"An Introduction to Technical Theatre draws on the author's experience in both the theatre and the classroom over the last 30 years. Intended as a resource for both secondary and post-secondary theatre courses, this text provides a comprehensive overview of technical theatre, including terminology and general practices. Introduction to Technical Theatre's accessible format is ideal for students at all levels, including those studying technical theatre as an elective part of their education. The text's modular format is also intended to assist teachers approach the subject at their own pace and structure, a necessity for those who may regularly rearrange their syllabi around productions and space scheduling" -- From publisher website.

A veteran of entertainment in its many forms, Drew has written a similar book for film and television. He walks non-techies through finding a space, scenery, lighting, costumes, sound, coordinating sound and light, properties, stage management, and working with corporations.

The Technical Brief is a collection of single-focus articles on technical production solutions, published three times a year by the prestigious Yale School of Drama. The primary objective of the publication is to share creative solutions to technical problems so that fellow theatre technicians can avoid having to reinvent the wheel with each new challenge. The range of topics includes scenery, props, painting, electrics, sound and costumes. The articles each describe an approach, device, or technique that has been tested on stage or in a shop by students and professionals. Some articles included are: Building Authentic Elizabethan Ruffs; Simple and Inexpensive Stained Glass; A Quick-Load Floor Pulley Design; A Simple Approach to Stretching Drops; Flexi-Pitch Escape Stairs; Spot-Welding Scrim with Sobo; Handrail Armatures for a Grand Staircase; The Triscuit-Studwall Deck System; A Frameless Turntable; Stand on Stage: Minimum Weight, Maximum Effect; A Self-Paging Cable Tray; Roller Chain Turntable Drives; A Bench-Built XLR Cable Tester

Places backstage workers in the spotlight to acknowledge their essential roles in creating Broadway magic

In the world of theatre, the technical director is responsible for overseeing the safe and efficient realization and implementation of scenery for the stage. The Technical Director’s Toolkit is the first book to address every nut and bolt of this multifaceted job. This book guides readers though the step-by-step processes of technical direction and the responsibilities of the TD in the mounting of a theatrical production. Leadership, management, relationship building, personal responsibility, and problem solving are addressed, demonstrating not only how to become a more efficient and effective TD, but also how to be a collaborative member of a production team that artists will seek to work with again and again. The book also addresses scene shop design, facility repair and maintenance, and finishes with a brief overview of other areas of technical theatre that help round out the far reaching skill set of a successful TD. This book is perfect for university courses in Stagecraft and Technical Direction and for the aspiring Technical Director.

This collection of socially distant shorts is designed to be performed on the internet as well as the stage. Playful and inventive, TECHNICAL DIFFICULTIES taps into the delights and frustrations of staying connected. HEY STRANGER by Steph Del Rosso. Years after a messy breakup, Eve and Gideon reunite. What could go wrong? Possibly everything. A comedy about mixed signals and bad internet, loneliness and autonomy. And one very precocious high schooler. (1M, 2W.) OYSTER by Elaine Romero. Marisela negotiates a potential opportunity in a border world where kids live in government cages and being bilingual comes at a price. (1W.) INTRO TO FICTION (VIRTUAL) by Ken Urban. During office hours, a professor discusses his student’s short story. When her characters feel too close for comfort for the professor, teacher and student must reckon with how to write a good ending. (1M, 1W.) A REAL ESTATE OPPORTUNITY FOR YOUR CONSIDERATION by Leah Barker. Are you in the market for a new home, and with that home, a new you? Would you like that new home-slash-you to be a charming saltbox Cape? Audience votes guide this interactive tour and auction, complete with special guests, updated appliances, and a realtor’s long hidden secret. (1W, flexible casting.) BLACK IN BLUE by Aurin Squire. After one act of police brutality too many, one man decides to do something. But in trying to get “street justice,” he threatens his life, his brother, and his job. (2M.) LOOKING BACK by Arlene Hutton. Kath was the last visitor to leave a major theme park before the pandemic lockdown. While reminiscing about life pre-Covid, two roommates challenge each other’s ideas of what truly makes a person happy. (2 n/s.) ARTFUL by Christina Quintana (CQ). In the wake of her ex-husband’s departure, Taani logs on to a Metropolitan Museum of Art webinar. Suddenly in conversation with the art itself, she finds the event is more personal than she ever could have imagined. (1M, 3W.) BOREDOM, FEAR AND WINE by Craig Pospisil. When you’re stuck at home during a pandemic, everything happens online— even therapy. Harper is suffering, and can’t reconcile feelings about the terrifying disease with the monotony of lockdown. Jess tries to be sympathetic, but the session goes off the rails. (2 n/s.) FORCED by John Cameron Mitchell. When the author was invited to attend Russia’s first queer film festival, he was prepared for trouble: The hosting cinema had pulled out after a national film figure derided the event as a “festival for child molesters.” Inspired by the courage of the organizers, Mitchell agreed to attend, bringing his Russian friend Sasha along. This monologue is derived from his diary. (1M.) TELEPHONES WITH CORDS by Mashuq Mushtaq Deen. Bozz and Banjo, best friends and fellow puppets, are feeling the separation of a Zoom existence. Frustrated, Bozz wants to talk by phone, and Banjo can’t help but sense their friend’s growing existential despair. Usually the optimist, even Banjo begins to wonder about the hands at work in their lives. (2 n/s.)

Here is a must-have book for anyone producing a stage show without a Broadway-sized budget. Written by a technical theater veteran, The Perfect Stage Crew explains the pitfalls to avoid and provides solutions to the most common—and the most complex—stage performance problems, even for theaters with a lack of resources. An invaluable guide for middle and high school theaters, college theaters, and community theaters, The Perfect Stage Crew teaches readers how to: Stock, organize, and store the essential backstage supplies Conceptualize, design, and build sets Manage a stage crew effectively Paint scenery and backdrops Test, design, and hang lighting Operate and repair sound equipment Set cues Promote your show This expanded second edition covers up-to-date technology, including for use with recording, sound, and lighting. Chapters also cover such crucial topics as running technical rehearsals, gathering props, and creating and selling tickets. Theater groups that need to learn the nuts and bolts of putting a show together will discover how to turn backstage workers into The Perfect Stage Crew. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.