Arguing that the term "lady" should be re-examined and brought back into circulation, the author shows readers how to achieve civility and grace in an often uncivil world.

Explains how to eliminate everyday negativity in order to bring more joy into life, with inspirational tips on the art of loving life, while emphasizing that the true definition of success lies in how good we feel about ourselves.

“Michelle sets aside the political correctness of our society’s views and calls a truce between the genders with her biblically based perspective on the art of being a woman.” Today’s Christian Woman magazine Writing with her characteristic boldness, grace, and gut–level honesty, Michelle McKinney Hammond challenges women to unearth the hidden gift of their femininity. Readers will gain a new, biblically based perspective on their femininity and a few laughs along the way as they experience Michelle’s refreshing take on the real feminine mystique. They will discover the power of influence the pitfalls of manipulation the strength of vulnerability how to make up for their mate’s weaknesses how to take advantage of his strengths Instead of being threatened by men and unsure of their own value, readers can truly embrace the precious value of being women as they inspire the world with their intrinsic strength, intuition, sensitivity, and yes, sexuality. Rerelease of The Power of Femininity

1913: Suffragette throws herself under the King's horse. 1969 u Feminists storm Miss World. NOW u Caitlin Moran rewrites The Female Eunuch from a bar stool and demands to know why pants are getting smaller. There's never been a better time to be a woman: we have the vote and the Pill, and we haven't been burnt as witches since 1727.

"This expanded edition is brought up to date in the light of the most recent developments in contemporary art. A new chapter considers globalization in the visual arts and the complex issues it raises, focusing on the many major international exhibitions since 1990 that have become an important arena for women artists from around the world."--BOOK JACKET.

The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory—published together with author Linda Nochlin’s reflections three decades later. Many scholars have called Linda Nochlin’s seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art. With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew. In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.”