.

Horror meets humorous urban fantasy in third book of the White Trash Zombie series • Winner of the 2012 Best Urban Fantasy Protagonist by the RT Awards Our favorite white trash zombie, Angel Crawford, has enough problems of her own, what with dealing with her alcoholic, deadbeat dad, issues with her not-quite boyfriend, the zombie mafia, industrial espionage and evil corporations. Oh, and it’s raining, and won’t let up. But things get even crazier when a zombie movie starts filming in town, and Angel begins to suspect that it’s not just the plot of the movie that's rotten. Soon she's fighting her way through mud, blood, bullets and intrigue, even as zombies, both real and fake, prowl the streets. Angel’s been through more than her share of crap, but this time she’s in way over her head. She’ll need plenty of brainpower to fit all the pieces—and body parts—together in order to save herself, her town, and quite possibly the human race. At least for now.

From the author of Direct Watercolor and The Urban Sketcher, as well as the popular art-blog CitizenSketcher.com.Marc Taro Holmes is an internationally collected, award-winning watercolorist, and an elected member of the Canadian Society of Painters in Watercolour and the Society of Canadian Artists.He is also the creator of social media watercolor painting marathon #30x30DirectWatercolor2019. An open call to anyone, to paint thirty paintings in thirty days in the month of June. The APOCALYPSE VARIATIONS is a collection of Marc's paintings from the 2019 event. The book is both a love letter to watercolor painting and a darkly pessimistic rendition of contemporary landscape painting.Unlike his previous books, this is not a how-to for beginners. This is Marc's first fine art monograph. An art book in the old tradition. You will find large reproductions of the paintings, paired with close-up detail shots and preparatory sketches. In the text, Marc discusses the thinking behind the paintings with complete honesty. It's likely that lovers of his previous work will be surprised at his new direction. Or perhaps not, if they have been following Marc's social media and reading between the lines.Please, do not purchase this book expecting Marc's chatty online-instructor-mode full of helpful encouragement for aspiring artists. There are no tips-and-tricks or self-training programs. For that sort of thing, please visit Marc's website CitizenSketcher.com.This book is meant as inspiration to anyone seriously interested in expressive watercolor painting, or, for fellow studio artists dealing with the issues of painting in series and making relevant contemporary work. > Please note: Some readers with a strong preference for image brightness and contrast, or the ability to zoom, may prefer to experience the Amazon Kindle e-book edition on a full-color tablet, laptop or personal computer. This paper edition is for art book-collectors who want a hard copy in their library. It is a self-published title printed on Amazon's standard, white, 100gsm paper with a glossy card stock cover. Thanks, ~Marc

This book fills these gaps in a striking and original way by means of ten concise thematic chapters which explain the origins of these concepts from the book of Revelation in an accessible way. These explanations are augmented and developed via a carefully selected sample of the ways in which the concepts have been treated by artists through the centuries. The 120 visual examples are drawn from a wide range of time periods and media including the ninth-century Trier Apocalypse, thirteenth-century Anglo-Norman Apocalypse Manuscripts such as the Lambeth and Trinity Apocalypses, the fourteenth-century Angers Apocalypse Tapestry, fifteenth-century Apocalypse altarpieces by Van Eyck and Memling, Dürer and Cranach's sixteenth-century Apocalypse woodcuts, and more recently a range of works by William Blake, J.M.W. Turner, Max Beckmann, as well as film posters and film stills, cartoons, and children's book illustrations.

Venerated as god and goddess, feared as demon and pestilence, trusted as battle omen, and used as a proving ground for optical theories, the rainbow's image is woven into the fabric of our past and present. From antiquity to the nineteenth century, the rainbow has played a vital role in both inspiring and testing new ideas about the physical world. Although scientists today understand the rainbow's underlying optics fairly well, its subtle variability in nature has yet to be fully explained. Throughout history the rainbow has been seen primarily as a symbol&—of peace, covenant, or divine sanction&—rather than as a natural phenomenon. Lee and Fraser discuss the role the rainbow has played in societies throughout the ages, contrasting its guises as a sign of optimism, bearer of Greek gods' messages of war and retribution, and a symbol of the Judeo-Christian bridge to the divine. The authors traverse the bridges between the rainbow's various roles as they explore its scientific, artistic, and folkloric visions. This unique book, exploring the rainbow from the perspectives of atmospheric optics, art history, color theory, and mythology, will inspire readers to gaze at the rainbow anew. For more information on The Rainbow Bridge, visit: &