An authoritative and detailed illustration of the state of journalistic practice in the United States today, The American Journalist in the 21st Century sheds light on the demographic and educational backgrounds, working conditions, and professional and ethical values of print, broadcast, and Internet journalists at the beginning of the 21st century. Providing results from telephone surveys of nearly 1,500 U.S. journalists working in a variety of media outlets, this volume updates the findings published in the earlier report, The American Journalist in the 1990s, and reflects the continued evolution of journalistic practice and professionalism. The scope of material included here is extensive and inclusive, representing numerous facets of journalistic practice and professionalism, and featuring separate analyses for women, minority, and online journalists. Many findings are set in context and compared with previous major studies of U.S. journalists conducted in the 1970s, 80s, and 90s. Serving as a detailed snapshot of current journalistic practice, The American Journalist in the 21st Century offers an intriguing and enlightening profile of professional journalists today, and it will be of great interest and value to working journalists, journalism educators, media managers, journalism students, and others seeking insights into the current state of the journalism profession.

More than a decade has passed since the last comprehensive survey of U.S. journalists was carried out in 2002 by scholars at Indiana University--and the news and the journalists who produce it have undergone dramatic changes and challenges. The American Journalist in the Digital Age is based on interviews with a national probability sample of nearly 1,100 U.S. journalists in the fall of 2013 to document the tremendous changes that have occurred in U.S. journalism in the past decade, many of them due to the rise of new communication technologies and social media. This survey of journalists updates the findings from previous studies and asks new questions about the impact of new technologies and social media in the newsroom, and it includes more nontraditional online journalists than the previous studies.

The Global Journalist in the 21st Century systematically assesses the demographics, education, socialization, professional attitudes and working conditions of journalists in various countries around the world. This book updates the original Global Journalist (1998) volume with new data, adding more than a dozen countries, and provides material on comparative research about journalists that will be useful to those interested in doing their own studies. The editors put together this collection working under the assumption that journalists’ backgrounds, working conditions and ideas are related to what is reported (and how it is covered) in the various news media round the world, in spite of societal and organizational constraints, and that this news coverage matters in terms of world public opinion and policies. Outstanding features include: Coverage of 33 nations located around the globe, based on recent surveys conducted among representative samples of local journalists Comprehensive analyses by well-known media scholars from each country A section on comparative studies of journalists An appendix with a collection of survey questions used in various nations to question journalists As the most comprehensive and reliable source on journalists around the world, The Global Journalist will serve as the primary source for evaluating the state of journalism. As such, it promises to become a standard reference among journalism, media, and communication students and researchers around the world.

This seminal work of nonfiction recounts the new journalistic mass movement of today. Compiled from over a decade of investigative reporting coupled with a vast reference of philosophical research, American Muckraker is the definitive guide of truth-telling in the video age. ON POWER They do have tremendous power. But in part it is because we give it to them. We are nothing, but we are not alone. Awe cannot live in fear. The moment you stop caring about what the media establishment thinks of you, is the moment you become truly free. ON INSIDERS The USPS whistleblower, a Marine Corp combat veteran said, “I would rather be back in Afghanistan, getting shot at by Afghans, honest to God,” than be interrogated by federal agent Russell Strasser—who coerced him by saying, “I am trying to twist you a little bit because your mind will kick in…. I am not scaring you, but I am scaring you.” ON PRIVACY The right to record is closely tied to the right to speak or even to take contemporaneous notes about what one sees and hears. As 60 Minutes producer Don Hewitt quipped, “People committing malfeasance don’t have any right to privacy…. What are we saying—that Upton Sinclair shouldn’t have smuggled his pencil in?” ON MEANS & ENDS Whereas the novelist Ernest Hemingway said, “What is moral is what you feel good after and what is immoral is what you feel bad after,” Thomas B. Morgan of the 1960s New Journalism contends, “Morally defensible journalism is rarely what you feel good about afterward; it is only that which makes you feel better than you would otherwise.” ON LITIGATION “Polling does not decide the truth nor speak to evidence…. The New York Times have not met their burden to prove that Veritas is deceptive…claiming protections from an upstart competitor armed with a cell phone and a website. There is a substantial basis in law to proceed, to permit Project Veritas, to conduct discovery into The New York Times.” —Project Veritas v. New York Times Company; New York Supreme Court, March 18, 2021

ON POWER They do have tremendous power. But in part it is because we give it to them. We are nothing, but we are not alone. Awe cannot live in fear. The moment you stop caring about what the media establishment thinks of you, is the moment you become truly free. ON INSIDERS The USPS whistleblower, a Marine Corps combat veteran said, “I would rather be back in Afghanistan, getting shot at by Afghans, honest to God,” than be interrogated by federal agent Russell Strasser—who coerced him by saying, “I am trying to twist you a little bit because your mind will kick in…. I am not scaring you, but I am scaring you.” ON PRIVACY The right to record is closely tied to the right to speak or even to take contemporaneous notes about what one sees and hears. As 60 Minutes producer Don Hewitt quipped, “People committing malfeasance don’t have any right to privacy…. What are we saying—that Upton Sinclair shouldn’t have smuggled his pencil in?” ON MEANS & ENDS Whereas the novelist Ernest Hemingway said, “What is moral is what you feel good after and what is immoral is what you feel bad after,” Thomas B. Morgan of the 1960s New Journalism contends, “Morally defensible journalism is rarely what you feel good about afterward; it is only that which makes you feel better than you would otherwise.” ON LITIGATION “Polling does not decide the truth nor speak to evidence…. The New York Times have not met their burden to prove that Veritas is deceptive…claiming protections from an upstart competitor armed with a cell phone and a website. There is a substantial basis in law to proceed, to permit Project Veritas, to conduct discovery into The New York Times.” —Project Veritas v. New York Times Company; New York Supreme Court, March 18, 2021

Kate Field was among the first celebrity journalists. A literary and cultural sensation, she reported the news while frequently becoming news herself because of her sharp wit and vibrant presence. She wrote for several prestigious newspapers, such as the Boston Post, Chicago Tribune, and New York Herald, as well her own Kate Field’s Washington. Field’s friends and professional acquaintances included Charles Dickens, Robert Browning, Elizabeth Barrett Browning, Anthony Trollope, and George Eliot. Legendary novelist Henry James patterned the character of Henrietta Stackpole after her in The Portrait of a Lady. In this eloquent and immensely readable biography, Gary Scharnhorst offers a fascinating, often poignant portrait of a fiercely intelligent and enormously independent woman who contributed significantly to America’s intellectual and social life in the late nineteenth century. Kate Field was an outspoken advocate for the rights of black Americans and founder of the first woman’s club in America. She campaigned to make Yosemite a national park and saved John Brown’s Adirondack farm for the nation. The range of Field’s activities should foster interest in her biography from students and scholars of nineteenth-century American literature, women’s studies, journalism, and biography, and from both public and academic libraries.