Originally published: New York: FortheARTofit, 2012.

After the Civil War, a young tutor with a mysterious protector returns to the city she was born to search for a sister whom she has never met and instead finds herself amidst a wave of peculiar happenings including vampires. The home where she stays is strangely centered around too-well-behaved wayward children she must teach and a young woman whose father has mysteriously disappeared in search of a cure for her. This is the story of the search for the missing children of the Casquette Girls, a graphic photographic novel. This graphic novel is large as it has images, so please grab a cup of coffee while you wait!

"Adele's supernatural roller-coaster ride continues at breakneck speed." --RT Book Reviews Tormented by the fate she condemned her mother to, and by the lies she's forced to tell to cover it up, Adele scours Storm-ravaged New Orleans for the truth about her family's magical past. But every turn leads her back to the one person she's determined to forget: the vampire Niccol Medici. Not even the bewitched locks trapping him can break their connection. Sensing Niccol calling to Adele, Isaac tries relentlessly to keep her from exploring paths that would endanger them all. But a new threat is rising in New Orleans...an older enemy that will bring Isaac's haunted past to life, test the witches' friendships, and jeopardize Adele and Isaac's blossoming relationship. In this spellbinding continuation of The Casquette Girls saga, Adele delves into seventeenth-century Florence--a time bubbling with alchemy and fraternal betrayal. As she uncovers long-buried secrets, sorting history from fantasy will be her only hope of saving her mother, her coven, and her magic.

In 1728, beautiful, resourceful Madeleine Boucher is one of the last group of poor young girls given modest dowries in trunks, or casquettes, by the French government-then shipped off to America, where they are intended as wives for the French settlers in the Louisiana Territory. Despite a series of romantic travails, Madeleine remains fiercely dedicated to finding true passion and securing the promise of her new adopted land, free from the prejudices of the past. The story of Madeleine and the other casquette girls is the story of New Orleans itself. Like the city, they struggled through Indians, hurricanes, fires, and floods. Like the city, they absorbed the shocks and assimilated the dominance of other cultures, while remaining steadfastly French. Madeleine's brutal but enlightening journey vividly brings back to life a forgotten era, a history, a people-and the nation they came to call their own. Terri Cheney, New York Times bestselling author of Manic and Modern Madness

Pull up a chair or gather round the campfire and get ready for creepy tales of ghostly hauntings, eerie happenings, and other strange occurrences under the New Orleans skies. Whether read around the campfire on a dark and stormy night or from the backseat of the family van on the way to grandma's, this is a collection to treasure.

Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The second volume provides a survey of the national schools of Germany, Spain, England, America, the Slavonic countries (especially Russia), Hungary, Italy and Greece. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary. This volume also contains a discography and an index covering both volumes (general entries, singers and theatres).