From New York Times–bestselling author Dashka Slater comes the whimsical and witty sequel to The Book of Fatal Errors! Rufus may have successfully sent the feylings home to the Green World, but he still has one pesky feyling under his wing: Nettle, his sometimes enemy, now mentor. Nettle is in charge of helping Rufus and his cousin Abigail protect Feylawn, their grandfather’s magical and mysterious homestead. But this difficult task becomes even more dangerous when a leopard appears in the woods without warning; strange, waterlogged women arrive to warn of impending doom; and a goblin begins digging his way back to Earth, hungry for revenge. Meanwhile, Rufus’s father is intent on selling Feylawn to the highest bidder. Can Rufus and Abigail save Feylawn and its magic? Or will they have to say goodbye to the feylings forever? In The Book of Stolen Time, our favorite heroes are back! And magic, mischief, and adventure abound.

Charlotte Schleswig, the delightful narrator of Liz Jensen's latest novel, supports herself and the lumpen Fru Schleswig (who may or may not be her mother) as a prostitute in 1890s Copenhagen. While she is no small success at the trade, she leaps at a new job opportunity for herself and Fru Schleswig, as cleaning ladies for the wealthy widow Krak. But mysteries abound at Fru Krak's dark old mansion. The basement appears to be haunted, townspeople claim to have seen the dead Professor Krak walking the streets as a ghost, and there are stories of desperate souls who paid the professor a visit and never emerged. In fact, as Charlotte will discover, there is a simple explanation for all this: the basement is home to a time machine. When their cunning investigations land them in trouble, Charlotte and Fru Schleswig find themselves catapulted through time and space to modern-day London, and there their adventures truly begin. With the minxy, intrepid Charlotte, Liz Jensen introduces a heroine every bit as memorable as Louis Drax. And with My Dirty Little Book of Stolen Time, she delivers yet another outlandishly entertaining novel, in which the seemingly insurmountable obstacle of spacetime proves no match for human ingenuity and earthly passion.

Delbert, the Keeper of Time, a nervous stumpy like man, has summoned our young detective Moustachio to the Museum of Time, a strange and spooky castle once owned by the famous archaeologist Lord Grimthorpe. The crime he must solve? A mystical bell that controls all time has been stolen!

A decades-late letter inspires a young French woman to try to reunite two star-crossed lovers in this novel by the author of The Chateau by the River. Middle school teacher by day, romance writer by night, and group knitter on Tuesday evenings, Flavie Richalet leads a fairly uneventful life—until she receives a long-delayed letter meant for a total stranger. Postmarked 1971, the yellowed envelope, addressed to an Amélie Lacombe, holds a fervent message of love and a marriage proposal, signed only with the initial E. Given her own fractured family history, Flavie is dreamily determined to learn what became of the couple . . . Flavie’s inquiries lead her to a French seaside inn—and to E. himself, a true romantic who never forgot the girl who got away so many years ago. But his protective nephew, B&B owner Romaric, isn’t sure that trying to find Amélie after all these years is good for his uncle. At odds with the tall, dark, and impossibly passionate Romaric, Flavie must show him, and perhaps herself, that true love is timeless—and always worth waiting for . . . Praise for the novels of Chloé Duval “Magical is the perfect word to describe the writing done by Chloé Duval! . . . She really has a talent for putting beauty into words, and I can’t wait to see what she writes next!” —Lady with a Quill “A tribute to love and the beginnings of passions, but also to a true and implacable feeling, which even the longest years can not destroy.” —The Shelter of Books

A serial killer is targeting cops in a Chicago suburb, and Detective Joe Garrett is determined to discover his identity before another one of his fellow police officers is murdered. A hardened investigator, Garrett follows a string of murders spanning four decades, once every five years to the date. With his own personal problems, and the holidays closing in, Garrett discovers time is a more precious commodity than he ever anticipated. Every clue he finds seems to lead to a dead end. Choosing to research potential victims by riding with the patrolmen he figures are prime targets, the investigator befriends a salty officer, developing a unique relationship based on their parallel careers. Garrett must ultimately unravel the politics hindering his investigation and discover the killer's true motives before someone he knows becomes the last victim in a gruesome ritual coming full circle.

In 1956 Harry Belafonte’s Calypso became the first LP to sell more than a million copies. For a few fleeting months, calypso music was the top-selling genre in the US—it even threatened to supplant rock and roll. Stolen Time provides a vivid cultural history of this moment and outlines a new framework—black fad performance—for understanding race, performance, and mass culture in the twentieth century United States. Vogel situates the calypso craze within a cycle of cultural appropriation, including the ragtime craze of 1890s and the Negro vogue of the 1920s, that encapsulates the culture of the Jim Crow era. He follows the fad as it moves defiantly away from any attempt at authenticity and shamelessly embraces calypso kitsch. Although white calypso performers were indeed complicit in a kind of imperialist theft of Trinidadian music and dance, Vogel argues, black calypso craze performers enacted a different, and subtly subversive, kind of theft. They appropriated not Caribbean culture itself, but the US version of it—and in so doing, they mocked American notions of racial authenticity. From musical recordings, nightclub acts, and television broadcasts to Broadway musicals, film, and modern dance, he shows how performers seized the ephemeral opportunities of the fad to comment on black cultural history and even question the meaning of race itself.

The first study of one of the most innovative of contemporary novelists, Liz Jensen, and of the otherworlds in her fiction.