The Blonde Lady is novel by by Maurice Leblanc and published in 1910.

The Blonde Lady was released in the UK under the title Arsene Lupin vs. Herlock Sholmes; both are the same story. LeBlanc's creation, gentleman thief Arsene Lupin, is everything you would expect from a French aristocrat - witty, charming, brilliant, sly . . . and possibly the greatest thief in the world. In this classic tale, Lupin comes up against the only man who may be able to stop him . . . no less than the great British gentleman-detective Herlock Sholmes! Who will emerge triumphant? Contents: Number 514, Series 23; The Blue Diamond; Holmlock Shears Opens Hostilities; A Glimmer in the Darkness;

The Blonde Lady

The Pulitzer Prize–winning biographer of Louisa May Alcott illuminates the world of Little Women and its author. Since its publication in 1868–69, Little Women, perhaps America’s most beloved children’s classic, has been handed down from mother to daughter for generations. It has been translated into more than fifty languages and inspired six films, four television shows, a Broadway musical, an opera, and a web series. This lavish, four-color edition features over 220 curated illustrations, including stills from the films, stunning art by Norman Rockwell, and iconic illustrations by children’s-book illustrators Alice Barber Stevens, Frank T. Merrill, and Jessie Wilcox Smith. Renowned Alcott scholar John Matteson brings his expertise to the book, to the March family it creates, and to the Alcott family who inspired it all. Through numerous photographs taken in the Alcott family home expressly for this edition—elder daughter Anna’s wedding dress, the Alcott sisters’ theater costumes, sister May’s art, and Abba Alcott’s recipe book—readers discover the extraordinary links between the real and the fictional family. Matteson’s annotations evoke the once-used objects and culture of a distant but still-relevant time, from the horse-drawn carriages to the art Alcott carefully placed in her story to references to persons little known today. His brilliant introductory essays examine Little Women’s pivotal place in children’s literature and tell the story of Alcott herself—a tale every bit as captivating as her fiction.

On the 8th of December last, M. Gerbois, professor of mathematics at Versailles College, rummaging among the stores at a second-hand dealer's, discovered a small mahogany writing-desk, which took his fancy because of its many drawers. "That's just what I want for Suzanne's birthday," he thought. M. Gerbois' means were limited and, anxious as he was to please his daughter, he felt it his duty to beat the dealer down. He ended by paying sixty-five francs. As he was writing down his address, a well-groomed and well-dressed young man, who had been hunting through the shop in every direction, caught sight of the writing-desk and asked: "How much for this?" "It's sold," replied the dealer. "Oh ... to this gentleman?" M. Gerbois bowed and, feeling all the happier that one of his fellow-men envied him his purchase, left the shop. But he had not taken ten steps in the street before the young man caught him up and, raising his hat, said, very politely:

Louisa May Alcott wrote Little Women as a study of an American family during the Civil War. It was also very closely based on her own experience as a member of the Alcott family. The protagonist of the story, Josephine “Jo” March is based on Louisa herself. The other three March sisters are closely modeled on her own sisters. This annotated edition includes a biography and critical essay.