"A wide-ranging anthology of ethnopoetry including origin texts, visionary texts, texts about death, texts about events--collected from Africa, the Americas, Asia, Europe and the Ancient Near East, and Oceania."--Provided by publiher.

'This book represents a major effort to bring Amerindian poetry to the reader in such a way that the total poetry, the dance, the vowel changes, the pauses, the movement, the interaction between speaker and audience is made evident...' -John Demos, Library Journal

A Paradise of Poets is Jerome Rothenberg's tenth book of poetry to be published by New Directions, beginning with his Poland/1931(1974). In considering the title of his newest collection, he says: "Writing poetry for me has always included an involvement with the life of poetry--& through that life an intensification, when it happened, of my involvement with the other life around me. In an earlier poem I spoke of this creating a paradise of poets ... I do not of course believe that such a paradise exists in any supernatural or mystical sense, but I have sometimes felt it come to life among my fellow poets and, even more, in writing--in the body of the poem." In Rothenberg's hands, the body of the poem is an extraordinarily malleable object. Collage, translation, even visual improvisation serve to open up his latest book to the presence of poets and artists he has known and to others, past and present, who he feels have somehow touched him, among them Nakahara Chuya, Jackson Mac Low, Pablo Picasso, Leonardo da Vinci, Federico Garcia Lorca, Kurt Schwitters, and Vitezslav Nezval. Kenneth Rexroth once commented: "Jerome Rothenberg is one of our truly great American poets who has returned U.S. poetry to the mainstream of international modern literature. No one has dug deeper into the roots of poetry." With A Paradise of Poets, it is clear that this evaluation is as fresh today as it was twenty-five years ago.

Science is usually knownbyits most successful figures and resource-rich institutions. In stark contrast, Creativity from the Peripherydraws our attention to unknown figures in science—those who remain marginalized, even neglected, within its practices. Researchers in early twentieth-century colonial India, for example, have made significant contributions to the stock of scientific knowledge and have provided science with new breakthroughs and novel ideas, but to little acclaim. As Deepanwita Dasgupta argues, sometimes the best ideas in science are born from difficult and resource-poor conditions. Inthis study,she turns our attention to these peripheral actors, shedding new light on how scientific creativity operates in lesser-known, marginalized contexts, and how the work of self-trained researchers, though largely ignored , has contributed to important conceptual shifts. Her book presents a new philosophical framework for understanding this peripheral creativity in science through the lens of trading zones—where knowledge is exchanged between two unequal communities—and explores the implications for the future diversity of transnational science.

A wide ranging survey of internationally celebrated and acclaimed poet, translator, and editor Jerome Rothenberg. Surveying the entirety of his 50 plus years of writing and covering his 80 plus published books, this volume provides a further insight into the mind and breadth of writing of Rothenberg to date. Further critical commentaries are provided by both the author and Heriberto Yepez.