As the principal courtroom sketch artist for the New York Times and WABC in New York, Marilyn Church covered many of America’s most infamous trials, from the downfall of John Gotti to the trial of would-be presidential assassin John Hinckley; from the conviction of Martha Stewart to the Sean “Puffy” Combs weapons possession trial. In The Art of Justice, Marilyn Church takes readers into the courtroom for an insider’s view of thirty sensational cases. Experience the story behind the dramatic headlines in the legal battles of subway vigilante Bernhard Goetz, Long Island Lolita Amy Fisher, preppie murderer Robert Chambers, David “Son of Sam” Berkowitz, the bizarre child custody war between Woody Allen and Mia Farrow, and many, many others. In addition to more than one hundred brilliant full-color reproductions of Church’s artwork, The Art of Justice also includes compelling trial summaries by noted television journalist Lou Young and a Celebrity Gallery depicting the courtroom appearances of Mick Jagger, Yoko Ono, Paul Newman, Caroline Kennedy, Donald Trump, and a host of other luminaries. Part artistic celebration, part cultural history, The Art of Justice is the perfect addition to any lawyer’s library and essential reading for true-crime fans everywhere!

This book presents a unique and intriguing collection of drawings of courtroom scenes. Entering the courtroom wearing his robe, Judge Pierre Cavellat literally had a secret up his sleeve. Hidden in it were pens and pencils, which he used to sketch the scenes he observed from his bench. Throughout a 40-year judicial career in one of France's more important regional appellate courts, Cavellat produced hundreds of illuminating drawings and paintings depicting the court proceedings but also the main actors: the prosecutors, defence counsel, his fellow judges, the defendants, witnesses, policemen, the general public, as well as the courtroom itself and its architecture. The resulting vivid and uncensored impressions give an unprecedented insight into how a judge perceives his profession and the institution of justice as a whole. Given the scarcity of written autobiographies by judges, and their reluctance to lay bare their inner feelings and thinking, the images reveal, in a candid and immediate fashion, the deeply hidden emotions, ambiguities and fantasies of a judge going about his work. The author, a judge herself, interprets the images through the lens of her own judicial experience, exploring how judges think and act and how their thinking is constructed through their education, professional training, gender and class. In doing so she exposes how personal background, history and experience play an additional, sometimes conflicting, role in 'judgecraft'. While relevant to both practitioners and students of law this book should also appeal to the wider public.

Presents 48 colour reproductions of art masterpieces that convey the drama and emotional resonance of the law in diverse settings in time and place. Rendered by some of the world's most revered artists, these works portray the great legends, personalities, and events that have defined the law, and record the progress of civilisation's concepts of justice. Accompanying each high-quality reproduction is an essay that illuminates the social, historical, and philosophical contexts of the work.

​​The Art of Transitional Justice examines the relationship between transitional justice and the practices of art associated with it. Art, which includes theater, literature, photography, and film, has been integral to the understanding of the issues faced in situations of transitional justice as well as other issues arising out of conflict and mass atrocity. The chapters in this volume take up this understanding and its demands of transitional justice in situations in several countries: Afghanistan, Serbia, Srebenica, Rwanda, Northern Ireland, Cambodia, as well as the experiences of resulting diasporic communities. In doing so, it brings to bear the insights from scholars, civil society groups, and art practitioners, as well as interdisciplinary collaborations.

This imaginative, practical, and engaging sourcebook offers inspiration and tools to craft critical, meaningful, transformative arts education curriculum and arts integration grounded within a clear social justice framework and linked to ideas about culture as commons.

Drawing on novel case studies, this book provides the first substantive theoretical framework for understanding transitional justice and visual art.

The contributions to Law and Art address the interaction between law, justice, the ethical and the aesthetic.