Poetic elegies for lost or fallen cities are seemingly as old as cities themselves. In the Judeo-Christian tradition, this genre finds its purest expression in the book of Lamentations, which mourns the destruction of Jerusalem; in Arabic, this genre is known as the ritha al-mudun. In The City Lament, Tamar M. Boyadjian traces the trajectory of the genre across the Mediterranean world during the period commonly referred to as the early Crusades (1095–1191), focusing on elegies and other expressions of loss that address the spiritual and strategic objective of those wars: Jerusalem. Through readings of city laments in English, French, Latin, Arabic, and Armenian literary traditions, Boyadjian challenges hegemonic and entrenched approaches to the study of medieval literature and the Crusades. The City Lament exposes significant literary intersections between Latin Christendom, the Islamic caliphates of the Middle East, and the Armenian kingdom of Cilicia, arguing for shared poetic and rhetorical modes. Reframing our understanding of literary sources produced across the medieval Mediterranean from an antagonistic, orientalist model to an analogous one, Boyadjian demonstrates how lamentations about the loss of Jerusalem, whether to Muslim or Christian forces, reveal fascinating parallels and rich, cross-cultural exchanges.

The goal of this book is to present a revised edition of the Sumerian Lamentation over the Destruction of Ur, a lament bewailing the fall of the glorious Ur III kingdom in 2004 B.C.E. Lamentation is a well-known genre in world literature. Laments of various types are part of the cultural legacy and literary corpus of many societies, from ancient to modern times, and Sumerian literature is no exception. However, Mesopotamian lamentation literature includes a significant body of laments belonging to a unique and almost unparalleled genre—the genre of lamentations over the destruction of cities and temples. This genre has no known ancient parallel outside the ancient Near East; more specifically, it is almost exclusively attested in Sumerian and biblical literature. The Lamentation over the Destruction of Ur is the most famous and important exemplar of the city-laments. In this updated and revised publication of the Lamentation over the Destruction of Ur, Samet provides an introductory discussion of Sumerian city-laments in general; a full presentation of the text of the Ur Lament, including transliteration, translation, and an extensive philological commentary; and an accounting of the extant textual witness in score format. Plates with color photos of many texts are included.

The present study seeks to call attention to a literary genre whose existence in the Hebrew Bible, has gone largely unnoticed or at least not fully appreciated. The city lament is a genre well-known fron ancient Mesopotomia. The laments that make up this genre vividly depict and mournfully lament the destruction of some of the most important cities in Mesopotamia and their chief shrines.

Missio Alliance Essential Reading List Hearts Minds Bookstore's Best Books RELEVANT's Top 10 Books Englewood Review of Books Best Books When Soong-Chan Rah planted an urban church in Cambridge, Massachusetts, his first full sermon series was a six-week exposition of the book of Lamentations. Preaching on an obscure, depressing Old Testament book was probably not the most seeker-sensitive way to launch a church. But it shaped their community with a radically countercultural perspective. The American church avoids lament. But lament is a missing, essential component of Christian faith. Lament recognizes struggles and suffering, that the world is not as it ought to be. Lament challenges the status quo and cries out for justice against existing injustices. Soong-Chan Rah's prophetic exposition of the book of Lamentations provides a biblical and theological lens for examining the church's relationship with a suffering world. It critiques our success-centered triumphalism and calls us to repent of our hubris. And it opens up new ways to encounter the other. Hear the prophet's lament as the necessary corrective for Christianity's future. A Resonate exposition of the book of Lamentations.

From the bestselling author of The Axeman's Jazz, Ray Celestin's gripping third book, The Mobster's Lament, follows a gangster's last chance to escape the clutches of New York's mafia families, but as a blizzard descends on NYC, a ruthless serial killer is tracking his every move. New York, 1947. Mob fixer Gabriel Leveson’s plans to flee the city are put on hold when he is tasked with tracking down stolen mob money by ‘the boss of all bosses’, Frank Costello. But while he's busy looking, he doesn't notice who's watching him . . . Meanwhile, Private Investigator Ida Young and her old partner, Michael Talbot, must prove the innocence of Talbot’s son Tom, who has been accused of the brutal murders of four people in a Harlem flophouse. With all the evidence pointing towards him, their only chance of exoneration is to find the killer themselves. Whilst across town, Ida’s childhood friend, Louis Armstrong, is on the brink of bankruptcy, when a promoter approaches him with a strange offer to reignite his career . . . Both a gripping neo-noir crime novel and a vivid, panoramic portrait of New York, The Mobster's Lament takes you to the heart of a city where the Mob has risen to the height of its powers. Complete the City Blues Quartet with Sunset Swing.

A body of theory has developed about the role and function of memory in creating and maintaining cultural identity. Yet there has been no consideration of the rich Mediterranean and Near Eastern traditions of laments for fallen cities in commemorating or resolving communal trauma. This volume offers new insights into the trope of the fallen city in folk-song and a variety of literary genres. These commemorations reveal memories modified by diverse agendas, and contains narrative structures and motifs that show the meaning of memory-making about fallen cities. Opening a new avenue of research into the Mediterranean genre of city lament, this book examines references to, or re-workings of, otherwise lost texts or ways of commemorating fallen cities in the extant texts, and with greater emphasis than usual on the point of view of the victors.

Poetic elegies for lost or fallen cities are seemingly as old as cities themselves. In the Judeo-Christian tradition, this genre finds its purest expression in the book of Lamentations, which mourns the destruction of Jerusalem; in Arabic, this genre is known as the ritha al-mudun. In The City Lament, Tamar M. Boyadjian traces the trajectory of the genre across the Mediterranean world during the period commonly referred to as the early Crusades (1095–1191), focusing on elegies and other expressions of loss that address the spiritual and strategic objective of those wars: Jerusalem. Through readings of city laments in English, French, Latin, Arabic, and Armenian literary traditions, Boyadjian challenges hegemonic and entrenched approaches to the study of medieval literature and the Crusades. The City Lament exposes significant literary intersections between Latin Christendom, the Islamic caliphates of the Middle East, and the Armenian kingdom of Cilicia, arguing for shared poetic and rhetorical modes. Reframing our understanding of literary sources produced across the medieval Mediterranean from an antagonistic, orientalist model to an analogous one, Boyadjian demonstrates how lamentations about the loss of Jerusalem, whether to Muslim or Christian forces, reveal fascinating parallels and rich, cross-cultural exchanges.