This book tells the story of 15,000 wool workers who went on strike for more than a year, defying police violence and hunger. The strikers were mainly immigrants and half were women. The Passaic textile strike, the first time that the Communist Party led a mass workers’ struggle in the United States, captured the nation’s imagination and came to symbolize the struggle of workers throughout the country when the labor movement as a whole was in decline during the conservative, pro-business 1920s. Although the strike was defeated, many of the methods and tactics of the Passaic strike presaged the struggles for industrial unions a decade later in the Great Depression.

This magnificently illustrated work offers a comprehensive view of the textiles and techniques of pre-Columbian Peru. An introduction discusses yarns, dyes, looms, and raw materials; the first of the two-part text examines weaves, and the second considers such nonwoven materials as braiding, felt, and embroidery.

There has been an increase in the development and production of new polymer blends and the preparation of compounds of polymers of carbon black, various fibers, and inorganic particles. These developments have led to a blending/compounding industry, which sits between the polymer producers and the manufacturers of shaped products such as injection molders. This book provides a broad-based examination of the characteristics of polymers blends and compounds, and the methods of preparing them in batch and continuous mixing equipment.

The type and amount of textile products have greatly proliferated over the last decade. Concomitant textile processing to improve the properties and ultimate performance has also undergone dramatic changes. Ready availability of instrumentation, computers, lasers and integration of these advances with similar progress in polymer/material science have led to the need for a unified discussion on these topics. The current book concisely discusses all aspects of textile processing, modification and performance for four major topics: preparation (by fiber type), dyeing and printing (dye type, theory and synthesis; dye classification by structure and application), improving functional and aesthetic textile properties (physical, chemical and physicochemical processes and concepts), and performance (chemical analysis, instrumental methods; physical, chemical, biological, multiple influences and standard tests). A detailed and logical progression from the initial purification of textiles to their performance and care is described. The book will be useful as a text for textile/polymer courses at undergraduate and graduate levels and as a comprehensive source of information for textile scientists, engineers, manufacturers, retailers and others with an interest in textile products.

Mexican textiles have a vitality that is unsurpassed elsewhere in the Americas. The arts of spinning, dyeing, weaving and embroidery are practiced in hundreds of rural communities where indigenous peoples retain distinctive clothing styles, sometimes mixing this with post-Colonial influences.

Faithfully reproduced from a valuable 19th-century portfolio, this singular volume includes over 200 designs celebrating the rich textile traditions of many historic cultures. From ancient Egypt to 18th-century France, full-color motifs feature mythological figures, harvest scenes, elaborate florals, geometric elements, winding vines and leaves, and more.

Known for their intricate textiles, the Q'ero are a traditional Quechua-speaking Peruvian highland people. Their weavings are full of symbolic elements and motifs that encode specific cultural information and their textiles are the repositories for knowledge that has been passed down through generations. Based on ethnographic fieldwork undertaken between 1979 and 1991, A Woven Book of Knowledge examines and compares regional weaving styles and discusses the general texture of highland life. The author's long involvement with members of the Q'ero community has provided unique opportunities for insight into their ideas about weaving, iconography, and spatial and temporal concepts. But A Woven Book of Knowledge is more than an ethnographic study. If the warp of the book is the academic rigor of anthropology and linguistics, the weft is Silverman's love for the textiles themselves and for the Q'ero people. It is a result of a passion that has kept her in Cuzco for years, dedicating her career to the study of the local textile tradition.