"Excellent . . . as colorful and as full of joie de vivre as a room full of Matisse paintings." --The World of Interiors

Very Good,No Highlights or Markup,all pages are intact.

"The exceptional collection published here ranges widely in region, material and technique. There are textiles and garments from North Africa, Syria, Arabia, Iran, Turkey and the Indian subcontinent linked by a shared vocabulary of ornament - evidence of the international nature of Islamic design. Materials represented are silk - the most prestigious of fibres, requiring highly respected weavers - wool, cotton and linen. Decoration is based on variations of weave and colour and embellishment through embroidery, printing and appliqué and illustrates the work of both professional and domestic workers. The strengths of the collection are concentrated in the textile production of the nineteenth and early twentieth centuries, which, thanks to the basically conservative nature of textile technique and design, preserve and continue the traditions established in the medieval Islamic world. They are important in an assessment of Islamic textiles both for their quality and as illustrations of survival and adaptation in a major industry. Their heritage reaches back well over a thousand years, even though their very high perishability means that for the earlier part of the tradition our knowledge is reliant very largely on written sources. These, however, attest to the superb quality and quantity of textiles at the courts of the period."--From Amazon.com.

From 828, when Venetian merchants carried home from Alexandria the stolen relics of St. Mark, to the fall of the Venetian Republic to Napoleon in 1797, the visual arts in Venice were dramatically influenced by Islamic art. Because of its strategic location on the Mediterranean, Venice had long imported objects from the Near East through channels of trade, and it flourished during this particular period as a commercial, political, and diplomatic hub. This monumental book examines Venice's rise as the "bazaar of Europe" and how and why the city absorbed artistic and cultural ideas that originated in the Islamic world. Venice and the Islamic World, 828–1797 features a wide range of fascinating images and objects, including paintings and drawings by familiar Venetian artists such as Bellini, Carpaccio, and Tiepolo; beautiful Persian and Ottoman miniatures; and inlaid metalwork, ceramics, lacquer ware, gilded and enameled glass, textiles, and carpets made in the Serene Republic and the Mamluk, Ottoman, and Safavid Empires. Together these exquisite objects illuminate the ways Islamic art inspired Venetian artists, while also highlighting Venice's own views toward its neighboring region. Fascinating essays by distinguished scholars and conservators offer new historical and technical insights into this unique artistic relationship between East and West.

A gorgeously illustrated exploration of the textile traditions of a culturally diverse region, from the late eighteenth century to the present day.

A remarkable collection of textiles made in Islamic lands and traded along the Silk Road, most of which are published here for the first time. The al-Sabah Collection, Kuwait, holds a spectacular array of ancient textiles created in Islamic lands, mostly from the ninth to the fifteenth centuries, and traded along the Silk Road, the network of ancient trade routes that linked China, Central Asia, and Byzantium for more than 1,500 years. This fascinating volume presents these Islamic pieces along with a selection of predominantly Chinese textiles dating from the Han period (25–220 CE) to the Yuan period (thirteenth– fourteenth century CE). This collection, which has remained largely unpublished until now, is a rich source of information, not only for the history of textiles, but also for the history of the Silk Road itself. Together, the exceptional beauty and variety of the garments and textile fragments reflect the many strands of influence along the Silk Road. New scientific analysis has enabled a number of these textiles to be dated with precision for the first time, making them an especially valuable scholarly resource. Early Islamic Textiles from Along the Silk Road displays an astonishing range of textile motifs, patterns, and calligraphic designs. A selection of rare intact garments vividly evokes the lives of merchants, pilgrims, and travelers, as well as the inhabitants of countries linked by the Silk Road, making this a one-of-a-kind resource.