A murderer discovers his true nature from a talking infant, a samurai is frustrated in his attempts to meditate, and a dying man bestows his hat on a friend in these surrealistic short stories. The dream-like, open-ended tales by the father of Japanese modernist literature offer thought-provoking reflections on fear, death, and loneliness. Their settings range from the Meiji period of the late nineteenth and early twentieth century, the era in which the tales were written, to the prehistoric Age of the Gods; the twelfth-century Kamakura period, in which the samurai class emerged; and the remote future. A scholar of British literature, author Natsume Sōseki (1867–1916) was also a composer of haiku, kanshi, and fairy tales. The stories of Ten Nights Dreaming, which were originally published as a newspaper serial, constitute milestones of Japanese fantasy. Like Sōseki's other writings, they have had a profound effect on readers, writers, and filmmakers. This edition features an expert new English translation by Matt Treyvaud, who has translated the story "The Cat's Grave" for this work as well.

"Ten Nights' Dreams is a collection of ten short stories or dreams. Among the ten nights, the first, second, third, and fifth nights start with the same sentence, "This is the dream I dreamed." Each dream has a surrealistic atmosphere. Some are funny, and others are grotesquely weird. Did Soseki try to express what he actually dreamed? Or was his subconscious emerging spontaneously in the form of narrative dream?"--Page 4 of cover

In ten terrifying, intriguing and thrilling dreams, Natsume Soseki (1867 - 1916) treats leitmotifs and antipodes such as: loyalty and treatise, love and death, fame and immortality, social outsiders, honor and loss of face, desperation and hope. Natsume Soseki carries us off into his dreams and the old Japan comes to life once again. The Japanese original text "Yume yuja" was completely set up with furigana in this two-language edition, so that every student of the Japanese language can read Natsume Soseki's Ten nights of dreams fluently. The dreams are commented to provide background information to the reader.

NATIONAL BESTSELLER • A modern classic explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence. “A magical, metaphysical realm ... Captivating, enchanting, delightful.” —The New York Times Einstein’s Dreams is a fictional collage of stories dreamed by Albert Einstein in 1905, about time, relativity and physics. As the defiant but sensitive young genius is creating his theory of relativity, a new conception of time, he imagines many possible worlds. In one, time is circular, so that people are fated to repeat triumphs and failures over and over. In another, there is a place where time stands still, visited by lovers and parents clinging to their children. In another, time is a nightingale, sometimes trapped by a bell jar. Now translated into thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians, and painters all over the world. In poetic vignettes, it explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence.

Ten Nights of Dreams (Yume Juya) or Ten Nights' Dreams is a series of short pieces by Natsume Soseki. It was serialized in the Asahi Shimbun from July 25 to August 5, 1908.Soseki writes of ten dreams set in various time periods, including his own time (the Meiji period) and as far back as the "age of the gods," and the Kamakura period. Four of the ten dreams begin with the phrase "This is what I saw in my dream" (Konna yume o mita).

Modern Japan's repressed anxieties, fears and hopes come to the surface in the fantastic. A close analysis of fantasy fiction, film and comics reveals the ambivalence felt by many Japanese towards the success story of the nation in the twentieth century. The Fantastic in Modern Japanese Literature explores the dark side to Japanese literature and Japanese society. It takes in the nightmarish future depicted in the animated film masterpiece, Akira, and the pastoral dream worlds created by Japan's Nobel Prize winning author Oe Kenzaburo. A wide range of fantasists, many discussed here in English for the first time, form the basis for a ground-breaking analysis of utopias, dystopias, the disturbing relationship between women, sexuality and modernity, and the role of the alien in the fantastic.