In the surreal and paranoid underworld of wartime Prague, fugitive lovers Felix Andel and Magdalena Ruza make some dubious alliances - with a mysterious Roman Catholic cardinal, a reckless sculptor intent on making a big political statement, and a gypsy with a risky sex life. As one by one their chances for fleeing the country collapse, the two join a plot to assassinate Hitler's nefarious Minister of Public Enlightenment and Propaganda, Josef Goebbels. But the assassination attempt goes wildly wrong, propelling the lovers in separate directions. Felix's destiny is sealed at the Bone Church, a mystical pilgrimage site on the outskirts of Prague, while Magdalena is thrust even deeper into the bowels of a city that betrayed her and a homeland soon to be swallowed by the Soviets. As they emerge from the shadowy fog of World War II, and stagger into the foul haze of the Cold War, Felix and Magdalena must confront the past, and a dangerous, uncertain future.

The bone gatherers found in the annals and legends of the early Roman Catholic Church were women who collected the bodies of martyred saints to give them a proper burial. They have come down to us as deeply resonant symbols of grief: from the women who anointed Jesus's crucified body in the gospels to the Pietà, we are accustomed to thinking of women as natural mourners, caring for the body in all its fragility and expressing our deepest sorrow. But to think of women bone gatherers merely as mourners of the dead is to limit their capacity to stand for something more significant. In fact, Denzey argues that the bone gatherers are the mythic counterparts of historical women of substance and means-women who, like their pagan sisters, devoted their lives and financial resources to the things that mattered most to them: their families, their marriages, and their religion. We find their sometimes splendid burial chambers in the catacombs of Rome, but until Denzey began her research for The Bone Gatherers, the monuments left to memorialize these women and their contributions to the Church went largely unexamined. The Bone Gatherers introduces us to once-powerful women who had, until recently, been lost to history—from the sorrowing mothers and ghastly brides of pagan Rome to the child martyrs and women sponsors who shaped early Christianity. It was often only in death that ancient women became visible—through the buildings, burial sites, and art constructed in their memory—and Denzey uses this archaeological evidence, along with ancient texts, to resurrect the lives of several fourth-century women. Surprisingly, she finds that representations of aristocratic Roman Christian women show a shift in the value and significance of womanhood over the fourth century: once esteemed as powerful leaders or patrons, women came to be revered (in an increasingly male-dominated church) only as virgins or martyrs—figureheads for sexual purity. These depictions belie a power struggle between the sexes within early Christianity, waged via the Church's creation and manipulation of collective memory and subtly shifting perceptions of women and femaleness in the process of Christianization. The Bone Gatherers is at once a primer on how to "read" ancient art and the story of a struggle that has had long-lasting implications for the role of women in the Church. From the Trade Paperback edition.

The bones of more than 40,000 people are said to dwell in Sedlec Ossuary, also known as the Bone Chapel. Here, bones swoop from the ceiling, run down the walls, and even hang in the form a giant chandelier. Learn how these human relics came to decorate a church in this eerie title for young readers.

When Clifford Stilton dies, his son Gene crams his carefully kept diaries into a hall cupboard - but Clifford's words have too much life in them to be ignored, and start to permeate his family's world. Clifford taught Gene about how to find rocks and fossils, and about how to kill birds and fish. Gene passes on a similar inheritance to his daughters, Bridget and Christina - they have their own ways of digging and discovering the past, keeping an account of life, watching out for the varieties of death that lie hidden. Etta their mother tells a very different story of her 1940s childhood. In a fishbone church spans continents and decades. From the Berlin rave scene to the Canterbury duck season, from the rural 1950s to the cosmopolitan present, these five vivid lives cohere in a deeply affecting and exhilarating novel. In a fishbone church, Catherine Chidgey's acclaimed debut, won the Hubert Church Award for Best First Book in the Montana New Zealand Book Awards, the Adam Award, the regional Commonwealth Prize for Best First Novel, and a Betty Trask Award in the UK, where it was also longlisted for the Orange Prize. First published in 1998, it has been a bestseller in New Zealand and has been published around the world.

Bill Henard believes that there is hope for the established church – for your church. Some people may have already pronounced the church “dead,” but these dead bones can live. Whether your church is seven years old or one-hundred and seventy, you may be seeing evidences that your church needs vision, direction, and revitalization.

ccording to George Barna there are 53,000 people a month leaving Evangelical churches. God is realigning the church, and Floyd believes he wants to use the frustration that people feel toward the church to motivate them to believe for change. There is a valley of dry bones God wants to use, but those bones won't become an army until they are prophesied over. The dry bones are made up of the poor, the rebellious, the marginalized of society, the young, and the uneducated. They carry wounds, have been abused, suffer from AIDS, are widows and single parents. They are often so poor they have lost hope of finding a purpose in life. They are waiting for someone to believe in them. By choosing to follow Jesus, believers have joined a great procession of men and women who are living for something far greater than themselves. The challenge is to act like we really believe what we are called to be and to do: to become a radical community of Jesus followers who seek to alleviate injustice and share the Father's love with those who have never heard that he cares for them; to show that the church of Jesus Christ is the hope of the world. In this book Floyd shares five core beliefs about leadership, church, and mission: Simple church, Courageous leadership, Focused obedience, Apostolic passion, and Making disciples.