A heartwarming rendition of how Christmas traditions at Elm Creek Manor were created—and embellished—over generations. When Christmas Eve comes to Elm Creek Manor, the tenor of the holiday is far from certain. Sylvia Bergstrom Compson, the Master Quilter, has her own reasons for preferring a quiet, even subdued, Christmas. Her young friend Sarah McClure, however, takes the opposite view and decides to deck the halls brightly. As she explores the trunks packed with Bergstrom family decorations that haven't been touched in more than fifty years, Sarah discovers a curious Christmas quilt. Begun in seasonal fabrics and patterns, the quilt remains unfinished. Sylvia reveals that the handiwork spans several generations and a quartet of Bergstrom quilters—her great aunt, her mother, her sister, and herself. As she examines the array of quilt blocks each family member contributed but never completed, memories of Christmases past emerge. At Elm Creek Manor, Christmas began as a celebration of simple virtues—joy and hope buoyed by the spirit of giving. As each successive generation of Bergstroms lived through its unique trials—the antebellum era, the Great Depression, World War II—tradition offered sustenance even during the most difficult times. For Sylvia, who is coping with the modern problem of family dispersed, estranged, or even forgotten, reconciliation with her personal history may prove as elusive as piecing the Christmas Quilt. Elm Creek Manor is full of secrets, from a Christmas tree with unusual properties to the sublime Bergstrom strudel recipe. Sylvia's tales at first seem to inform her family legacy but ultimately illuminate far more, from the importance of women's art to its place in commemorating our shared experience, at Christmastime and in every season.

A heartwarming rendition of how Christmas traditions at Elm Creek Manor were created—and embellished—over generations. When Christmas Eve comes to Elm Creek Manor, the tenor of the holiday is far from certain. Sylvia Bergstrom Compson, the Master Quilter, has her own reasons for preferring a quiet, even subdued, Christmas. Her young friend Sarah McClure, however, takes the opposite view and decides to deck the halls brightly. As she explores the trunks packed with Bergstrom family decorations that haven't been touched in more than fifty years, Sarah discovers a curious Christmas quilt. Begun in seasonal fabrics and patterns, the quilt remains unfinished. Sylvia reveals that the handiwork spans several generations and a quartet of Bergstrom quilters—her great aunt, her mother, her sister, and herself. As she examines the array of quilt blocks each family member contributed but never completed, memories of Christmases past emerge. At Elm Creek Manor, Christmas began as a celebration of simple virtues—joy and hope buoyed by the spirit of giving. As each successive generation of Bergstroms lived through its unique trials—the antebellum era, the Great Depression, World War II—tradition offered sustenance even during the most difficult times. For Sylvia, who is coping with the modern problem of family dispersed, estranged, or even forgotten, reconciliation with her personal history may prove as elusive as piecing the Christmas Quilt. Elm Creek Manor is full of secrets, from a Christmas tree with unusual properties to the sublime Bergstrom strudel recipe. Sylvia's tales at first seem to inform her family legacy but ultimately illuminate far more, from the importance of women's art to its place in commemorating our shared experience, at Christmastime and in every season.

Master quilter Sylvia Bergstrom Compson helps her friend Sarah McClure uncover the story of an unfinished Christmas quilt and works on a new quilt for her reluctant daughter-in-law that depicts holiday memories of Elm Creek Manor.

Annie's life is deliciously full as the Christmas season approaches. She helps her husband, Samuel, attend to the community's minor medical needs. She occasionally assists Belinda, the local midwife, and most days, she finds herself delivering the buggy to her brother Adam. Annie’s sister-in-law Leah is due to deliver their first child before Christmas morning, and Annie is determined to finish a crib quilt before the boppli arrives. With six weeks to go, she should have no problem . . . but God may have a different plan. Leah is rushed to the English hospital when the infant arrives early, and Annie discovers the Christmas quilt may hold a far greater significance than she ever imagined.

When Christmas Eve comes to Elm Creek Manor, the tenor of the holiday is far from certain. Sylvia Bergstrom Compson, the Master Quilter, has her own reasons for preferring a quiet, even subdued, Christmas. Her young friend Sarah McClure, however, takes the opposite view and decides to deck the halls brightly. As she explores the trunks packed with Bergstrom family decorations that haven't been touched in more than fifty years, Sarah discovers a curious Christmas quilt. Begun in seasonal fabrics and patterns, the quilt remains unfinished. Sylvia reveals that the handiwork spans several generations and a quartet of Bergstrom quilters -- her great aunt, her mother, her sister, and herself. As she examines the array of quilt blocks each family member contributed but never completed, memories of Christmases past emerge. At Elm Creek Manor, Christmas began as a celebration of simple virtues -- joy and hope buoyed by the spirit of giving. As each successive generation of Bergstroms lived through its unique trials -- the antebellum era, the Great Depression, World War II -- tradition offered sustenance even during the most difficult times. For Sylvia, who is coping with the modern problem of family dispersed, estranged, or even forgotten, reconciliation with her personal history may prove as elusive as piecing the Christmas Quilt. Elm Creek Manor is full of secrets, from a Christmas tree with unusual properties to the sublime Bergstrom strudel recipe. Sylvia's tales at first seem to inform her family legacy but ultimately illuminate far more, from the importance of women's art to its place in commemorating our shared experience, at Christmastime and in every season.

Sunday dinners at Granny's, blackberry picking, running the train tracks, a revival meeting and swimming in the river under the bridge through town are just some of the tender accounts of a family from North Gerogia in, "The Christmas Quilt."