In her humorous and emotionally resonant debut, Emma Smith-Stevens follows the exploits and evolution of a young man--known only as the Australian--over the course of a dozen years, from his time in Melbourne, posing as Superman for tourist photos, to his life in New York, where he spends years unemployed before stumbling into fame and fortune. Recently married to a woman he barely knows and struggling to forge a relationship with his newborn son, the Australian returns to his home city to tend to his dying mother and unlock the mystery surrounding his estranged, deceased father. His journey leads him to the Dreaming Tracks--sacred landmarks acrossAustralia--to sites inspired by his father's Australian Outdoor Geographic magazines, and beyond. A poignant and at times satirical meditation on masculinity, fatherhood, isolation, New York City, fame, and loss, The Australian examines the way we come to know each other, and ultimately ourselves.

Does the Anzac ethos have roots in atheism? Does prayer have a place in Parliament? Should 'creation science' be taught in Australian schools? The Australian Book of Atheism is the first collection to explore atheism from an Australian viewpoint. Bringing together essays from 33 of the nation's pre-eminent atheist, rationalist, humanist, and sceptical thinkers, it canvasses a range of opinions on religion and secularism in Australia.

Growing numbers of scholars, practitioners, politicians, and citizens recognize the value of deliberative civic engagement processes that enable citizens and governments to come together in public spaces and engage in constructive dialogue, informed discussion, and decisive deliberation. This book seeks to fill a gap in empirical studies in deliberative democracy by studying the assembly of the Australian Citizens’ Parliament (ACP), which took place in Canberra on February 6–8, 2009. The ACP addressed the question “How can the Australian political system be strengthened to serve us better?” The ACP’s Canberra assembly is the first large-scale, face-to-face deliberative project to be completely audio-recorded and transcribed, enabling an unprecedented level of qualitative and quantitative assessment of participants’ actual spoken discourse. Each chapter reports on different research questions for different purposes to benefit different audiences. Combined, they exhibit how diverse modes of research focused on a single event can enhance both theoretical and practical knowledge about deliberative democracy.

When The Australia Book won the 1952 Children's Book of the Year Award, it was described as 'one of the most beautiful and original books ever published for children in Australia - and that remains as true today as it was then.

In Quarterly Essay 64, Stan Grant takes a deep and passionate look at Indigenous futures, in particular the fraught question of remote communities. In a landmark essay, Stan Grant writes Indigenous people back into the economic and multicultural history of Australia. This is the fascinating story of how fringe dwellers fought not just to survive, but to prosper. Their legacy is the extraordinary flowering of Indigenous success - cultural, sporting, intellectual and social - that we see today. Yet this flourishing coexists with the boys of Don Dale and the many others like them who live in the shadows of the nation. Grant examines how such Australians have been denied the possibilities of life, and argues eloquently that history is not destiny; that culture is not static. In doing so, he makes the case for a more capacious Australian Dream. "The idea that I am Australian hits me with a thud. It is a blinding self-realisation that collides with the comfortable notion of who I am. To be honest, for an Indigenous person, it can feel like a betrayal somehow - at the very least, a capitulation. We are so used to telling ourselves that Australia is a white country: am I now white? The reality is more ambiguous ... To borrow from Franz Kafka, identity is a cage in search of a bird." —Stan Grant, The Australian Dream  This issue also contains correspondence discussing Quarterly Essay 63, Enemy Within, from Patrick Lawrence, Nicole Hemmer, Bruce Wolpe, Dennis Altman, David Goodman, Patrick McCaughey, Gary Werskey, and Don Watson.

Non-freedom to the Western mind is inevitably linked with images of backwardness – Soviet tractors, East German Trabants, Kim Jong Il’s haircut. But non-freedom these days is also iPads, iPhones and a dazzling array of less iconic but ubiquitous consumer goods that flood our stores, our homes and which increasingly are used to define our ideas of worth and happiness. It is a full-lipped smile achieved with the aid of collagen made from skin flensed from dead Chinese convicts. The Australian Disease is Richard Flanagan’s perceptive, hilarious, searing exposé of the conformity that afflicts our public life. From Weary Dunlop to Vassily Grossman, from David Hicks to Craig Thomson, Flanagan takes us on a wildly entertaining and unsettling trip. If we are to find hope, he says, we must take our compass more from ourselves and less from the powerful.

Fifty years after its first publication, Robin Boyd's bestselling The Australian Ugliness remains the definitive statement on how we live and think in the environments we create for ourselves. In it Boyd rallied against Australia's promotion of ornament, decorative approach to design and slavish imitation of all things American. 'The basis of the Australian ugliness,' he wrote, 'is an unwillingness to be committed on the level of ideas. In all the arts of living, in the shaping of all her artefacts, as in politics, Australia shuffles about vigorously in the middle - as she estimates the middle - of the road, picking up disconnected ideas wherever she finds them.' Boyd was a fierce critic, and an advocate of good design. He understood the significance of the connection between people and their dwellings, and argued passionately for a national architecture forged from a genuine Australian identity. His concerns are as important now, in an era of suburban sprawl and inner-city redevelopment, as they were half a century ago. Caustic and brilliant, The Australian Ugliness is a masterpiece that enables us to see our surroundings with fresh eyes. This handsome anniversary edition is complemented by Robin Boyd's original sketches for the book and a new afterword by major contemporary architects.