LA TIMES BESTSELLER • From the award-winning screenwriter and director of cult classic Bull Durham, the extremely entertaining behind-the-scenes story of the making of the film, and an insightful primer on the art and business of moviemaking. "This book tells you how to make a movie—the whole nine innings of it—out of nothing but sheer will.” —Tony Gilroy, writer/director of Michael Clayton and The Bourne Legacy "The only church that truly feeds the soul, day in, day out, is the church of baseball."—Annie in Bull Durham Bull Durham, the breakthrough 1988 film about a minor league baseball team, is widely revered as the best sports movie of all time. But back in 1987, Ron Shelton was a first-time director and no one was willing to finance a movie about baseball—especially a story set in the minors. The jury was still out on Kevin Costner’s leading-man potential, while Susan Sarandon was already a has-been. There were doubts. But something miraculous happened, and The Church of Baseball attempts to capture why. From organizing a baseball camp for the actors and rewriting key scenes while on set, to dealing with a short production schedule and overcoming the challenge of filming the sport, Shelton brings to life the making of this beloved American movie. Shelton explains the rarely revealed ins and outs of moviemaking, from a film’s inception and financing, screenwriting, casting, the nuts and bolts of directing, the postproduction process, and even through its release. But this is also a book about baseball and its singular romance in the world of sports. Shelton spent six years in the minor leagues before making this film, and his experiences resonate throughout this book. Full of wry humor and insight, The Church of Baseball tells the remarkable story behind an iconic film.

The president of New York University offers a love letter to America’s most beloved sport and a tribute to its underlying spirituality. For more than a decade, John Sexton has taught a wildly popular New York University course about two seemingly very different things: religion and baseball. Yet Sexton argues that one is actually a pathway to the other. Baseball as a Road to God is about touching that something that lies beyond logical understanding. Sexton illuminates the surprisingly large number of mutual concepts shared between baseball and religion: faith, doubt, conversion, miracles, and even sacredness among many others. Structured like a game and filled with riveting accounts of baseball’s most historic moments, Baseball as Road to God will enthrall baseball fans whatever their religious beliefs may be. In thought-provoking, beautifully rendered prose, Sexton elegantly demonstrates that baseball is more than a game, or even a national pastime: It can be a road to enlightenment.

From the Pulitzer Prize–winning author of American Pastoral—a richly imagined novel featuring America’s only homeless big-league baseball team in history delivers “shameless comic extravagance…. Roth gleefully exploits our readiness to let baseball stand for America itself" (The New York Times). Gil Gamesh, the only pitcher who ever literally tried to kill the umpire. The ex-con first baseman, John Baal, "The Babe Ruth of the Big House," who never hit a home run sober. If you've never heard of them—or of the homeless baseball team the Ruppert Mundys—it's because of the Communist plot, and the capitalist scandal, that expunged the entire Patriot League from baseball memory. In this ribald, wickedly satiric novel, Roth turns baseball's status as national pastime and myth into an occasion for unfettered picaresque farce, replete with heroism and perfidy, ebullient wordplay and a cast of characters that includes the House Un-American Activities Committee.

This is the story behind the making of the most popular sports movie of all time. Released in 1988, Bull Durham was rejected by every studio in Hollywood--twice. The film defied odds as it became a sports movie that actually made money--a lot of money. It has also been credited with breathing new life into the minor leagues of baseball. Writer and director Ron Shelton played professional baseball at the AAA level for five years. He voluntarily left baseball to pursue a Master's degree. Later, he began writing articles, then covered scripts for legendary producer Ed Pressman. It was this experience that encouraged a young Shelton to write screenplays, including Under Fire starring Gene Hackman and Best of Times, starring Robin Williams and Kurt Russell. Shelton had an idea for a film that took place in the Carolina Leagues in the minors. It was a love story set in the decaying tobacco town of Durham, North Carolina. Bull Durham Producer Thom Mount, formerly head Universal Pictures, was from Durham. He instantly became enamored with the script and the story, which appeared destined to be told. The book includes interviews with Ron Shelton, Kevin Costner, Susan Sarandon, Tim Robbins, Bob Costas, Robert Wuhl, George F. Will, Brian Anderson, William O'Leary and many others.

An unforgettable chronicle of a year of minor-league baseball in a small Iowa town that follows not only the travails of the players of the Clinton LumberKings but also the lives of their dedicated fans and of the town itself. Award-winning essayist Lucas Mann delivers a powerful debut in his telling of the story of the 2010 season of the Clinton LumberKings. Along the Mississippi River, in a Depression-era stadium, young prospects from all over the world compete for a chance to move up through the baseball ranks to the major leagues. Their coaches, some of whom have spent nearly half a century in the game, watch from the dugout. In the bleachers, local fans call out from the same seats they’ve occupied year after year. And in the distance, smoke rises from the largest remaining factory in a town that once had more millionaires per capita than any other in America. Mann turns his eye on the players, the coaches, the fans, the radio announcer, the town, and finally on himself, a young man raised on baseball, driven to know what still draws him to the stadium. His voice is as fresh and funny as it is poignant, illuminating both the small triumphs and the harsh realities of minor-league ball. Part sports story, part cultural exploration, part memoir, Class A is a moving and unique study of why we play, why we watch, and why we remember.

In 1881, the scrappy, rough-and-tumble baseball team in a California mining town enlists the help of a quick-witted twelve-year-old orphan and the notorious outlaw Billy the Kid to win a big game against the National League Champion Chicago White Stockings. Prequel to: The boy who saved baseball.