A story of faith and fraud in post-Civil War America told through the lens of a photographer who claimed he could capture images of the dead

A story of faith and fraud in post–Civil War America, told through the lens of a photographer who claimed he could capture images of the dead. In the early days of photography, in the death-strewn wake of the Civil War, one man seized America’s imagination. A “spirit photographer,” William Mumler took portrait photographs that featured the ghostly presence of a lost loved one alongside the living subject. Mumler was a sensation: The affluent and influential came calling, including Mary Todd Lincoln, who arrived at his studio in disguise amidst rumors of séances in the White House. Peter Manseau brilliantly captures a nation wracked with grief and hungry for proof of the existence of ghosts and for contact with their dead husbands and sons. It took a circus-like trial of Mumler on fraud charges, starring P. T. Barnum for the prosecution, to expose a fault line of doubt and manipulation. And even then, the judge sided with the defense, suggesting no one would ever solve the mystery of his spirit photography. This forgotten puzzle offers a vivid snapshot of America at a crossroads in its history, a nation in thrall to new technology while clinging desperately to belief. An NPR Best Book of 2017 “A rare work of historical nonfiction that is both studious and just plain entertaining.”—Publishers Weekly, Top Ten Books of 2017 “An exceptional story.”—Errol Morris, New York Times Book Review “Manseau has become the foremost chronicler of the deep American desire to believe in the weird, the strange, and the oddly wonderful.”—Jeff Sharlet, New York Times–bestselling author of The Family: The Secret Fundamentalism at the Heart of American Power

This is the first and only comprehensive work to deal with a relatively unknown facet of Mexican social and religious history, the debates over the historicity of the Guadalupe apparitions and the historical existence of Juan Diego.

Barbara Weisberg’s Talking to the Dead blends biography and social history in this revelatory story of the family responsible for the rise of Spiritualism. A fascinating story of spirits and conjurors, skeptics and converts in the second half of nineteenth century America viewed through the lives of Kate and Maggie Fox, the sisters whose purported communication with the dead gave rise to the Spiritualism movement—and whose recanting forty years later is still shrouded in mystery. In March of 1848, Kate and Maggie Fox—sisters aged eleven and fourteen—anxiously reported to a neighbor that they had been hearing strange, unidentified sounds in their house. From a sequence of knocks and rattles translated by the young girls as a "voice from beyond," the Modern Spiritualism movement was born. Talking to the Dead follows the fascinating story of the two girls who were catapulted into an odd limelight after communicating with spirits that March night. Within a few years, tens of thousands of Americans were flocking to séances. An international movement followed. Yet thirty years after those first knocks, the sisters shocked the country by denying they had ever contacted spirits. Shortly after, the sisters once again changed their story and reaffirmed their belief in the spirit world. Weisberg traces not only the lives of the Fox sisters and their family (including their mysterious Svengali–like sister Leah) but also the social, religious, economic and political climates that provided the breeding ground for the movement. While this is a thorough, compelling overview of a potent time in US history, it is also an incredible ghost story.

Séances, clairvoyance, and telepathy captivated public imagination in the United States from the 1850s well into the twentieth century. Though skeptics dismissed these experiences as delusions, a new kind of investigator emerged to seek the science behind such phenomena. With new technologies like the telegraph collapsing the boundaries of time and space, an explanation seemed within reach. As Americans took up psychical experiments in their homes, the boundaries of the mind began to waver. Common Phantoms brings these experiments back to life while modeling a new approach to the history of psychology and the mind sciences. Drawing on previously untapped archives of participant-reported data, Alicia Puglionesi recounts how an eclectic group of investigators tried to capture the most elusive dimensions of human consciousness. A vast though flawed experiment in democratic science, psychical research gave participants valuable tools with which to study their experiences on their own terms. Academic psychology would ultimately disown this effort as both a scientific failure and a remnant of magical thinking, but its challenge to the limits of science, the mind, and the soul still reverberates today.

The life and times of a uniquely American testament In his retirement, Thomas Jefferson edited the New Testament with a penknife and glue, removing all mention of miracles and other supernatural events. Inspired by the ideals of the Enlightenment, Jefferson hoped to reconcile Christian tradition with reason by presenting Jesus of Nazareth as a great moral teacher—not a divine one. Peter Manseau tells the story of the Jefferson Bible, exploring how each new generation has reimagined the book in its own image as readers grapple with both the legacy of the man who made it and the place of religion in American life. Completed in 1820 and rediscovered by chance in the late nineteenth century after being lost for decades, Jefferson's cut-and-paste scripture has meant different things to different people. Some have held it up as evidence that America is a Christian nation founded on the lessons of the Gospels. Others see it as proof of the Founders' intent to root out the stubborn influence of faith. Manseau explains Jefferson's personal religion and philosophy, shedding light on the influences and ideas that inspired him to radically revise the Gospels. He situates the creation of the Jefferson Bible within the broader search for the historical Jesus, and examines the book's role in American religious disputes over the interpretation of scripture. Manseau describes the intrigue surrounding the loss and rediscovery of the Jefferson Bible, and traces its remarkable reception history from its first planned printing in 1904 for members of Congress to its persistent power to provoke and enlighten us today.

In the 1860s, William Mumler photographed ghostsa or so he claimed. Faint images of the dearly departed lurked in the background with the living, like his well-known photo of the recently assassinated Abraham Lincoln comforting Mary Todd. The practice came to be known as spirit photography, and some believed Mumler was channeling the dead. Skeptics, however, called it a fraudulent trick on the gullible, taking advantage of the grieving at a time of suffering and loss. Mumlera s insistence that his work brought back the dead led to a sensational trial in 1869 that was the talk of the nation.