"MASTERFULLY RESEARCHED AND WRITTEN, THE CHILDREN OF FIRST MAN IS A FEAST OF A NOVEL. James Alexander Thom's sweeping saga of Welsh colonization in prehistoric America is loaded with wonderful characters and events, some so poignant I had to stop reading now and then to reflect." --Linda Lay Shuler Author of She Who Remembers With its beautifully written and deeply felt descriptions of the feelings the first white settlers and Native Americans had for each other, THE CHILDREN OF FIRST MAN tells the fascinating story of a European people gradually absorbed into the Amerindian culture until their literacy was lost and their Christian religion submerged in the legend of a Welsh Prince named Madoc, the First Man. Sweeping from the blood-soaked castles of medieval Wales to the landmark expedition of Lewis and Clark, from the hushed beauty of virgin wilderness to Mandan villages of domed earthen lodges, THE CHILDREN OF FIRST MAN is a triumph of the storyteller's art. "TERRIFICALLY ENTERTAINING...A highly imaginative novel that combines an old legend with historical fact to create an epic tale of America starting some three-hundred years before Columbus arrived." --Booklist

On July 20, 1969, the world stood still to watch American astronaut Neil A. Armstrong become the first person ever to step on the surface of another heavenly body. Upon his return to Earth, Armstrong was celebrated for his monumental achievement. He was also--as NASA historian Hansen reveals in this authorized biography--misunderstood. Armstrong's accomplishments as an engineer, a test pilot, and an astronaut have long been a matter of record, but Hansen's access to private documents and unpublished sources and his interviews with more than 125 subjects (including more than fifty hours with Armstrong himself) yield the first in-depth analysis of this elusive, reluctant hero.

The year is 2021. No child has been born for twenty-five years. The human race faces extinction. Under the despotic rule of Xan Lyppiat, the Warden of England, the old are despairing and the young cruel. Theo Faren, a cousin of the Warden, lives a solitary life in this ominous atmosphere. That is, until a chance encounter with a young woman leads him into contact with a group of dissenters. Suddenly his life is changed irrevocably as he faces agonising choices which could affect the future of mankind. NOW A MAJOR MOTION PICTURE

Three hundred years before Columbus, a Welsh Prince named Madoc -- an invincible blond giant of a man -- crossed the Atlantic with a fleet of wooden boats to plant a colony in the paradise he called Iarghal. Four countless generations, Prince Madoc's blue-eyed descendants migrated along the great waterways of the primeval New World, mingling their blood, their legends, and their dreams with the native peoples. This is their story.

"Although they are among the most studied people on earth, the Navajo possess a complex philosophy. . . . A valuable source for those deeply interested in the structure of the Navajo universe, its mythology, and its central concept of long life and happiness." —Masterkey "This is a stimulating book. Essentially, it criticizes previous discussions of Navajo religion and philosophy for greatly underestimating their complexity and sophistication. . . . What the author discovers in Navajo thought is that the key concepts are interrelated in a grand, moral, ethical, philosophic, and cosmic unity." —American Anthropologist "Discredits dualists, both non-Indian and Indian, who see simplistic oppositions of Good and Evil in Navajo culture and philosophy. The concept of walking in beauty, as related to the proper growth of the corn plant, unifies the book, and Farella does some impressive cross-cultural linguistic analysis to derive practical and ceremonial applications of these central Navajo metaphors. . . . This is one of the better books on Indian religion." —Choice

The human figure is one of the earliest topics drawn by the young child and remains popular throughout childhood and into adolescence. When it first emerges, however, the human figure in the child's drawing is very bizarre: it appears to have no torso and its arms, if indeed it has any, are attached to its head. Even when the figure begins to look more conventional the child must still contend with a variety of problems: for instance, how to draw the head and body in the right proportions and how to draw the figure in action. In this book, Maureen Cox traces the development of the human form in children's drawings; she reviews the literature in the field, criticises a number of major theories which purport to explain the developing child's drawing skills and also presents new data.