The Anthropology of Extinction offers compelling explorations of issues of widespread concern.

In Decolonizing Extinction Juno Salazar Parreñas ethnographically traces the ways in which colonialism, decolonization, and indigeneity shape relations that form more-than-human worlds at orangutan rehabilitation centers on Borneo. Parreñas tells the interweaving stories of wildlife workers and the centers' endangered animals while demonstrating the inseparability of risk and futurity from orangutan care. Drawing on anthropology, primatology, Southeast Asian history, gender studies, queer theory, and science and technology studies, Parreñas suggests that examining workers’ care for these semi-wild apes can serve as a basis for cultivating mutual but unequal vulnerability in an era of annihilation. Only by considering rehabilitation from perspectives thus far ignored, Parreñas contends, could conservation biology turn away from ultimately violent investments in population growth and embrace a feminist sense of welfare, even if it means experiencing loss and pain.

This book develops an examination and critique of human extinction as a result of the ‘next pandemic’ and turns attention towards the role of pandemic catastrophe in the renegotiation of what it means to be human. Nested in debates in anthropology, philosophy, social theory and global health, the book argues that fear of and fascination with the ‘next pandemic’ stem not so much from an anticipation of a biological extinction of the human species, as from an expectation of the loss of mastery over human/non-humanl relations. Christos Lynteris employs the notion of the ‘pandemic imaginary’ in order to understand the way in which pandemic-borne human extinction refashions our understanding of humanity and its place in the world. The book challenges us to think how cosmological, aesthetic, ontological and political aspects of pandemic catastrophe are intertwined. The chapters examine the vital entanglement of epidemiological studies, popular culture, modes of scientific visualisation, and pandemic preparedness campaigns. This volume will be relevant for scholars and advanced students of anthropology as well as global health, and for many others interested in catastrophe, the ‘end of the world’ and the (post)apocalyptic.

The sixth mass extinction or Anthropocene extinction is one of the most pervasive issues of our time. Animals, Plants and Afterimages brings together leading scholars in the humanities and life sciences to explore how extinct species are represented in art and visual culture, with a special emphasis on museums. Engaging with celebrated cases of vanished species such as the quagga and the thylacine as well as less well-known examples of animals and plants, these essays explore how representations of recent and ancient extinctions help advance scientific understanding and speak to contemporary ecological and environmental concerns.

As the extinction of species accelerates and more species become endangered, activists, filmmakers, writers, and artists have responded to bring this global crisis to the attention of the public. Until now, there has been no study of the frameworks that shape these narratives and images, or of the symbolic meanings that the death of species carries in different cultural communities. Ursula Heise makes the case that understanding how and why endangered species come to matter culturally is indispensable for any effective advocacy on their behalf. Heise begins by showing that the tools of conservation science and law need to be viewed as cultural artifacts: biodiversity databases and laws for the protection of threatened species use rhetorical and cultural resources that open up different approaches to the problem of understanding global wildlife. The second half of her book explores ways of envisioning alternative futures for biodiversity. The narrative of nature s decline or even imminent disappearance has been a successful rallying trope for those skeptical of modernization and ideologies of progress. But environmentalists nostalgia for the past and pessimistic outlook on the future have also alienated parts of the public. Heise tells the story of environmental activists, writers, and scientists who are creating new stories to guide the environmental imagination."

The volume contains summaries of facts, theories, and unsolved problems pertaining to the unexplained extinction of dozens of genera of mostly large terrestrial mammals, which occurred ca. 13,000 calendar years ago in North America and about 1,000 years later in South America. Another equally mysterious wave of extinctions affected large Caribbean islands around 5,000 years ago. The coupling of these extinctions with the earliest appearance of human beings has led to the suggestion that foraging humans are to blame, although major climatic shifts were also taking place in the Americas during some of the extinctions. The last published volume with similar (but not identical) themes -- Extinctions in Near Time -- appeared in 1999; since then a great deal of innovative, exciting new research has been done but has not yet been compiled and summarized. Different chapters in this volume provide in-depth resumés of the chronology of the extinctions in North and South America, the possible insights into animal ecology provided by studies of stable isotopes and anatomical/physiological characteristics such as growth increments in mammoth and mastodont tusks, the clues from taphonomic research about large-mammal biology, the applications of dating methods to the extinctions debate, and archeological controversies concerning human hunting of large mammals.

Foreword / by Cynthia McKinney -- Introduction: Careening toward extinction -- We're all in this together -- Dismantling white supremacy -- Climate justice versus the anthropocene -- Humanity on the move : justice and migration -- Dismantling the ivory tower.