“The Buffalo Runners: A Tale of the Red River Plains” is a children's adventure novel set in the American Old West by Scottish author R. M. Ballantyne. Full of thrilling action, terrible danger, and intrepid heroism, “The Buffalo Runners” will appeal to children with an interest in history and would make for a worthy addition to collections of vintage Western literature. Robert Michael Ballantyne (1825 – 1894) was a Scottish author of children's fiction. He was a prolific writer and produced over 100 books in his lifetime. As well as being an author, Ballantyne was also an accomplished artist, having exhibited his work at the Royal Scottish Academy. Other notable works by this author include: “The Coral Island” (1858), “The Gorilla Hunters” (1861), and “The Eagle Cliff” (1889). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction and biography of the author. This book was first published in 1861.

‘The Buffalo Runners’ is a pioneering adventure story by prolific author R.M. Ballantyne. Set in Canada, a country where Ballantyne had lived, worked, and adventured as a young man, the story is full of realistic details no doubt drawn from the author’s own experiences. The tale centres around a new settlement which is trying to establish itself in a hostile and as yet unsettled part of Canada. The community must contend with all sorts of dangers – from plagues of locusts, to kidnappings and famine - this is an adventure story full of the extremes of pioneer life. R.M. Ballantyne (1825-1894) was a Scottish artist and prolific author of mostly children’s fiction. Born in Edinburgh, Ballantyne was the ninth of ten children. At the age of 16 Ballantyne moved to Canada, where he worked for the Hudson’s Bay Company, travelling all over the country to trade for fur. He returned to Scotland in 1847 following the death of his father, and it was then that he began his literary career in earnest, writing over 100 children’s adventure books over the course of his life. Stories such as ‘The Coral Island’ and ‘The Young Fur Traders’ were hugely popular, and many of them drew on his own experiences of travelling throughout Canada. A stickler for detail, Ballantyne continued to travel widely to research the backgrounds and settings for his exciting stories. His tales became an inspiration for authors of the future, including ‘Treasure Island’ novelist Robert Louis Stevenson. Ballantyne spent the latter period of his life living in London and Italy for the sake of his health. He died in Rome in 1894 at the age of 68.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Snow, fine as dust and sharp as needles, was caught up bodily by the wind in great masses-here in snaky coils, there in whirling eddies, elsewhere in rolling clouds; but these had barely time to assume indefinite forms when they were furiously scattered and swept away as by the besom of destruction, while earth and sky commingled in a smother of whitey-grey.

This work is a comparative study of nineteenth-century English-Canadian and French Canadian novel prefaces, a previously unexplored literary topic. As a study in Comparative Literature - with the application of a specific literary framework and methodology - the study conforms to theoretical and methodological postulates formulated in and prescribed by this framework when applied. This a priori postulate necessitates that the research on and the presentation of the Canadian novel preface be carried out in a specific manner, as follows. First, the study will establish the hypothesis that the preface to nineteenth-century English-Canadian and French-Canadian novels is a genre in its own right. This hypothesis will rest on the following: 1) a taxonomical survey of related terms meaning "preface"; 2) a survey of secondary Iiterature of works dealing with the preface; 3) a discussion of the theoretical framework and methodology of the Empirical Theory of Literature and its appropriateness for the study of the preface; and 4) a discussion of the process of the compilation of the corpus of nineteenth-century Canadian novel prefaces (Chapter one). In a second step, the theoretical postulate outlined in the hypothesis will be put into practice by the development and production of a preface typology (Chapter two). In a third step, further tenets of the Empirical Theory of Literature will be tested on the corpus of the prefaces (Chapter three). In a fourth step, the prefaces will be analysed following the tenets formulated in and prescribed by the systemic framework applied (Chapter four).