An old man's quick thinking saves an entire Japanese fishing village.

Poems of such simplicity directness and sincerity, you feel past lives and future possibilities fully alive in them, cherished by the warmth of the poets regard. Ivor Indyk The poems in BURNING RICE pull you in with their sumptuous images and seductive memories. Eileen Chongs poetry is a gift of the interconnection of past and present, the personal and the communal. She has an astute ability to let objects and events assume emblematic implication, and she can incite the imagination through her remarkable ability to find the ore seams in everyday experience. - Judith Beveridge The colours, scents, tastes and textures of the variousness of generations are woven seamlessly into these poems. Eileen Chong creates compelling narratives that offer insights into love and loss, tradition and compassion. Her true gift is the ability to define, through memory and imagination, an almost tactile sense of place. A stunning first collection. -Anthony Lawrence

In April 1975 Ngak Chhay Heng and his family loaded their car with their personal possessions, pushed it 20 kilometres from Phnom Penh, discarded anything that differentiated them from peasant farmers, and disappeared under the dark shadow of the Khmer Rouge for three years, eight months and 20 days. For twelve of her 21 years Chan Phaloeun lived with war and tyranny. At the end of the Khmer Rouge period she was too ill to walk and had been expected to die. Yet in the next few years she graduated from university in Russia and became a key research leader helping to restore rice production in Cambodia. This book is about people and their challenges in rescuing Cambodia from famine. It is an inspiring example of how the lives of millions were permanently improved by relatively few 'aid dollars' when governments, aid agencies and NGOs co-operated. In less than fifteen years the starving nation learned to feed itself as a few expatriates and many Cambodians put their collective efforts to the task. This is their story, and as far as possible it is told in their own words.

Winner of The IACP 2019 First Book Award presented by The Julia Child Foundation Like Madhur Jaffrey and Marcella Hazan before her, Naz Deravian will introduce the pleasures and secrets of her mother culture's cooking to a broad audience that has no idea what it's been missing. America will not only fall in love with Persian cooking, it'll fall in love with Naz.” - Samin Nosrat, author of Salt, Fat, Acid, Heat: The Four Elements of Good Cooking Naz Deravian lays out the multi-hued canvas of a Persian meal, with 100+ recipes adapted to an American home kitchen and interspersed with Naz's celebrated essays exploring the idea of home. At eight years old, Naz Deravian left Iran with her family during the height of the 1979 Iranian Revolution and hostage crisis. Over the following ten years, they emigrated from Iran to Rome to Vancouver, carrying with them books of Persian poetry, tiny jars of saffron threads, and always, the knowledge that home can be found in a simple, perfect pot of rice. As they traverse the world in search of a place to land, Naz's family finds comfort and familiarity in pots of hearty aash, steaming pomegranate and walnut chicken, and of course, tahdig: the crispy, golden jewels of rice that form a crust at the bottom of the pot. The best part, saved for last. In Bottom of the Pot, Naz, now an award-winning writer and passionate home cook based in LA, opens up to us a world of fragrant rose petals and tart dried limes, music and poetry, and the bittersweet twin pulls of assimilation and nostalgia. In over 100 recipes, Naz introduces us to Persian food made from a global perspective, at home in an American kitchen.

On a cross-country journey to hell, fear is the engine and vengeance is the destination as Christopher Rice's Amazon Charts bestselling series continues. As the test subject of an experimental drug, Charlotte Rowe was infused with extraordinary powers. As the secret weapon of a mysterious consortium, she baits evil predators and stops them in their tracks. But it takes more than fear to trigger what's coursing through Charlotte's blood. She needs to be terrorized. Serial killer Cyrus Mattingly is up to the task. Cyrus is a long-haul truck driver, and his cargo bay is a gallery of horrors on wheels. To stop his bloodshed, Charlotte will become his next victim, reining in her powers so she can face each of his evils in turn. As much as they know about Cyrus--his method of selecting victims, his prolonged rituals--there is something they don't. What happens on the dark and lonely highways is only the journey. It's the destination that's truly depraved. Before she can unleash vengeance on a scale this killer has never seen, Charlotte and her team will have to go the distance into hell.

The first novel from Madagascar ever to be translated into English, Naivo’s magisterial Beyond the Rice Fields delves into the upheavals of the nation’s precolonial past through the twin narratives of a slave and his master’s daughter. Fara and her father’s slave, Tsito, have shared a tender intimacy since her father bought the young boy who’d been ripped away from his family after their forest village was destroyed. Now in Sahasoa, amongst the cattle and rice fields, everything is new for Tsito, and Fara at last has a companion to play with. But as Tsito looks forward toward the bright promise of freedom and Fara, backward to a twisted, long-denied family history, a rift opens that a rapidly shifting political and social terrain can only widen. As love and innocence fall away, their world becomes defined by what tyranny and superstition both thrive upon: fear. With captivating lyricism and undeniable urgency, Naivo crafts an unsentimental interrogation of the brutal history of nineteenth-century Madagascar as a land newly exposed to the forces of Christianity and modernity, and preparing for a violent reaction against them. Beyond the Rice Fields is a tour de force about the global history of human bondage and the competing narratives that keep us from recognizing ourselves and each other, our pasts and our destinies.

Constellarium chronicles the author's gender transition from biological male to female, and engages the ontological quandaries that arise from this experience. Family history and religious heritage must be reckoned with along the way. In Rice's poems, the evolving nature of the self, the fluidity of identity, and the lasting influence of the past are all held up to the soul's penetrating gaze.