The Antifascist Chronicles of Aurelio Pego: A Critical Anthology collects and contextualizes Pego’s 118 literary chronicles published between 1940 and 1967 in the periodical España Libre, New York. The satire of this household name in the US Spanish-language press lambasted Fascist Spain, lampooned American diplomatic relations with Francisco Franco, and mocked the Spanish exiles’ unsuccessful efforts to liberate Spain from the dictator. Pego’s journalism showed deep dedication to the public good with his publication of uncensored information about the regime that alerted readers of the civil rights infringements in Fascist Spain. However, Pego delivered the hard truths of Fascist Spain cloaked in mockery. Humor was crucial in this political culture not only because it facilitated communicating Spanish news but also avoided mythical and totalitarian rhetorical resistance. The fragility of the alternative periodicals’ paper and the political persecution against dissident voices has caused that much of this antifascist print culture has been lost. However, Pego’s chronicles prove that US Hispanic antifascism was vibrant. The anthology puts forward the understudied work of antifascists in the United States and provides evidence of their activism. Its preservation is an exercise of collective memory and a place of resistance to an elitist and fascist archive.

The Antifascist Chronicles of Aurelio Pego: A Critical Anthology collects and contextualizes Pego's 118 literary chronicles published between 1940 and 1967 in the periodical España Libre, New York. The satire of this household name in the US Spanish-language press lambasted Fascist Spain, lampooned American diplomatic relations with Francisco Franco, and mocked the Spanish exiles' unsuccessful efforts to liberate Spain from the dictator. Pego's journalism showed deep dedication to the public good with his publication of uncensored information about the regime that alerted readers of the civil rights infringements in Fascist Spain. However, Pego delivered the hard truths of Fascist Spain cloaked in mockery. Humor was crucial in this political culture not only because it facilitated communicating Spanish news but also avoided mythical and totalitarian rhetorical resistance. The fragility of the alternative periodicals' paper and the political persecution against dissident voices has caused that much of this antifascist print culture has been lost. However, Pego's chronicles prove that US Hispanic antifascism was vibrant. The anthology puts forward the understudied work of antifascists in the United States and provides evidence of their activism. Its preservation is an exercise of collective memory and a place of resistance to an elitist and fascist archive.

In the 1930s, anarchists and socialists among Spanish immigrants living in the United States created España Libre (Free Spain) as a response to the Nationalist takeover in their homeland. Worker-oriented and avowedly antifascist, the grassroots periodical raised money for refugees and political prisoners while advancing left-wing culture and politics. España Libre proved both visionary and durable, charting an alternate path toward a modern Spain and enduring until democracy's return to the country in 1977. Montse Feu merges España Libre's story with the drama of the Spanish immigrant community's fight against fascism. The periodical emerged as part of a transnational effort to link migrants and new exiles living in the United States to antifascist networks abroad. In addition to showing how workers' culture and politics shaped their antifascism, Feu brings to light creative works that ranged from literature to satire to cartoons to theater. As España Libre opened up radical practices, it encouraged allies to reject violence in favor of social revolution's potential for joy and inclusion.

Americanized Spanish Culture explores the intricate transcultural dialogue between Spain and the United States since the late 19th century. The term "Americanized" reflects the influence of American cultural traits, ideas, and tendencies on individuals, institutions, and creative works that have moved back and forth between Spain and the United States. Although it is often defined narrowly as the result of a process of cultural imperialism, colonization, assimilation, and erasure, this book uses the term more expansively to explore representations of the transcultural mixing of Spanish and American culture in which the American influence might seem dominant but may also be the one that is shaped. The chapters in this volume highlight the lives of fascinating individuals, ideologies, and artistry that represent important themes in this transnational relationship of dislocated empires. The contributors represent a wide array of perspectives and life experiences, giving breadth, depth, and realism to their observations and analysis. Organized in two parts of five chapters each, this volume offers a unique perspective on the intermixing and intermingling of Spanish and American social, cultural, and literary traits and characteristics. This book will be of interest to students of United States and Spanish history, Iberian and Hispanic American studies, and cultural studies.

This multi-disciplinary anthology provides new perspectives on the journalist’s role in knowledge generation in the newspaper age—covering diverse topics from fake news to new technologies. Fake news, journalistic authority, and the introduction of cutting-edge technologies are often viewed as new topics in journalism. However, these issues were prevalent long before the twenty-first century. Connecting for the first time two burgeoning strands of research—a newly perceived history of knowledge and the study of journalism—Journalists and Knowledge Practices provides insights into the journalist’s role in the world of knowledge in the newspaper age (ca. 1860s to 1970s). This multi-disciplinary anthology asks how journalists conducted their work and reconstructs histories of journalistic practices in specific regional constellations in Europe and North America. From fake news writing to inventing psychological concepts, integrating electric telegrams to fabricating photographs, explaining pandemics to creating communities, these case studies written by distinguished scholars from various disciplines in the humanities show how notions of fact and truth were shaped, new technologies integrated, and knowledge transfers arranged. This book is crucial reading for scholars and students interested in the historically changing relationships between journalistic practices and the generation and dissemination of knowledge. This volume is crucial reading for scholars and students interested in the history of journalistic practice.

The Russian Revolution in Asia: From Baku to Batavia presents a unique and timely global history intervention into the historiography of the Russian Revolution of 1917, marking the centenary of one of the most significant modern revolutions. It explores the legacies of the Revolution across the Asian continent and maritime Southeast Asia, with a broad geographic sweep including Iran, the Caucasus, Central Asia, China, the Philippines, Vietnam, Indonesia, and India. It analyses how revolutionary communism intersected with a variety of Asian contexts, from the anti-colonial movement and ethnic tensions, to indigenous cultural frameworks and power structures. In so doing, this volume privileges Asian actors and perspectives, examining how Asian communities reinterpreted the Revolution to serve unexpected ends, including national liberation, regional autonomy, conflict with Russian imperial hegemony, Islamic practice and cultural nostalgia. Methodologically, this volume breaks new ground by incorporating research from a wide range of sources across multiple languages, many analysed for the first time in English-language scholarship. This book will be of use to historians of the Russian Revolution, especially those interested in understanding transnational and transregional perspectives of its impact in Central Asia and Southeast Asia, as well as historians of Asia more broadly. It will also appeal to those interested in the history of Islam.

Focusing on the body in every chapter, this book examines the changing meanings and profound significance of the physical form among the Anglo-Saxons from 1880 to 1920. They formed an imaginary—but, in many ways, quite real—community that ruled much of the world. Among them, racism became more virulent. To probe the importance of the body, this book brings together for the first time the many areas in which the physical form was newly or more extensively featured, from photography through literature, frontier wars, violent sports, and the global circus. Sex, sexuality, concepts of gender including women’s possibilities in all areas of life, and the meanings of race and of civilization figured regularly in Anglo discussions. Black people challenged racism by presenting their own photos of respectable folk. As all this unfolded, Anglo men and women faced the problem of maintaining civilized control vs. the need to express uninhibited feeling. With these issues in mind, it is evident that the origins of today’s debates about race and gender lie in the late nineteenth century.