Biblical allusions are found in great literature and in the daily newspaper as well. Rock musicians, screenwriters, television producers, and advertisers use the Bible as a source. Politicians use the words and accounts of the Bible to frame their debates.

The King James Bible has often been called the "Book of Books," both in itself and in what it stands for. Since its publication in 1611, it has been the best–selling book in the world, and many believe, it has had the greatest impact. The King James Bible has spread the Protestant faith. It has also been the greatest influence on the enrichment of the English language and its literature. It has been the Bible of wars from the British Civil War in the seventeenth century to the American Civil War two centuries later, and it has been carried into battle in innumerable conflicts since then. Its influence on social movements—particularly involving women in the nineteenth and twentieth centuries—and politics was profound. It was crucial to the growth of democracy. It was integral to the abolition of slavery, and it defined attitudes to modern science, education, and sex. As Lord Melvyn Bragg's The Adventure of English explored the history of our language, so The Book of Books reveals the extraordinary and still–felt impact of a work created 400 years ago.

Explore perceptions and interpretations of scripture in American politics, identity, popular culture, and public education Essays from the perspectives of American history, the history of ideas, film studies, visual studies, cultural studies, education, and church-state studies provide essential research for those interested in the intersection of the Bible and American culture. The contributors are Yaakov Ariel, Jacques Berlinerblau, Mark A. Chancey, Rubén Dupertuis, John Fea, Shalom Goldman, Charles C. Haynes, Carol Meyers, Eric M. Meyers, David Morgan, Adele Reinhartz, and David W. Stowe. Features: Ten essays and an introduction present research from professors of biblical studies, Judaism, English, and history Articles relevant to scholars, students, and the general public Analysis of the tensions in American society regarding the Bible and its role in public life.

A literary history of our most influential book of all time, by an Oxford scholar and Anglican priest In our culture, the Bible is monolithic: It is a collection of books that has been unchanged and unchallenged since the earliest days of the Christian church. The idea of the Bible as "Holy Scripture," a non-negotiable authority straight from God, has prevailed in Western society for some time. And while it provides a firm foundation for centuries of Christian teaching, it denies the depth, variety, and richness of this fascinating text. In A History of the Bible, John Barton argues that the Bible is not a prescription to a complete, fixed religious system, but rather a product of a long and intriguing process, which has inspired Judaism and Christianity, but still does not describe the whole of either religion. Barton shows how the Bible is indeed an important source of religious insight for Jews and Christians alike, yet argues that it must be read in its historical context--from its beginnings in myth and folklore to its many interpretations throughout the centuries. It is a book full of narratives, laws, proverbs, prophecies, poems, and letters, each with their own character and origin stories. Barton explains how and by whom these disparate pieces were written, how they were canonized (and which ones weren't), and how they were assembled, disseminated, and interpreted around the world--and, importantly, to what effect. Ultimately, A History of the Bible argues that a thorough understanding of the history and context of its writing encourages religious communities to move away from the Bible's literal wording--which is impossible to determine--and focus instead on the broader meanings of scripture.

Written in an engaging and entertaining manner, this new book from leading Catholic biblical scholar Henry Wansbrough charts the use and abuse of scripture throughout the ages. It ranges from the evangelists' engagement with the Hebrew Scriptures to the use of the Bible in present day politics - perhaps most pertinently in the Israeli-Palestinian conflict. Wansbrough takes as his starting point Frances Young's The Art of Performance . This enables him to creatively display how 'The Bible' is 'performed' differently in different ages. Wansbrough demonstrates the variety of these performances and their different emphases in the history of Christianity to glimpse the different ways in which great figures within the Christian tradition have used and abused the Bible. Indirectly, therefore, it attacks the ever-present danger of fundamentalism, and single-minded interpretation of the Bible. Viewing the interpretation of the Bible against the background of various historical periods gives a valuable insight into the long and rich history of the Church. A final chapter provides a 'worked example' of Lecto Divina providing a window into the author's personal life of praying the Bible.