More than a college or a summer resort or a religious assembly, the Chautauqua movement was a composite of all of these, and for five decades after it began in 1874, Chautauqua dominated adult education and reached millions with its summer assemblies, reading clubs, and traveling circuits. This critical study weaves the threads of Chautauqua into a single story and places it at the vital center of fin de siecle cultural and political history.

The chautauqua movement was a truly American phenomenon, providing education and entertainment for millions of people and employing thousands of musicians in the process. While scholars have previously explored various facets of the chautauqua movement, this is the first book to trace the place of music in the movement from its inception through its decline. Drawing upon the rich collections of ephemera left by several chautauqua bureaus, this study profiles several famous musicians and introduces the reader to lesser-known musical acts that traveled the chautauqua circuits. In addition, it explores music's role in defining the chautauqua movement as "high culture," legitimizing the movement in the eyes of community leaders and setting it apart from vaudeville and other competing amusements. Finally, it addresses music's role in establishing chautauqua's identity as an American institution, specifically in the years surrounding World War I.

From its inception in 1874 down to the close of World War I, the widespread popularity of the Chautauqua movement constituted one of the most dramatic episodes in the history of American adult education. Started by two Ohio men as a summer camp or assembly to train Sunday school teachers in pleasant surroundings on Lake Chautauqua in Western New York, the project grew to university proportions on its home grounds and during the height of its influence reached out to over 8,000 communities, which participated by means of correspondence courses, lecture-study groups, and reading circles. Providing a free platform for the discussion of vital issues and a means of bringing good music to people who previously had had no way of hearing it, Chautauqua was a major factor in the “great change” which brought to the Middle West the cultural standards of the Eastern seaboard. In so doing, it pioneered in introducing into American life many new concepts and ideas, including university extension courses, summer sessions, a university press, civic opera associations, and group activities such as the Boy Scouts, the Camp Fire Girls, and similar youth movements. The influence of Chautauqua upon the pattern of higher education in the United States was also great, due mainly to the action of William Rainey Harper—one of Chautauqua’s leading personalities—in practically duplicating Chautauqua’s organizational structure at the then new University of Chicago when he was chosen by John D. Rockefeller to head that institution. In this connection Dr. Gould has had access to the uncatalogued papers of Dr. Harper in the Archives of the University of Chicago. The net result is a book of value to the serious student of American education as well as to the casual reader whose knowledge of Chautauqua may have been confined hitherto to the relatively unimportant “tent show” era of the movement.

In The Romance of Small-Town Chautauquas, James Schultz offers a unique pictorial study of a cultural movement that started in 1904 and spread across the country. For almost thirty years, tent shows known as "chautauquas" brought popular education and entertainment to small towns in America from coast to coast. With more than one hundred photographs and other illustrations from the era, the book presents a captivating overview of the tent chautauqua movement from its inception to its demise in 1932. These traveling chautauquas--which were an outgrowth of the lyceum movement--evolved in the early part of the twentieth century. Keith Vawter, owner of the Chicago branch of the Redpath Lyceum, came up with an idea that would bring to rural America the same quality of lectures and other forms of entertainment that were available through the lyceum. His concept was a circuit of traveling tents that moved from town to town. Vawter named his traveling circuits "chautauquas," modeling them after the Chautauqua Institution in southwestern New York State, an intellectual community with summerlong programs of lectures, seminars, and workshops. Tent chautauquas offered a variety of cultural events by politicians, writers, and theologians, filling a void in the lives of rural residents who did not have access to the array of talent available to city dwellers. The Romance of Small-Town Chautauquas contains many previously unpublished photographs that reflect the styles and customs of a bygone era, as well as photos and anecdotes about many people of prominence who toured as speakers or entertainers. These included individuals such as President Warren G. Harding, Congresswoman Jeannette Rankin, ventriloquist Edgar Bergen, journalist and historian Ida Tarbell, poet Carl Sandburg, and many others. Schultz utilizes the existing literature on chautauquas, but he contributes much new information from the files of his father and uncle, both of whom were involved in the management of the Redpath Chautauquas, as well as interviews he conducted with individuals who remember attending chautauqua performances. Celebrating a fascinating chapter of America's cultural history, The Romance of Small-Town Chautauquas will appeal to students of American history and chroniclers of the entertainment industry.