An analysis of how Freemasonry has shaped American religious history.

What does it mean to “believe” in America? Why do we always speak of our country as having a mission or purpose that is higher than other nations? Modern liberals have invested a great deal in the notion that America was founded as a secular state, with religion relegated to the private sphere. David Gelernter argues that America is not secular at all, but a powerful religious idea—indeed, a religion in its own right. Gelernter argues that what we have come to call “Americanism” is in fact a secular version of Zionism. Not the Zionism of the ancient Hebrews, but that of the Puritan founders who saw themselves as the new children of Israel, creating a new Jerusalem in a new world. Their faith-based ideals of liberty, equality, and democratic governance had a greater influence on the nation’s founders than the Enlightenment. Gelernter traces the development of the American religion from its roots in the Puritan Zionism of seventeenth-century New England to the idealistic fighting faith it has become, a militant creed dedicated to spreading freedom around the world. The central figures in this process were Abraham Lincoln, Teddy Roosevelt, and Woodrow Wilson, who presided over the secularization of the American Zionist idea into the form we now know as Americanism. If America is a religion, it is a religion without a god, and it is a global religion. People who believe in America live all over the world. Its adherents have included oppressed and freedom-loving peoples everywhere—from the patriots of the Greek and Hungarian revolutions to the martyred Chinese dissidents of Tiananmen Square. Gelernter also shows that anti-Americanism, particularly the virulent kind that is found today in Europe, is a reaction against this religious conception of America on the part of those who adhere to a rival religion of pacifism and appeasement. A startlingly original argument about the religious meaning of America and why it is loved—and hated—with so much passion at home and abroad.

Christopher Hitchens, described in the London Observer as “one of the most prolific, as well as brilliant, journalists of our time” takes on his biggest subject yet–the increasingly dangerous role of religion in the world. In the tradition of Bertrand Russell’s Why I Am Not a Christian and Sam Harris’s recent bestseller, The End Of Faith, Christopher Hitchens makes the ultimate case against religion. With a close and erudite reading of the major religious texts, he documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos. With eloquent clarity, Hitchens frames the argument for a more secular life based on science and reason, in which hell is replaced by the Hubble Telescope’s awesome view of the universe, and Moses and the burning bush give way to the beauty and symmetry of the double helix.

Freemasonry has played a significant role in the history of Native Americans since the colonial era—a role whose extent and meaning are fully explored for the first time in this book. The overarching concern of Native American Freemasonry is with how Masonry met specific social and personal needs of Native Americans, a theme developed across three periods: the revolutionary era, the last third of the nineteenth century, and the years following the First World War. Joy Porter positions Freemasonry within its historical context, examining its social and political impact as a transatlantic phenomenon at the heart of the colonizing process. She then explores its meaning for many key Native leaders, for ethnic groups that sought to make connections through it, and for the bulk of its American membership—the white Anglo-Saxon Protestant middle class. Through research gleaned from archives in New York, Philadelphia, Oklahoma, California, and London, Porter shows how Freemasonry’s performance of ritual provided an accessible point of entry to Native Americans and how over time, Freemasonry became a significant avenue for the exchange and co-creation of cultural forms by Indians and non-Indians.

Freemasonry is the largest, oldest, and most influential secret society in the world. The Brill Handbook of Freemasonry is a pioneering work that brings together, for the first time, leading scholars on Freemasonry. The first section covers historical perspectives, such as the origins and early history of Freemasonry. The second deals with the relationship between Freemasonry and specific religious traditions such as the Catholic Church, Judaism, and Islam. In the third section, organisational themes, such as the use of rituals, are explored, while the fourth section deals with issues related to society and politics - women, blacks, colonialism, nationalism, and war. The fifth and final section is devoted to Freemasonry and culture, including music, literature, modern art, architecture and material culture.