Features suggestions about technique, musicianship, and musical interpretation, as well as guidelines for teaching, making your own reeds, and preparing for public performance. Discusses the history of the clarinet. Appendixes. Includes 7 black-and-white illustrations.

A new resource for aspiring professional clarinet players. Part of a series of instructional books titled "STUDIO SERIES". The book includes chapters on Instructional Foundations, Warm-Up and Practice Routines, Practice Resources, Solo Repertoire, Chamber Repertoire, Orchestral Excerpts, Audition Preparation, Working with a Collaborative Pianist, Contemporary Clarinet Techniques, Instrument Care, Maintenance, and Repair, Injuries and Healthy Habits, Group Activities for Studio Class, Teaching the Clarinet to Middle and High School Students, and Career Paths for the Professional Player, Teacher, and Clarinetist turned Conductor. Appendix includes information regarding Auxiliary Instruments. Highly recommended for college students and the serious high school student.

Written for students, performers, and music lovers.

80 Graded Studies for Clarinet brings together in two books a broad selection of 19th-century study repertory, with studies by Baermann, Berr, Demnitz, Klose, Lazarus, Lefevre, Muler, Rose, Stark, Vanderhagen, and Wiedemann - all virtuosi of their day. Also included are a number of specially composed studies by Paul Harris. These introduce aspects of 20th-century style and considerably extend the scope of the selection. The studies are arranged in order of increasing difficulty, up to early intermediate level, according to carefully planned technical progression.

The clarinet has a long and rich history as a solo, orchestral, and chamber musical instrument. In this broad-ranging account Eric Hoeprich, a performer, teacher, and expert on historical clarinets, explores its development, repertoire, and performance history. Looking at the antecedents of the clarinet, as well as such related instruments as the chalumeau, basset horn, alto clarinet, and bass clarinet, Hoeprich explains the use and development of the instrument in the Baroque age. The period from the late 1700s to Beethoven's early years is shown to have fostered ever wider distribution and use of the instrument, and a repertoire of increasing richness. The first half of the nineteenth century, a golden age for the clarinet, brought innovation in construction and great virtuosity in performance, while the following century and a half produced a surge in new works from many composers. The author also devotes a chapter to the role of the clarinet in bands, folk music, and jazz.

A comprehensive study of the clarinet in use through the classical period, 1760 to 1830, a period of intensive musical experimentation. The book provides a detailed review and analysis of construction, design, materials, and makers of clarinets. Rice also explores how clarinet construction and performance practice developed in tandem with the musical styles of the period.