A tribute to Fox Animation Studio's first feature-length animated film celebrates the story, artwork, computer animation, and 3-D technology that made "Anastasia" possible

In 1963 a woman by the name of "Evgenia Smetisko," an immigrant who purportedly entered the United States from Roumania according to her 1928 naturalization papers, published "Anastasia: The Autobiography of HIH The Grand Duchess Anastasia Nicholaevna of Russia." When asked if she were indeed the youngest daughter of Tsar Nicholas II and Empress Alexandra, she denied it and failed a lie detector test. Upon acknowledging the fact, she passed. Although her immigration and naturalization papers state that "Evgenia" was born on January 25, 1899, her grave cross in the cemetery of Holy Trinity Russian Orthodox Monastery in Jordanville, New York lists the birthdate as June 18, 1901. On that date Grand Duchess Anastasia was born in St. Petersburg, Russia. Both Anastasia and "Evgenia" were artistically inclined. Paintings and embroidery from "Evgenia's" collection, which were NOT deemed suitable for inclusion in the monastery's Russian history museum and now reside in a private collection, are offered here for the enjoyment of the reader.

When gallery owner Nellie, a giving yet neurotic New Yorker, brings together the mismatched cast of characters in the opening of Ryan Whittaker's debut, a phallic show, little does she know that she is setting the scene for odd and unpredictable relationships, much like Shakespeare in Midsummer Night's Dream. The frenzied, magical mix-up is an outrageous farce with a deep moral message: there is a RIGHT place for everyone in this world and love and friendship cement us in it. The Art of Change is a funny, smooth reading romance, which deals with bridging differences in gender, education, social milieu, in an insane but pragmatic, modern fairytale, set in New York City. The twists of the plot are written without an ounce of cynicism but simply acknowledging that life is neither here nor there, neither black or white and all can be dealt with in real friendship and love.

Animation was once a relatively simple matter, using fairly primitive means to produce rather short films of subjects that were generally comedic and often quite childish. However, things have changed, and they continue changing at a maddening pace. One new technique after another has made it easier, faster, and above all cheaper to produce the material, which has taken on an increasing variety of forms. The Historical Dictionary of Animation and Cartoons is an introduction to all aspects of animation history and its development as a technology and industry beyond the familiar cartoons from the Disney and Warner Bros. Studios. This is done through a chronology, an introductory essay, photos, a bibliography, and over 200 cross-referenced dictionary entries on animators, directors, studios, techniques, films, and some of the best-known characters.

This book illuminates the interconnections between politics and religion through the lens of artistic production, exploring how art inspired by religion functioned as a form of resistance, directed against both Romanian national communism (1960-1989) and, latterly, consumerist society and its global market. It investigates the critical, tactical and subversive employments of religious motifs and themes in contemporary art pieces that confront the religious ‘affair’ in post-communist Romania. In doing so, it addresses a key gap in previous scholarship, which has paid little attention to the relationship between religious art and political resistance in communist Central and South-East Europe.

1926. A mother and her young daughter come to Los Angeles. The mother is chasing her dream: she wants to conquer Hollywood, no matter the cost. Her little girl, Anastasia, is the perfect candidate to be cinema's next big star. But can she stand the pressure? The clash of dreams and the dirty reality of show business is a heavy burden to bear, as Anastasia comes face to face with the crime, abuse, and murky secrets of an all-powerful industry. A story that calls into question the so-called golden era of Hollywood, when the "dream factory" resembled a Byzantine empire, above the law and fed by vanity and greed.

A pioneering survey of leading and emerging global artists, curators and art practitioners on the question: can art aid in conflict resolution and therefore reduce global tensions and human suffering? Throughout the centuries, art has documented the atrocities of wars, participated in propaganda campaigns, and served as an advocate for peace and social justice around the world. The aim of this project is to explore how art can assist in creating dialogue and bridges across cultures and opposing groups. Over 100 leading and emerging architects, artists, curators, choreographers, composers, and directors of art institutions around the globe explore the potentially constructive role of the arts in conflict resolution. A summarizing chapter maps out the diverse positions and examines the variety of themes and approaches that were brought up.