The King of Red Midgard is mad and there are no gods to stop him from taking his land over the brink into destruction. The land that god Odin once molded to his liking has been separated from the gods for thousands of years. All the Nine Worlds and sundered by the ancient Hel's War, but in Midgard, the years have passed relatively peacefully. Men govern men, and there are wars, there is peace and life goes on.Yet, for Red Midgard, times are indeed changing. The harsh, freedom-loving northern land faces the animosity of the mighty High King, but also a threat of war with its few allies, as King Morag is rumored to look for any reason to go to war with those he should keep close. Maskan and Sand, thieves of Dagnar, discover a web of conspiracies to topple the king before it is too late, and soon, they have a good reason to tie their fates with those who would fight the king.But not all is as it seems, and layers of truths and lies make the road dark and dangerous. Our heroes must navigate very murky waters of betrayal, elemental magic, love, and loyalty to save their land and to find revenge.

The Nature of the Beast is a New York Times bestselling Chief Inspector Gamache novel from Louise Penny. Hardly a day goes by when nine year old Laurent Lepage doesn't cry wolf. From alien invasions, to walking trees, to winged beasts in the woods, to dinosaurs spotted in the village of Three Pines, his tales are so extraordinary no one can possibly believe him. Including Armand and Reine-Marie Gamache, who now live in the little Quebec village. But when the boy disappears, the villagers are faced with the possibility that one of his tall tales might have been true. And so begins a frantic search for the boy and the truth. What they uncover deep in the forest sets off a sequence of events that leads to murder, leads to an old crime, leads to an old betrayal. Leads right to the door of an old poet. And now it is now, writes Ruth Zardo. And the dark thing is here. A monster once visited Three Pines. And put down deep roots. And now, Ruth knows, it is back. Armand Gamache, the former head of homicide for the Sûreté du Québec, must face the possibility that, in not believing the boy, he himself played a terrible part in what happens next.

"'The Beast' is a graphic novel set against the backdrop of Canadian oil industry advertising. It tells the story of two creative millennials working in Edmonton on opposite sides of the energy debate. Important ideas about advertising, energy politics, and sustainability are raised as they grow to understand their relationship to their work, the climate, and each other."--

Originally published: London: Faber & Faber, 2016.

This book aims to identify the beast from the sea and the beast from the land in Revelation 13 by studying their unique link together with the dragon in Revelation 12: the land beast is subordinate to the sea beast, which in turn is subordinate to the dragon. The early sections of the book provide a review of previous scholarship, the influence of Daniel 7 in understanding Revelation 13, and the Leviathan-Behemoth motif in several apocalyptic writings. The core of the book, however, seeks to demonstrate that the relationship of the two beasts and the dragon fits well with the tripartite hierarchy that Georges Dumezil has discovered as one of the dominant structures of relationships in Indo-European mythological traditions. In congruence with the criteria of the three hierarchical levels in Dumezil's system, the dragon concerns the ultimate sovereignty in a supernatural sphere, while the sea beast and land beast are found, respectively, as a warlike figure in a war context and as a figure relating to the economic theme. Based on this finding, the book concludes that the two beasts represent the imperial power and the imperial cult, as most commentators believe.

Inspired by Beauty and the Beast and the myth of Hades and Persephone, this lush and enchanting enemies-to-lovers fantasy romance is perfect for fans of Sarah J. Maas, Jennifer L. Armentrout, and Scarlett St. Clair. Wren of Edgewood is no stranger to suffering. With her parents gone, it’s Wren’s responsibility to ensure she and her sister survive the harsh and endless winter, but if the legends are to be believed, their home may not be safe for much longer. For three hundred years, the land surrounding Edgewood has been encased in ice as the Shade, a magical barrier that protects the townsfolk from the Deadlands beyond, weakens. Only one thing can stop the Shade’s fall: the blood of a mortal woman bound in wedlock to the North Wind, a dangerous immortal whose heart is said to be as frigid as the land he rules. And the time has come to choose his bride. When the North Wind sets his eyes on Wren’s sister, Wren will do anything to save her—even if it means sacrificing herself in the process. But mortal or not, Wren won’t go down without a fight… The North Wind is a stand-alone, enemies-to-lovers slow-burn fantasy romance, the first in a series sprinkled with Greek mythology.

**The 2022 Lammy Award Winner in Transgender Nonfiction** Exploring the intersections of Blackness, gender, fatness, health, and the violence of policing. To live in a body both fat and Black is to exist at the margins of a society that creates the conditions for anti-fatness as anti-Blackness. Hyper-policed by state and society, passed over for housing and jobs, and derided and misdiagnosed by medical professionals, fat Black people in the United States are subject to sociopolitically sanctioned discrimination, abuse, condescension, and trauma. Da’Shaun Harrison--a fat, Black, disabled, and nonbinary trans writer--offers an incisive, fresh, and precise exploration of anti-fatness as anti-Blackness, foregrounding the state-sanctioned murders of fat Black men and trans and nonbinary masculine people in historical analysis. Policing, disenfranchisement, and invisibilizing of fat Black men and trans and nonbinary masculine people are pervasive, insidious ways that anti-fat anti-Blackness shows up in everyday life. Fat people can be legally fired in 49 states for being fat; they’re more likely to be houseless. Fat people die at higher rates from misdiagnosis or nontreatment; fat women are more likely to be sexually assaulted. And at the intersections of fatness, Blackness, disability, and gender, these abuses are exacerbated. Taking on desirability politics, the limitations of gender, the connection between anti-fatness and carcerality, and the incongruity of “health” and “healthiness” for the Black fat, Harrison viscerally and vividly illustrates the myriad harms of anti-fat anti-Blackness. They offer strategies for dismantling denial, unlearning the cultural programming that tells us “fat is bad,” and destroying the world as we know it, so the Black fat can inhabit a place not built on their subjugation.