Writing from the perspective of a friend, Frederick Joseph offers candid reflections on his own experiences with racism and conversations with prominent artists and activists about theirs--creating an essential read for white people who are committed anti-racists and those newly come to the cause of racial justice.

The instant New York Times bestseller! Writing from the perspective of a friend, Frederick Joseph offers candid reflections on his own experiences with racism and conversations with prominent artists and activists about theirs—creating an essential read for white people who are committed anti-racists and those newly come to the cause of racial justice. “We don’t see color.” “I didn’t know Black people liked Star Wars!” “What hood are you from?” For Frederick Joseph, life as a transfer student in a largely white high school was full of wince-worthy moments that he often simply let go. As he grew older, however, he saw these as missed opportunities not only to stand up for himself, but to spread awareness to those white people who didn’t see the negative impact they were having. Speaking directly to the reader, The Black Friend calls up race-related anecdotes from the author’s past, weaving in his thoughts on why they were hurtful and how he might handle things differently now. Each chapter features the voice of at least one artist or activist, including Angie Thomas, author of The Hate U Give; April Reign, creator of #OscarsSoWhite; Jemele Hill, sports journalist and podcast host; and eleven others. Touching on everything from cultural appropriation to power dynamics, “reverse racism” to white privilege, microaggressions to the tragic results of overt racism, this book serves as conversation starter, tool kit, and invaluable window into the life of a former “token Black kid” who now presents himself as the friend many readers need. Backmatter includes an encyclopedia of racism, providing details on relevant historical events, terminology, and more.

Writing from the perspective of a friend, Frederick Joseph offers candid reflections on his own experiences with racism and conversations with prominent artists and activists about theirs—creating an essential read for white people who are committed anti-racists and those newly come to the cause of racial justice. “We don’t see color.” “I didn’t know Black people liked Star Wars!” “What hood are you from?” For Frederick Joseph, life as a transfer student in a largely white high school was full of wince-worthy moments that he often simply let go. As he grew older, however, he saw these as missed opportunities not only to stand up for himself, but to spread awareness to those white people who didn’t see the negative impact they were having. Speaking directly to the reader, The Black Friend calls up race-related anecdotes from the author’s past, weaving in his thoughts on why they were hurtful and how he might handle things differently now. Each chapter features the voice of at least one artist or activist, including Angie Thomas, author of The Hate U Give; April Reign, creator of #OscarsSoWhite; Jemele Hill, sports journalist and podcast host; and eleven others. Touching on everything from cultural appropriation to power dynamics, “reverse racism” to white privilege, microaggressions to the tragic results of overt racism, this book serves as conversation starter, tool kit, and invaluable window into the life of a former “token Black kid” who now presents himself as the friend many readers need. Backmatter includes an encyclopedia of racism, providing details on relevant historical events, terminology, and more.

It is a truth universally acknowledged that a good white person of liberal leanings must be in want of a Black friend. In the biting, hilarious vein of What Doesn’t Kill You Makes You Blacker and We Are Never Meeting in Real Life comes Ben Philippe’s candid memoir-in-essays, chronicling a lifetime of being the Black friend (see also: foreign kid, boyfriend, coworker, student, teacher, roommate, enemy) in predominantly white spaces. In an era in which “I have many black friends” is often a medal of Wokeness, Ben hilariously chronicles the experience of being on the receiving end of those fist bumps. He takes us through his immigrant childhood, from wanting nothing more than friends to sit with at lunch, to his awkward teenage years, to college in the age of Obama, and adulthood in the Trump administration—two sides of the same American coin. Ben takes his role as your new black friend seriously, providing original and borrowed wisdom on stereotypes, slurs, the whole “swimming thing,” how much Beyoncé is too much Beyoncé, Black Girl Magic, the rise of the Karens, affirmative action, the Black Lives Matter movement, and other conversations you might want to have with your new BBFF. Oscillating between the impulse to be "one of the good ones" and the occasional need to excuse himself to the restrooms, stuff his mouth with toilet paper, and scream, Ben navigates his own Blackness as an "Oreo" with too many opinions for his father’s liking, an encyclopedic knowledge of CW teen dramas, and a mouth he can't always control. From cheating his way out of swim tests to discovering stray family members in unlikely places, he finds the punchline in the serious while acknowledging the blunt truths of existing as a Black man in today’s world. Extremely timely, Sure, I’ll Be Your Black Friend is a conversational take on topics both light and heavy, universal and deeply personal, which reveals incisive truths about the need for connection in all of us.

From the writer crowned one of the smartest, funniest voices in modern America, this hotly anticipated debut collection of essays offers “a precious glimpse into how Ziwe’s uniquely fearless mind functions” (New York Magazine) Ziwe made a name for herself by asking guests like Alyssa Milano, Fran Lebowitz, and Chet Hanks direct questions. In Black Friend, she turns her incisive perspective on both herself and the culture at large. Throughout the book, Ziwe combines pop-culture commentary and personal stories, which grapple with her own (mis)understanding of identity. From a hilarious case of mistaken identity via a jumbotron to a terrifying fight-or-flight encounter in the woods, Ziwe raises difficult questions for comedic relief. From Black Friend’s Introduction: “Today, I learned that my book is ranked as the #1 new release in ‘Discrimination and Racism’ on Amazon. Wow. This is a huge honor, especially considering my stiff competition in the selfpublished manifestos space. Unfortunately, this victory is bittersweet. I worry that people may get the wrong idea and think that I am pro-racism when in actuality, I am indifferent. Still, I’d love to thank everyone who made this possible. I solemnly swear to write the most discriminatory book in American history. I hope I can make you proud. “Just kidding . . . I will not marginalize you . . . unless that’s your kink. This book of essays offers moments of extreme discomfort (and the subsequent growth) in my life around the role of ‘black friend.’ Black friends come in all shapes and sizes. Yet the archetype is often a two-dimensional character meant to support the non-black protagonists’ more complex humanity. Some black friends exist as the comic relief, like Donkey in any of the Shrek movies. Some are the sassy friend, like Louise from St. Louis in Sex and the City. Still others are the inexplicably sagacious companion, like Morpheus in The Matrix. It’s impossible for these individual portraits to reflect my complicated reality. To start, they are fictional. One of them is a talking ass. I do not exist just to move plot. While I am a supportive friend, I am not a supporting character. I am the protagonist of my perfectly imperfect story.”

"An open letter from your black friend to you about race, racism, friendship, and alienation"--Back cover.

What if you lost the thing that made you who you are? Lexi has always been stunning. Her butter-colored hair and perfect features have helped her attract friends, a boyfriend, and the attention of a modeling scout. But everything changes the night Lexi's face goes through a windshield. Now she's not sure what's worse: the scars she'll have to live with forever, or what she saw going on between her best friend and her boyfriend right before the accident. With the help of her trombone-playing, defiantly uncool older sister and a guy at school recovering from his own recent trauma, Lexi learns she's much more than just a pretty face.