The Care of the Witness explores the historical shifts in the crises of witnessing to genocide, war, and disaster and their contribution to nongovernmental politics.

In her stunning 200th novel, #1 New York Times bestselling author Nora Roberts proves why no one is better “when it comes to flawlessly fusing high-stakes suspense with red-hot romance" (Booklist, starred review). Daughter of a cold, controlling mother and an anonymous donor, studious, obedient Elizabeth Fitch finally let loose one night, drinking too much at a nightclub and allowing a strange man’s seductive Russian accent to lure her to a house on Lake Shore Drive. Twelve years later, the woman now known as Abigail Lowery lives alone on the outskirts of a small town in the Ozarks. A freelance security systems designer, her own protection is supplemented by a fierce dog and an assortment of firearms. She keeps to herself, saying little, revealing nothing. Unfortunately, that seems to be the quickest way to get attention in a tiny southern town. The mystery of Abigail Lowery and her sharp mind, secretive nature and unromantic viewpoint intrigues local police chief Brooks Gleason, on both a personal and professional level. And while he suspects that Abigail needs protection from something, Gleason is accustomed to two-bit troublemakers, not the powerful and dangerous men who are about to have him in their sights. And Abigail Lowery, who has built a life based on security and self-control, is at risk of losing both.

"My preoccupation with witnessing mutated through several phases before it turned into the book you are holding. It germinated while I was writing my PhD dissertation at the Cohn Institute for the History and Philosophy of Science and Ideas at Tel Aviv University, when the gulf between the theory of testimony that so enchanted contemporary thinking around the ethics of memory on the one hand, and the humanitarian practice of witnessing I was studying on the other, first struck me as philosophically awkward and politically suspect"--

"At once intimate and literally operatic, it's everything I love about Katherine Addison's writing, in ways I didn't know to expect. I loved it." —John Scalzi Katherine Addison returns to the glittering world she created for her beloved novel, The Goblin Emperor, with book one of the Cemeteries of Amalo trilogy Locus Award Finalist and Mythopoeic Award Finalist! When the young half-goblin emperor Maia sought to learn who had set the bombs that killed his father and half-brothers, he turned to an obscure resident of his father’s Court, a Prelate of Ulis and a Witness for the Dead. Thara Celehar found the truth, though it did him no good to discover it. He lost his place as a retainer of his cousin the former Empress, and made far too many enemies among the many factions vying for power in the new Court. The favor of the Emperor is a dangerous coin. Now Celehar lives in the city of Amalo, far from the Court though not exactly in exile. He has not escaped from politics, but his position gives him the ability to serve the common people of the city, which is his preference. He lives modestly, but his decency and fundamental honesty will not permit him to live quietly. As a Witness for the Dead, he can, sometimes, speak to the recently dead: see the last thing they saw, know the last thought they had, experience the last thing they felt. It is his duty use that ability to resolve disputes, to ascertain the intent of the dead, to find the killers of the murdered. Celehar’s skills now lead him out of the quiet and into a morass of treachery, murder, and injustice. No matter his own background with the imperial house, Celehar will stand with the commoners, and possibly find a light in the darkness. Katherine Addison has created a fantastic world for these books – wide and deep and true. Within THE CHRONICLES OF OSRETH The Goblin Emperor The Cemeteries of Amalo trilogy The Witness for the Dead The Grief of Stones The Tomb of Dragons At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

A professional behavioral witness to more than a hundred capital trials explores the making of a murderer. CSI shows us where a crime is committed. Forensic detectives show us how. But what really goes on in the mind of killer? What is it in each potential victim that sparks in them the urge to take a life? What are the reasons behind a quick thrill kill, or slow torture? Between choosing someone they know, or a stranger? As they stand before a jury, after reams of graphic evidence, the question is no longer whether or not they committed the unthinkable. The question posed to Wanda Draper, expert in behavioral science and child development, and key witness in more than a hundred high-profile trials, is why? The answer is all that stands between a sentence of life in prison or death row. In this unique true-crime investigation, Draper shares some of the darkest cases of her career. She sheds light on the personal circumstances and critical life events that perverted childhoods and brought convicted murderers to trial. She reveals how the past casts a grave shadow over one’s future. And in doing so, explores one irrefutable fact: killers aren’t born, they’re made.

Newbery Medalist Karen Hesse emerses readers in a small Vermont town in 1924 with this haunting and harrowing tale. Leanora Sutter. Esther Hirsh. Merlin Van Tornhout. Johnny Reeves . . .These characters are among the unforgettable cast inhabiting a small Vermont town in 1924. A town that turns against its own when the Ku Klux Klan moves in. No one is safe, especially the two youngest, twelve-year-old Leanora, an African-American girl, and six-year-old Esther, who is Jewish.In this story of a community on the brink of disaster, told through the haunting and impassioned voices of its inhabitants, Newbery Award winner Karen Hesse takes readers into the hearts and minds of those who bear witness.

A funny and poignant debut middle-grade novel about a foster-care girl who is placed with a family in the witness protection program, and finds that hiding in plain sight is complicated and dangerous.