Winner of the Center for Fiction's Doheny Prize Mike Scalise hits his stride in this page-turner of a memoir featuring a sudden and strange sequence of medical disasters. From its gripping ruptured-brain-tumor emergency room opening, through a series of medical procedures and oddball doctors, Scalise creates a sharply observed, uproariously funny, and deeply moving account of acromegaly, the hormone disorder best known for causing gigantism. Scalise weaves in meticulous research, social history, and vignettes about Andre the Giant and a variety of Hollywood acromegalic villains. He creates a narrative that is informative without feeling pedantic, demonstrating how he has marshaled the narrative of his life so that he can control it rather than being controlled by it. Although his medical story is the primary subject, the emotional engine driving the book is that of his relationship with his mother, a longtime sufferer in her own right, with a chronic cardiac condition likely exacerbated by her penchant for chain smoking and late-night white wine binges. Fraught, frustrating, and often very funny, Scalise's mother—often positioned as his competitor for the spotlight or the status of "best sick person"—winds up being the book's unlikely hero. Mike Scalise's work has appeared in Agni, Indiewire, the Paris Review, Wall Street Journal, and other places. He has received fellowships and scholarships from Bread Loaf, Yaddo, the Ucross Foundation, and was the Philip Roth Writer in Residence at Bucknell University. He lives in Brooklyn, New York.

NEW YORK TIMES BESTSELLER • From the Pulitzer Prize-winning author of The Looming Tower—a riveting thriller and “all-too-convincing chronicle of science, espionage, action and speculation” (The Wall Street Journal). At an internment camp in Indonesia, forty-seven people are pronounced dead with acute hemorrhagic fever. When epidemiologist Henry Parsons travels there on behalf of the World Health Organization to investigate, what he finds will have staggering repercussions. Halfway across the globe, the deputy director of U.S. Homeland Security scrambles to mount a response to the rapidly spreading pandemic leapfrogging around the world, which she believes may be the result of an act of biowarfare. And a rogue experimenter in man-made diseases is preparing his own terrifying solution. As already-fraying global relations begin to snap, the virus slashes across the United States, dismantling institutions and decimating the population. With his own wife and children facing diminishing odds of survival, Henry travels from Indonesia to Saudi Arabia to his home base at the CDC in Atlanta, searching for a cure and for the origins of this seemingly unknowable disease. The End of October is a one-of-a-kind thriller steeped in real-life political and scientific implications, filled with the insight that has been the hallmark of Wright’s acclaimed nonfiction and the full-tilt narrative suspense that only the best fiction can offer.

Winner, 2023 Margaret Laurence Award for Fiction Finalist, 2023 McNally Robinson Book of the Year Award A compassionate and funny novel about defining yourself, the communities that support us, and the journeys that secrets propel. Charlie Minkoff, a thirteen-year-old boy born with intersex traits, would be happy to be left alone. Living with his artist mother in a derelict loft in downtown Winnipeg, perpetually wondering about the father who abandoned him, and tormented in school because of his differences, Charlie navigates the assorted catastrophes of his life. He’s helped along by the love of his beloved grandfather, Oscar, and the makeshift family who surround him: his mother’s best friend; a couple of elderly shut-in neighbours; a mysterious girl in his class who has secrets of her own; and his desperately needy and perpetually hungry dog, Gellman. When a school project leads him to discover that Oscar never had a bar mitzvah, Charlie decides to right the historical wrong and arrange a belated ceremony. But this quest will be more than he bargained for, and meanwhile everyone from his doctor to his Ancestry Studies teacher keeps insisting that Charlie needs to learn to tell his own story. Margaret Laurence Award winner Méira Cook’s The Full Catastrophe is a story of psychological complexity, tenderness, and humour.

Throughout his childhood, Mike O’Connor’s family pretended to be normal. But Mike and his two younger sisters knew that their parents were hiding something–a secret they didn’t dare talk about. The family appeared to be no different from any of their small-town Texas neighbors–that is, until suddenly, the O’Connor’s would flee, leaving with only a few hours’ notice, abandoning houses and pets and possessions and running across the border to Mexico. For all of Mike’s adolescence, O’Connor family life alternated between relative comfort and abject poverty–sometimes within a matter of days. From living in a Texas ranch house to living in two rented rooms in an impoverished Mexican village, the O’Connors never knew what lay ahead–only that they must not draw attention to themselves. Though their parents steadfastly denied it, the children knew that something was chasing them–a past that hovered like an invisible enemy, always waiting to strike, always in pursuit. But it was not until much later, after his parents’ deaths, that Mike O’Connor, now an investigative reporter, was able to uncover the truth about his family’s past. As the secrets were unlocked one by one and the long trail of deception unfurled, Mike faced the heart-wrenching ramifications of his parents’ actions–and made a discovery that shook his family loyalty to its core. Full of incredible details of a life lived on both sides of the border, in near-poverty and near-wealth, Mike O’Connor’s account is a real-life suspense story of childhood mysteries and strange circumstances that will enthrall readers to its very end.

This handbook explains the importance and practice of using a geographic information system (GIS) in designing and implementing an effective response to large-scale disasters, including wildfires, hurricanes, earthquakes, and terrorist attacks. The handbook is organized according to the accepted methodology of disaster management, which involves planning and identification, mitigation, preparedness, response, and recovery. The first three stages involve tasks that an organization or community can perform before a disaster occurs. The latter two tasks focus on postdisaster efforts. The spatial display and analysis tools of GIS are ideal for assessing disaster risks, consequences, and responses. GIS can display the location, size, value, and significance of assets that may be impacted by disasters. It can show the kinds of environmental, atmospheric, and other conditions that contribute to particular kinds of natural disasters. GIS can also juxtapose a particular kind of asset with specific hazardous conditions over a wide geographic area, thus allowing a precise calculation of potential loss in the immediate area. With this kind of graphic depiction, the choices about what to do and where to do it are clarified for those charged with making fast, cost-effective decisions. This handbook details how GIS software features can be used at each stage of planning and response. The use of GIS in a disaster is illustrated by its application in New York City in the days after September 11, where it was used to provide assistance to rescue and recovery teams. The manual also profiles GIS-based disaster modeling software packages now available at no cost to local communities.

"All disasters are in some sense man-made." Setting the annus horribilis of 2020 in historical perspective, Niall Ferguson explains why we are getting worse, not better, at handling disasters. Disasters are inherently hard to predict. Pandemics, like earthquakes, wildfires, financial crises. and wars, are not normally distributed; there is no cycle of history to help us anticipate the next catastrophe. But when disaster strikes, we ought to be better prepared than the Romans were when Vesuvius erupted, or medieval Italians when the Black Death struck. We have science on our side, after all. Yet in 2020 the responses of many developed countries, including the United States, to a new virus from China were badly bungled. Why? Why did only a few Asian countries learn the right lessons from SARS and MERS? While populist leaders certainly performed poorly in the face of the COVID-19 pandemic, Niall Ferguson argues that more profound pathologies were at work--pathologies already visible in our responses to earlier disasters. In books going back nearly twenty years, including Colossus, The Great Degeneration, and The Square and the Tower, Ferguson has studied the foibles of modern America, from imperial hubris to bureaucratic sclerosis and online fragmentation. Drawing from multiple disciplines, including economics, cliodynamics, and network science, Doom offers not just a history but a general theory of disasters, showing why our ever more bureaucratic and complex systems are getting worse at handling them. Doom is the lesson of history that this country--indeed the West as a whole--urgently needs to learn, if we want to handle the next crisis better, and to avoid the ultimate doom of irreversible decline.