The advent of the twenty-first century was marked by a succession of conflicts and catastrophes that demanded unrestrained journalism. Hoskins and O'Loughlin demonstrate that television, tarnished by its economy of liveness and its impositions of immediacy, and brevity, fails to deliver critical and consistent expositions of our conflicting times.

The "masterfully chilling" novel that inspired the hit AMC series (Entertainment Weekly). The men on board the HMS Terror — part of the 1845 Franklin Expedition, the first steam-powered vessels ever to search for the legendary Northwest Passage — are entering a second summer in the Arctic Circle without a thaw, stranded in a nightmarish landscape of encroaching ice and darkness. Endlessly cold, they struggle to survive with poisonous rations, a dwindling coal supply, and ships buckling in the grip of crushing ice. But their real enemy is even more terrifying. There is something out there in the frigid darkness: an unseen predator stalking their ship, a monstrous terror clawing to get in. “The best and most unusual historical novel I have read in years.” —Katherine A. Powers, Boston Globe

Although horror shows on television are popular in the 1990s thanks to the success of Chris Carter's The X-Files, such has not always been the case. Creators Rod Serling, Dan Curtis, William Castle, Quinn Martin, John Newland, George Romero, Stephen King, David Lynch, Wes Craven, Sam Raimi, Aaron Spelling and others have toiled to bring the horror genre to American living rooms for years. This large-scale reference book documents an entire genre, from the dawn of modern horror television with the watershed Serling anthology, Night Gallery (1970), a show lensed in color and featuring more graphic makeup and violence than ever before seen on the tube, through more than 30 programs, including those of the 1998-1999 season. Complete histories, critical reception, episode guides, cast, crew and guest star information, as well as series reviews are included, along with footnotes, a lengthy bibliography and an in-depth index. From Kolchak: The Night Stalker to Millennium, from The Evil Touch to Buffy the Vampire Slayer and Twin Peaks, Terror Television is a detailed reference guide to three decades of frightening television programs, both memorable and obscure.

The advent of the twenty-first century was marked by a succession of conflicts and catastrophes that demanded unrestrained journalism. Yet, the principle mass news medium of television has become torn between strategies of containment and the amplification of security threats. Hoskins and O'Loughlin demonstrate that television, tarnished by its economy of liveness and its default impositions of immediacy, brevity and simultaneity, fails to deliver a critical and consistent exposition adequate to our conflicting times.

Conventional research suggests that news coverage of terrorism is a tool of the terrorist to gain public support and recognition. Based on an analysis of more than 200 evening newscasts aired during the first six years of the Reagan administration, Tales of Terror offers a detailed account of the ways in which news media escalate public panic about terrorism and encourage support for specific U.S. policy objectives, rather than build sympathy for terrorists. Bethami Dobkin explores similarities between news media and government portrayals of terrorism, combining textual criticism with an interpretation of official U.S. policy statements, and argues that government depictions and news presentations of terrorism reproduce an ideology that supports military strength and intervention. Dobkin examines several specific features of news coverage: the dramatic format of television news and the political interests that this format serves; the narrative construction of enemies by television journalists and public officials and the political significance of the terrorist label; the use and significance of testimony, particularly that of people affected by crisis; the mutual exploitation of political crisis by both television news producers and public officials; the function of journalism in shaping the conduct of public diplomacy and public perceptions of foreign conflict; and the creation of consensus about the need for military responses to political violence. This revealing study will be of particular interest to scholars of communications and political science.