Three essays on mathematics, logic, and philosophy from the Noble Prize–winning author of A History of Western Philosophy. The essays in this little volume, published here for the first time in book form, were written by Bertrand Russell during the Second World War when he was less concerned with the stormy issues of nuclear warfare and the containment of Communist aggression and more with “the art of reckoning” in the fields of mathematics, logic and philosophy. The simplicity of Russell’s exposition is astonishing, as is his ability to get to the core of the great philosophical issues and to skillfully probe the depth of philosophical analysis.

An eclectic collection of essays centering on the intersection of art and philosophy, especially in the late 20th century.

Volume 10 brings together Russell's writings on ethics, politics, religion and academic philosophy.During the period covered by this volume, Bertrand Russell first retired from and then resumed his philosophical career. In 1927 he published two philosophy books, The Analysis of Matter and An Outline of Philosophy. His next book in academic philosophy, An Inquiry into Meaning and Truth, was not published until 1940.Yet, Russell published a significant amount of essays and popular books between 1927 and 1946, mostly to finance the running of Beacon Hill School, and his growing family. Those years also saw his break-up with Dora Russell, his marriage to Patricia (Peter) Spence and a move of the family to the United States.Volume 10 brings together Russell's writings on ethics, politics, religion and academic philsophy. It is an invaluable guide to the thought and development of one of the most famous philosophers of this century.

An eclectic collection of essays centering on the intersection of art and philosophy, especially in the late 20th century.

The legions of Bob Dylan fans know that Dylan is not just a great composer, writer, and performer, but a great thinker as well. In Bob Dylan and Philosophy, eighteen philosophers analyze Dylan’s ethical positions, political commitments, views on gender and sexuality, and his complicated and controversial attitudes toward religion. All phases of Dylan’s output are covered, from his early acoustic folk ballads and anthem-like protest songs to his controversial switch to electric guitar to his sometimes puzzling, often profound music of the 1970s and beyond. The book examines different aspects of Dylan’s creative thought through a philosophical lens, including personal identity, negative and positive freedom, enlightenment and postmodernism in his social criticism, and the morality of bootlegging. An engaging introduction to deep philosophical truths, the book provides Dylan fans with an opportunity to learn about philosophy while impressing fans of philosophy with the deeper implications of his intellectual achievements.