Excerpt from The Arcana of Freemasonry AS many Brothers have requested me to publish in an enlarged and more permanent form my Lectures on the ancient sources of Masonry (some of which have appeared in The Freemason), I have felt it my duty as well as a pleasure to comply with their request, in order that it may enable every Brother who is interested in the past origin of the Craft to gain at least a superficial knowledge of its antiquity, which will be outside the present dogmas of the Order. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from Arcana Saitica Briefly Discussed in Three Essays on the Masonic Tracing Boards I believe that to a large number of Masons the eso terio meaning of the symbols and ceremonies in constant use and practice amongst us is either unknown or dis regarded; but it surely cannot be uninteresting, even as a matter of history, to know whence they were derived, and to see how, even in our ancient and honourable Society, the jewel truth has become encrusted until to outward view it is like the pebble ignorance. Finally, I would urge that the mission of Masonry is not yet ended; its practical services in preserving knowledge in days when the possession of such know ledge was too often the passport to a shameful death deserve to be ever kept in remembrance, and even now it may be that in a Lodge close tiled we can impart to each other matters of deep interest which yet it may not be well to publish for the indiscriminate use of the outer world. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Excerpt from The Rare Books of Freemasonry Been required for a long time past, and few students of the literature of the Craft have had either a competent know ledge cf the scarce works, or leisure to enable them to investi gate and describein a methodical manner the rarities which in the present work are brought under review. Fortunately the enterprise of the publishers has secured the services of Mr. Lionel Vibert, who as Editor of Miscellanea Latomomm and author of some charming little volumes on old-time masonry; brings to bear on his present task both knowledge of masonic literature and care in tracing out and marshalling for our benefit the facts here embodied in a concise and orderly form. The masonic student will find this work of material value for reference and comparison; the collector will likewise have a competent authority to consuAbout the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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