THE ART OF ROZZ WILLIAMS - FROM CHRISTIAN DEATH TO DEATH New revised book with 8 extra pages includes updated discography, new art images and foreword by Rikk Agnew. The book features the work of the multi talented artist ROZZ WILLIAMS including his musical career, outsider-art, and poetry. Lyrics, discographies, performance history and photos of his bands CHRISTIAN DEATH, SHADOW PROJECT, PREMATURE EJACULATION, ROZZ WILLIAMS solo work (featuring GITANE DEMONE among others), and the film PIG.

Celebrating the 25th anniversary of Cult Epics – the controversial arthouse, horror and erotica video label – this commemorative hardcover book covers essential releases from filmmakers such as Tinto Brass, Fernando Arrabal, Radley Metzger, Walerian Borowcyzk, Jean Genet, Abel Ferrara, George Barry, Rene Daalder, Agusti Villaronga, Jorg Buttgereit, Gerald Kargl, Nico B, Irving Klaw, and pinup legend Bettie Page. Includes in-depth reviews of films, interviews, and essays on directors by film critics Nathaniel Thompson, Mark R. Hasan, Michael den Boer, Ian Jane, Stephen Thrower, Marcus Stiglegger, Heather Drain and others – fully illustrated in color with rare photos, poster art, and memorabilia.

Christian Death is an American deathrock band formed in Los Angeles County, California, in 1979 by Rozz Williams. Williams was eventually joined by guitarist Rikk Agnew of the band Adolescents, with James McGearty on bass guitar and George Belanger on drums. This lineup was responsible for producing the band's best-known work, their 1982 debut album Only Theatre of Pain, which was highly influential in the development of the style of music known as death rock as well as the American gothic scene. During this time legendary L.A. punk rock photographer Edward Colver befriended the band and shot Christian Death at a dozen of the band's concerts in the Los Angeles area during a six-month period in 1981 and 1982, as well as photographing Rozz at his family home with the band which was later used for the back cover of Only Theatre of Pain, and a session of iconic images at a cemetery in Pomona. Cult Epics founder and friend of Rozz Williams, Nico B edited an oversized (12x12") hardcover book of Ed's photos capturing those rare and never-before-seen moments, as well as the story of early Christian Death as told by Edward Colver, surviving band members and others through new, exclusive interviews.

Ron Athey is one of the most important, prolific, and influential performance artists of the past four decades. A singular example of lived creativity, his radical performances are odds with the art worlds and art marketplaces that have increasingly dominated contemporary art and performance art over the period of his career. Queer Communion, an exploration of Athey's career, refuses the linear narratives of art discourse and instead pays homage to the intensities of each mode of Athey's performative practice and each community he engages. Emphasizing the ephemeral and largely uncollectible nature of his work, the book places Athey's own writing at its center, turning to memoir, memory recall, and other modes of retrieval and narration to archive his performances. In addition to documenting Athey's art, ephemera, notes, and drawings, the volume features commissioned essays, concise "object lessons" on individual objects in the Athey archive, and short testimonials by friends and collaborators by contributors including Dominic Johnson, Amber Musser, Julie Tolentino, Ming Ma, David Getsy, Alpesh Patel, and Zackary Drucker, among others. Together they form Queer Communion, a counter history of contemporary art.

A pocket sized paperback illustrated poetry book based on the life of Rozz Williams, a pioneer of Deathrock. Born Roger Alan Painter in Glendora, California on November 6, 1963. He took his name from a gravestone in a Pomona cemetery. His first breakthrough came in 1979 with the band Christian Death, a play on the brand Christian Dior. In 1981, he collaborated with performance artist Ron Athey to produce the beginnings of industrial noise in a project called Premature Ejaculation. Always an innovator, Rozz Williams changed the depth of music and art while inspiring subsequent generations of artists. 'A Little Hard to Swallow: 1334' encompasses Rozz Williams life in a richly dark poetic way.

From the deepest depths of punk rock's 1970s primordial wastelands, through the stygian goth swamps of the 1980s, and on into the bloodstained arenas of 1990s heavy metal, Eerie Von witnessed it all. Beginning as the unofficial photographer for punk legends The Misfits and later taking charge of the bass guitar as a founding member of underground pioneers Samhain and metal gods Danzig, the evil eye of Eerie Von's camera captured the dark heart of rock's most vital and bleeding-edge period, a time when rock and roll was not only dangerous, but downright menacing. Eerie Von's lens has documented everything from The Misfits' humble beginnings in Lodi, New Jersey, to the heights of Danzig's stadium-rock glory alongside metal superstars Metallica. As well as an essential visual document of music history, Eerie's road stories of triumph and damnation bring to life an era the likes of which will never again be seen.