First, She Seduced Them. . . Sheila LaBarre liked to troll the personal ads and homeless shelters, looking for men whom society had rejected for one reason or another--men she could easily dominate both verbally and sexually. One by one, she invited them to her remote New Hampshire farmhouse, where she engaged them in S&M. But over time, sex gave way to brutal acts of torture as she mercilessly flogged and beat her captives until they confessed to committing unspeakable acts. Once satisfied that they had paid for their sins, Sheila savagely slaughtered them and burned their remains on her farm. . . Then, Humiliated, Tortured, And Killed Them. . . From the disturbing audiotapes Sheila made of her victims' confessions to her own bizarre statements in which she claimed to have returned from the dead to be God's avenger, The Burn Farm takes you behind the scenes of the scandal that rocked a quiet New England town, and into the twisted, depraved mind of a manipulative, cold-blooded murderer. . . Includes 16 Pages of Shocking Photos

A detailed account of Ant Farm's 1975 Media Burn performance, a legendary act of consumerist critique This book examines the complex set of cultural references and art-making strategies informing Ant Farm's seminal 1975 performance Media Burn in which a customized Cadillac, dubbed the Phantom Dream Car, was driven through a wall of burning television sets. Originally conceived as a conceptual architectural practice, Ant Farm evolved into a full-service art collaborative, culminating in such notable works as House of the Century (1971-73), Cadillac Ranch (1974) and The Eternal Frame (1975). In Media Burn the artists flourished in a rich tumult of ideas that engaged contemporary media theory, an oddly complicated aesthetic spectacle, textual appropriation and an all-encompassing branding effort. Written by Steve Seid (Berkeley Art Museum/Pacific Film Archive), and drawing upon a rich visual documentation, this book delves into the little-known critical backstory to this influential performance (and video work) involving a massive effort to mount a subversive critique of media hegemony while continually re-imagining the crux of the performance itself.

The ancient Roman orator Cicero famously believed, "If you have a garden and a library, you have everything you need." Contemporary philosopher Scott H. Moore agrees and puts this celebrated aphorism to the test. In How to Burn a Goat: Farming with the Philosophers, Moore speculates on the practice of farming through the lens of philosophy and literature. He weaves together a tapestry of philosophical reflections on work and leisure, the nature of the virtues, and the role and limitations of technology and higher education with personal reflections on the joys and trials of farm life on his Crawford, Texas, farm. Full of self-deprecating humor, Moore relates his own experience of a philosopher turned farmer. His efforts at scholar-farmer are haunted by questions from the world's great minds--"Does Plato's 'city of sows' ring true?," "Can Ockham help break a recalcitrant heifer?," "How can Heidegger help with raising swine?," "What insights does Iris Murdoch offer for pest control?" Combining insight with down-to-earth vignettes, Moore joins Wendell Berry, E. B. White, George Orwell, and many more in recognizing the truths deeply rooted in the management of the practical affairs of a farm. Moore argues that a return to agrarian roots is needed to restore Aristotelian wonder and wisdom in a world increasingly defined by technology. Rejecting the idea that humans are simply cogs in a wheel, he shows how greater human happiness can be found in the meaningful labor of tending to nature, rather than the ever-expanding march of automation.