A story of Americans living on the French Riviera in the 1930s is a portrait of psychological disintegration as a wealthy couple supports friends and hangers-on financially and emotionally at the cost of their own stability.

First published in 1977, and now available for a younger generation with a new introduction by the author, Living Well Is the Best Revenge is Calvin Tomkins's now-classic account of the lives of Gerald and Sara Murphy, two American expatriates who formed an extraordinary circle of friends in France during the 1920s. First in Paris and then in the seaside town of Antibes, they played host to some of the most memorable artists and writers of the era, including Cole Porter, Pablo Picasso, Fernand Legér, Ernest Hemingway, and Scott and Zelda Fitzgerald. Gerald Murphy was himself an accomplished painter, though he practiced for only eight years, from 1922 to 1929. Responding to the paintings he saw in Paris with an American sensibility, he produced fifteen works, seven of which survive and one of which is in the collection of The Museum of Modern Art. Illustrated with nearly seventy photographs from the Murphy family album and featuring a special section on Gerald Murphy's paintings, Living Well Is the Best Revenge is a Lost Generation chronicle as charming and fascinating as the couple themselves.

F. Scott Fitzgerald began composing Tender Is the Night in the summer of 1925, but he struggled with the novel and reworked it intensively over the next nine years. A study of the disintegration of a talented young American psychiatrist, set among wealthy American expatriates living in Europe after the First World War, the novel, finally published in 1934, is now considered one of his major works. Fitzgerald saved a great many of his working materials - notes, diagrams, holographs, typescripts, proofs and correspondence - making it possible to reconstruct in detail the passage of Tender Is the Night from manuscript to print. The Cambridge edition follows the order of the first edition; it includes a history of composition, an analysis of Fitzgerald's plan for republication and an explanation of the chronology of the narrative. The edition also contains full historical annotations, facsimiles of surviving drafts and a record of emendations.

Now available in a beautifully designed collector’s edition, this modern classic set in the South of France after World War I is the story of a brilliant psychiatrist and the bewitching, wealthy, and dangerously unstable patient who becomes his wife. Set in the south of France in the late 1920s, Tender Is the Night is the tragic tale of a young actress, Rosemary Hoyt, and her complicated relationship with the alluring American couple Dick and Nicole Diver. A brilliant psychiatrist at the time of his marriage, Dick is both husband and doctor to Nicole, whose wealth pushed him into a glamorous lifestyle, and whose growing strength highlights Dick’s decline. Lyrical, expansive, and hauntingly evocative, Tender Is the Night was one of the most talked-about books of the year when it was originally published in 1934, and is even more beloved by readers today.

Bringing together established Fitzgerald scholars from the United Kingdom, Europe and North America, this collection offers eleven new readings of F. Scott Fitzgerald’s 1934 novel, Tender is the Night. While The Great Gatsby continues to attract more attention than the rest of Fitzgerald’s oeuvre combined, persistent, if infrequent, writings on Tender is the Night from the 1950s onwards indicate that, like Gatsby’s green light, Fitzgerald’s fourth novel continues both to perplex and intrigue. In addition to the inevitable biographical interpretations, the novel has, in myriad readings, been viewed as: a marriage novel, a text of disturbed psychology, a text nostalgically marking the passing of a talent and a time, an outdated “Jazz Age” story, and “the great novel about American history”. This new collection of essays opens criticism of Tender Is the Night to a new generation of scholars providing new ways for readers to appreciate this complex, compelling, and profound work.Contributors include editors of the F. Scott Fitzgerald Review, the general editor of the Cambridge Edition of Writings of F. Scott Fitzgerald, members of the Fitzgerald Society Executive, and the directors of the biennial F. Scott Fitzgerald conference. The book will be published to coincide with the biennial F. Scott Fitzgerald conference in July 2007.

Working with the complete collection of Tender is the Night manuscripts in the Princeton University Library, Matthew J. Bruccoli reconstructs seventeen drafts and three versions of the novel to answer questions about F. Scott Fitzgerald’s major work that have long puzzled critics of modern literature. In 1934, nine years after the appearance of The Great Gatsby, Fitzgerald permitted publication of Tender is the Night. Disappointed by its critical reception, Fitzgerald suggested that the structure of the novel should be drastically rearranged. In 1951, eleven years after his death, Charles Scribner’s Sons brought out an edition that incorporated Fitzgerald’s changes. Controversy arose over the merits of the two published versions and over the “nine lost years” in Fitzgerald’s life between his two great novels, years of rewriting before publication of Tender is the Night that resulted in six cartons of notes and drafts. After analyzing this wealth of material, Bruccoli reconstructs every working stage in the novel and reaches his own conclusions about which edition is the most valid.