Sixteen-year-old Sloane is given the biggest opportunity of her life—a chance for a film school scholarship—but she only has less than two weeks to produce a video. She also has to work with Isaac Alexander, an irresponsible charmer with whom she shares an uneasy history. Then comes a horrifying discovery: Sloane finds a bald spot on her head. The pink patch, no bigger than a quarter, shouldn’t be there. Neither should the bald spots that follow. Horror gives way to devastation when Sloane is diagnosed with alopecia areata. The autoimmune disease has no cause, no cure and no definitive outcome. The spots might grow over tomorrow or they might be there for life. She could become completely bald. No one knows. Determined to produce her video and keep her condition secret, Sloane finds herself turning into the kind of person she has always mocked: someone obsessed with their looks. She’s also forced to confront a painful truth: she is as judgmental as anyone else … but she saves the harshest judgments for herself.

Explores Rupert Sheldrake’s more than 25 years of research into telepathy, staring and intention, precognition, and animal premonitions • Shows that unexplained human abilities--such as the sense of being stared at and phone telepathy--are not paranormal but normal, part of our biological nature • Draws on more than 5,000 case histories, 4,000 questionnaire responses, and the results of experiments carried out with more than 20,000 people • Reveals that our minds and intentions extend beyond our brains into the world around us and even into the future Nearly everyone has experienced the feeling of being watched or had their stare result in a glance in their direction. The phenomenon has been cited throughout history in nearly every culture, along with other commonplace “paranormal” occurrences such as premonitions and telepathy. In this newly updated edition, Sheldrake shares his more than 25 years of research into telepathy, the power of staring, remote viewing, precognition, and animal premonitions. Drawing on more than 5,000 case histories, 4,000 questionnaire responses, and the results of experiments on staring, thought transference, phone telepathy, and other phenomena carried out with more than 20,000 people as well as reports and data from dozens of independent research teams, Sheldrake shows that these unexplained human abilities--such as the sense of being stared at--are not paranormal but normal, part of our biological nature. He reveals that telepathy depends on social bonds and traces its evolution from the connections between members of animal groups such as flocks, schools, and packs. Sheldrake shows that our minds and intentions extend beyond our brains into our surroundings with invisible connections that link us to each other, to the world around us, and even to the future.

Optimism is your secret weapon in business and in life. It is custom-designed specifically for you, and it is capable of bringing you everything you want. Optimism can overcome financial problems, physical disabilities, and personal challenges. In Jim Stovall’s latest book, The Art of Optimism, he uses stories, studies, and personal experience to illustrate how adopting an attitude of optimism can change your life. Read this book and learn: How to fuel optimism How to find opportunity through optimism How to overcome negative circumstances How to maintain optimism in business and in life How optimism is your most important asset And much more! “A pessimist sees the difficulty in every opportunity; an optimist sees the opportunity in every difficulty.” -Winston Churchill

Have you ever had a premonition, the feeling of being watched, or a telepathic experience? Renowned biologist Rupert Sheldrake explores the intricacies of the mind and discovers that our perceptive abilities are stronger than many of us could have imagined.

Between indecent exposure and intellectual property theft, it's tough being Lewis this year. East Coast architect Lewis Morton thought he had it all: loving wife and children, dream job, and a house that meets his exacting architectural standards. But after his beloved mentor dies unexpectedly and Lewis gets pulled into a lawsuit that threatens to destroy his career and possibly his life, the respectable identity he has carefully constructed for himself after fleeing his Jewish childhood in Montreal begins to disintegrate. In trying to build his new future he must first come to terms with his past. Who is Lewis Morton, and who will he choose to become?

'During the Tang dynasty, the Chinese artist Wu Tao-tzu was one day standing looking at a mural he had just completed. Suddenly, he clapped his hands and the temple gate opened. He went into his work and the gates closed behind him.' Thus begins Sven Lindqvist's profound meditation on art and its relationship with life, first published in 1967, and a classic in his home country - it has never been out of print. As a young man, Sven Lindqvist was fascinated by the myth of Wu Tao-tzu, and by the possibility of entering a work of art and making it a way of life. He was drawn to artists and writers who shared this vision, especially Hermann Hesse, in his novel Glass Bead Game. Partly inspired by Hesse's work, Lindqvist lived in China for two years, learning classical calligraphy from a master teacher. There he was drawn deeper into the idea of a life of artistic perfectionism and retreat from the world. But when he left China for India and then Afghanistan, and saw the grotesque effects of poverty and extreme inequality, Lindqvist suffered a crisis of confidence and started to question his ideas about complete immersion in art at the expense of a proper engagement with life. The Myth of Wu Tao-tzu takes us on a fascinating journey through a young man's moral awakening and his grappling with profound questions of aesthetics. It contains the bracing moral anger, and poetic, intensely atmospheric travel writing Lindqvist's readers have come to love.

A finalist for the National Book Critics Circle Award, this memoir of one woman's later in life career change is “a smart, funny and compelling case for going after your heart's desires, no matter your age” (Essence). Following her retirement from Princeton University, celebrated historian Dr. Nell Irvin Painter surprised everyone in her life by returning to school––in her sixties––to earn a BFA and MFA in painting. In Old in Art School, she travels from her beloved Newark to the prestigious Rhode Island School of Design; finds meaning in the artists she loves, even as she comes to understand how they may be undervalued; and struggles with the unstable balance between the pursuit of art and the inevitable, sometimes painful demands of a life fully lived. How are women and artists seen and judged by their age, looks, and race? What does it mean when someone says, “You will never be an artist”? Who defines what an artist is and all that goes with such an identity, and how are these ideas tied to our shared conceptions of beauty, value, and difference? Bringing to bear incisive insights from two careers, Painter weaves a frank, funny, and often surprising tale of her move from academia to art in this "glorious achievement––bighearted and critical, insightful and entertaining. This book is a cup of courage for everyone who wants to change their lives" (Tayari Jones, author of An American Marriage).