Fiona Sweeney wants to do something that matters, and she chooses to make her mark in the arid bush of northeastern Kenya. By helping to start a traveling library, she hopes to bring the words of Homer, Hemingway, and Dr. Seuss to far-flung tiny communities where people live daily with drought, hunger, and disease. Her intentions are honorable, and her rules are firm: due to the limited number of donated books, if any one of them is not returned, the bookmobile will not return. But, encumbered by her Western values, Fi does not understand the people she seeks to help. And in the impoverished small community of Mididima, she finds herself caught in the middle of a volatile local struggle when the bookmobile's presence sparks a dangerous feud between the proponents of modernization and those who fear the loss of traditional ways.

Do you get books from a public library in your town or even in your school library? In many remote areas of the world, there are no library buildings. In many countries, books are delivered in unusual way: by bus, boat, elephant, donkey, train, even by wheelbarrow. Why would librarians go to the trouble of packing books on the backs of elephants or driving miles to deliver books by bus? Because, as one librarian in Azerbaijan says, "Books are as important to us as air or water!" This is the intriguing photo essay, a celebration of books, readers, and libraries.

From RITA® Award winning author M. Malone comes another hilarious new standalone romantic comedy about the Evers family! Santana and Carter

A woman in New York awakens knowing, as deeply as a mother’s blood can know, that her grown son is in danger. She has not heard from him in weeks. His name is Jonas. His girlfriend, Vic, doesn’t know what she has done wrong, but Jonas won’t answer his cell phone. We soon learn that Jonas is isolated in a safe-house apartment in New York City, pondering his conversion to Islam and his experiences training in Pakistan, preparing for the violent action he has been instructed to take in 31 hours. Jonas’s absence from the lives of those who love him causes a cascade of events, and as the novel moves through the streets and subways of New York we come to know intimately the lives of its characters. We also learn to feel deeply the connections and disconnections that occur between young people and their parents not only in this country but in the Middle East as well. Carried by Hamilton’s highly-lauded prose, this story about the helplessness of those who cannot contact a beloved young man who is on a devastatingly confused path is compelling on the most human level.

Set in Transjordan just before the 1967 war with Israel, Staircase of a Thousand Steps is a "remarkably well-written...thoroughly absorbing novel" (Arizona Daily Sun) that takes us to a place where memory whispers like fear, where visions of a long-ago forbidden love affair haunt a precocious young girl — and where the flare of old rivalries can be as sudden as searing as the desert wind.

Once a fortnight, the nomadic settlement of Madidima awaits the arrival of three camels laden with panniers of books. This is theCamel Bookmobile. the only condition of the Camel Bookmobile is that every book must be returned or else the visits will end.

Soon after the fall of the Taliban, in 2001, Deborah Rodriguez went to Afghanistan as part of a group offering humanitarian aid to this war-torn nation. Surrounded by men and women whose skills–as doctors, nurses, and therapists–seemed eminently more practical than her own, Rodriguez, a hairdresser and mother of two from Michigan, despaired of being of any real use. Yet she soon found she had a gift for befriending Afghans, and once her profession became known she was eagerly sought out by Westerners desperate for a good haircut and by Afghan women, who have a long and proud tradition of running their own beauty salons. Thus an idea was born. With the help of corporate and international sponsors, the Kabul Beauty School welcomed its first class in 2003. Well meaning but sometimes brazen, Rodriguez stumbled through language barriers, overstepped cultural customs, and constantly juggled the challenges of a postwar nation even as she learned how to empower her students to become their families’ breadwinners by learning the fundamentals of coloring techniques, haircutting, and makeup. Yet within the small haven of the beauty school, the line between teacher and student quickly blurred as these vibrant women shared with Rodriguez their stories and their hearts: the newlywed who faked her virginity on her wedding night, the twelve-year-old bride sold into marriage to pay her family’s debts, the Taliban member’s wife who pursued her training despite her husband’s constant beatings. Through these and other stories, Rodriguez found the strength to leave her own unhealthy marriage and allow herself to love again, Afghan style. With warmth and humor, Rodriguez details the lushness of a seemingly desolate region and reveals the magnificence behind the burqa. Kabul Beauty School is a remarkable tale of an extraordinary community of women who come together and learn the arts of perms, friendship, and freedom.