This illustrated survey of the experimental world of digital art explores the ways in which traditional painting and sculpture have been significantly changed by digital technologies, citing the emergence of such new forms as net art, digital installation and virtual reality.

The Art of Fact in the Digital Age is a showcase of the most powerful and moving journalism of the past 25 years. Selections include stories originally published in established bastions of literary journalism (The New York Times, The Atlantic and The New Yorker), as well as those from specialized and online publications (Runner's World, The Atavist). It features writers of extraordinary style (including Carina del Valle Schorske, Brian Phillips, and Jia Tolentino), as well as those who have profoundly influenced public discourse on the 21st century's most urgent issues: Mitchell S. Jackson, Clint Smith, and Ta-Nehisi Coates on race; Susan Dominus and Luke Mogelson on migration; and Kathryn Schulz and David Wallace-Wells on environmental threats. It even includes one story that expanded literary journalism's repertoire into audio (This American Life). This collection, assembled for students, scholars, and practitioners alike, also charts the evolution of digital longform journalism through its greatest achievements, from transitioning readers to screens to the integration of multimedia with words in service of meaning. The art of fact in the 21st century opened new ranges of expression to address such issues, while uniquely bearing the imprint of their generation's digital cultures and technologies. Although many forces compete for attention in the digital age, story triumphs. The works in this anthology show us why.

The Art of Fact in the Digital Age is a showcase of the most powerful and moving journalism of the past 25 years. Selections include stories originally published in established bastions of literary journalism (The New York Times, The Atlantic and The New Yorker), as well as those from specialized and online publications (Runner's World, The Atavist). It features writers of extraordinary style (including Carina del Valle Schorske, Brian Phillips, and Jia Tolentino), as well as those who have profoundly influenced public discourse on the 21st century's most urgent issues: Mitchell S. Jackson, Clint Smith, and Ta-Nehisi Coates on race; Susan Dominus and Luke Mogelson on migration; and Kathryn Schulz and David Wallace-Wells on environmental threats. It even includes one story that expanded literary journalism's repertoire into audio (This American Life). This collection, assembled for students, scholars, and practitioners alike, also charts the evolution of digital longform journalism through its greatest achievements, from transitioning readers to screens to the integration of multimedia with words in service of meaning. The art of fact in the 21st century opened new ranges of expression to address such issues, while uniquely bearing the imprint of their generation's digital cultures and technologies. Although many forces compete for attention in the digital age, story triumphs. The works in this anthology show us why.

The book publishing industry is going through a period of profound and turbulent change brought about in part by the digital revolution. What is the role of the book in an age preoccupied with computers and the internet? How has the book publishing industry been transformed by the economic and technological upheavals of recent years, and how is it likely to change in the future? This is the first major study of the book publishing industry in Britain and the United States for more than two decades. Thompson focuses on academic and higher education publishing and analyses the evolution of these sectors from 1980 to the present. He shows that each sector is characterized by its own distinctive ‘logic’ or dynamic of change, and that by reconstructing this logic we can understand the problems, challenges and opportunities faced by publishing firms today. He also shows that the digital revolution has had, and continues to have, a profound impact on the book publishing business, although the real impact of this revolution has little to do with the ebook scenarios imagined by many commentators. Books in the Digital Age will become a standard work on the publishing industry at the beginning of the 21st century. It will be of great interest to students taking courses in the sociology of culture, media and cultural studies, and publishing. It will also be of great value to professionals in the publishing industry, educators and policy makers, and to anyone interested in books and their future.

Lively and engaging, How to Launch a Magazine in this Digital Age adopts a practical guide students or inexperienced editors to the process of setting up and launching a new publication -- be it digital, print or a combination of both. Using case studies, theoretical/critical insights, and tests/exercises, this is the first how-to to embrace digital technologies, including a companion website with additional support with podcasts, web links, forums and timed live author chats. The key to the text's success is its ability to encompass the complete process. It begins with the initial idea and follows the process through to developing a business plan as well as setting an editorial strategy to achieve and maintain an audience in a digital age -- where traditional print formats face an uncertain future. It includes checklists and realistic timescales for producing a digital/print magazine, for both the working professional and the student in the classroom setting.

A close reading of Wikipedia’s article on the Egyptian Revolution reveals the complexity inherent in establishing the facts of events as they occur and are relayed to audiences near and far. Wikipedia bills itself as an encyclopedia built on neutrality, authority, and crowd-sourced consensus. Platforms like Google and digital assistants like Siri distribute Wikipedia’s facts widely, further burnishing its veneer of impartiality. But as Heather Ford demonstrates in Writing the Revolution, the facts that appear on Wikipedia are often the result of protracted power struggles over how data are created and used, how history is written and by whom, and the very definition of facts in a digital age. In Writing the Revolution, Ford looks critically at how the Wikipedia article about the 2011 Egyptian Revolution evolved over the course of a decade, both shaping and being shaped by the Revolution as it happened. When data are published in real time, they are subject to an intense battle over their meaning across multiple fronts. Ford answers key questions about how Wikipedia’s so-called consensus is arrived at; who has the power to write dominant histories and which knowledges are actively rejected; how these battles play out across the chains of circulation in which data travel; and whether history is now written by algorithms.

Have you ever asked yourself why you are spending less time interacting with people in person and more time sitting alone behind a pixilated screen? As we furiously type into our keypads in search of the Holy Grail - an empty inbox - our happiness and well-being dissipate. Through eye-opening studies, interviews with some of our world's most captivating thought leaders and stories gleaned from his 25+ years as a leadership trainer and professor, Anthony Silard will help you realize what many of us are losing in the digital age--ourselves and our most important relationships--and provide a roadmap to reclaim them.